This is a topic that I think is not covered enough. This is something all creatives experience. Actors, writers, directors, artists, et al. We all must find a healthy way of coping and dealing with rejection. We probably deal with reject more than acceptance and, I would say, we creatives experience more rejection than your average person. When I go to audition, I try not to focus on not getting the part. I do my best and tell myself the outcome doesn't matter. If I am proud of my audition, I can let it go. Still, it has been heartbreaking when I don't cast for a part I know I can rock, I've played it before, and I know I blew castings' socks off. I am in a small pond, so if I didn't get cast for Lady M then who the f--- did? What did she do in her audition? Then, I go into, am I kidding myself? mode. If I can't get cast in a community theater then I must be deluding myself. Is this a sign to give it all up? Also, there have been times, when I submit for an audition and I never get a response. No sides sent. Which means, I was rejected from even auditioning despite meeting the character description. How do I not take that personally?That is my question for you. How do you handle rejection?
Hey everyone,I hope you’re doing well! If you celebrated Thanksgiving, I hope it was full of love, laughter, and plenty of good food. Happy holidays to each of you!Just a friendly reminder: our Black Friday sale is live, and everything, webinars, classes, and labs, is already 20% off until midnight tonight. Don’t miss your chance to treat yourself and grow your skills!If you have any questions, need recommendations, or just want to chat about your creative journey, email me at edu@stage32.comI’m so grateful for all of you, thank you for being part of our Stage 32 community!All education is linked here: https://www.stage32.com/educationHere are some of my favorite acting education we have:Introduction to Working as an Actor: Steps to Start Your Career: https://www.stage32.com/education/products/introduction-to-working-as-an-actor-steps-to-start-your-careerActors: How to Get Noticed By a Casting Director: https://www.stage32.com/education/products/actors-how-to-get-noticed-by-a-casting-director4‑Hour Acting Intensive Workshop: Develop Your Audition Process for 2025 to Book More Work: https://www.stage32.com/education/products/stage-32-4-hour-acting-intensive-workshop-develop-your-audition-process-for-2025-to-book-more-work-1How to Find Representation As a Multi-Hyphenate Actor: https://www.stage32.com/education/products/how-to-find-representation-as-a-multi-hyphenate-actorWarmly,SydneyStage 32 Education Team
I was just reading about how in the UK, micro-budget films are on the rise in festivals due to funding from the BBC, BFI (British Film Institute) and government tax breaks. I know this topic has been covered before in this lounge but would you make one? Have you made one ? If so, what was your experience?Here is a cool podcast about how to make one which got me excited. Having fun making it is what they recommend https://youtu.be/4E14kGNzrJo?si=x2VydZZpP1lK7e2e
Greetings all,So with this year rapidly coming to an end Ive started looking towards my plans for next year. booked up my next set of acting classes and begun looking at getting new headshots. Never too early to start planning and manifesting.
THERE IS NO BUSINESS LIKE SHOW BUSINESS The phrase "There is no business like show business" first appeared in 1946, written by Irving Berlin and sung by the incomparable Ethel Merman. What began as a musical number soon became a cultural truth — a line whispered backstage, printed in biographies, echoed through decades of cinema. On the surface it sounds cheerful, almost celebratory, yet beneath it lies an undeniable acknowledgment: no other field demands so much heart, sacrifice, imagination, resilience and risk as the entertainment industry. Hollywood embraced the phrase because it captured both the brilliance and the brutality of the profession. It is a world where dreams collide with economics, where passion must co-exist with strategy, and where only those who understand that art is inseparable from business truly endure.Like every timeless myth, the statement opens the door to something larger. Lights – Camera – Action is not just the beginning of a scene; it is the beginning of a journey. To filmmakers and creatives, Hollywood is what Paris is for painters — a city of myth, a sacred ground of creation. And Hollywood is not merely that legendary district in Los Angeles. It is a symbol — a metaphor for the global creative industry, a state of mind that resonates from Berlin to London, from Toronto to Cape Town, from Seoul to São Paulo. Wherever stories are born, wherever cameras roll, wherever someone dares to dream on a stage or behind a lens — that is Hollywood.For most hopeful young actors, however, Hollywood — in all its symbolic power, its fame, its fortune, its promise — is still a long way from home. Only a few ever make it there, but that never stops countless dreamers from trying. And perhaps that is the heart of the saying: in this industry, the pursuit itself becomes part of the story.I remember one defining chapter of my own. A few years ago, I had a casting opportunity for an Expendables sequel — a moment that felt like stepping onto the edge of a dream. Why? Because with Expendables, a childhood fantasy would have leapt into reality. My future colleagues would have been the very heroes I grew up with. Legends like Arnold Schwarzenegger, Sylvester Stallone, and all those other BIG-BANG action performers who shaped the DNA of my imagination. To stand beside them, even for a moment, would have been a full-circle milestone.It didn’t work out back then… but what followed mattered far more than the outcome. After the casting I sat down for an interview with Will Roberts — actor, performer, and part of the cast of Christopher Nolan’s OPPENHEIMER, and formerly the host of the radio podcast Will Roberts Weekly Telegram Show. Our conversation, which he titled "It’s the magic of risking everything for a dream nobody sees but you," changed something fundamental in me. It crystallized a truth I had always felt but never fully articulated: in Show Business, success belongs to those who create movement, not to those who simply wait. That meeting became the blueprint for what would later grow into my Actorpreneur philosophy — the realization that Show Business is, at its core, a business. And like any business, it rewards clarity, connection, and ambition. Some people rise because they build networks, mentors, momentum; others remain in occasional jobs because they wait for the mythical “one chance.” Show Business rewards motion — always has, always will.But beneath all the strategy, there lies the artistic heart that makes this world worth fighting for. As actors, as writers, as artists, we carry something ancient within us. We are the last of the Shamans, the Keepers of Fantasy, the Knights Templar of the Creative. We guard imagination in a world that often forgets it. And despite everything, it helps to be a dreamer. I had my dreams long before I had my opportunities. Dreams are the one possession nobody can ever take from you. They cost nothing, yet they are priceless. They can be as real as you allow them to become, and they are entirely yours.Those moments, humble as they were, became part of the architecture of my story. That’s the stuff my dreams are made of. The artist who understands both the poetry and the process becomes unstoppable. The dreamer and the entrepreneur — united in one path. The one who knows how to tell stories and how to build relationships. The one who understands creativity and consistency, imagination and initiative, talent and visibility.And that is the essence of the Actorpreneur. The understanding that Show Business is a realm where the artistic soul and the strategic mind must walk hand in hand. Because in the end, there truly is no business like show business — and there is no business like the one you build for yourself. There is a moment in every actor’s journey when a quiet, unmistakable truth begins to surface: Show Business is not simply an industry — it is an ecosystem, a living organism built on motion, presence, and connection. Talent may draw us onto the path, but visibility, relationships, and supporters are the structures that allow anything to grow. Long before digital portfolios and algorithmic reach, performers whispered this lesson behind the velvet curtains of theatres around the world: an artist may create alone, but no artist succeeds alone. Visibility has never been vanity; it has always been architecture. In a world founded on stories, to be seen is to be understood, and to be understood is to be chosen.Yet the visibility that matters is not loud, nor cosmetic, nor hollow. It is the kind of visibility that reveals who you are, what you stand for, how you work, and what energy you carry into a room. A headshot can show a face, a reel can demonstrate ability — but neither can convey presence, timing, warmth, reliability, empathy, humor, discipline, or depth. Only a conversation can. And that is what the industry is truly hungry for.Casting directors are not searching for perfection; they are searching for collaborators they can trust. Talent agents do not want to gamble on mystery; they want clarity, commitment, and the unmistakable sense that you are steering your own ship. Managers and producers look for performers with emotional intelligence and creative synergy. The myth that actors chase decision-makers is a distortion; the truth is far more balanced. Agents need new voices. Casters need fresh energy. Filmmakers need grounded talent. And every one of them needs human connection. Meeting actors is not a courtesy; it is part of their survival, their craft, their responsibility as architects of future stories.And in a time when our industry is increasingly mediated by screens, profiles, and digital avatars, we often forget the simplest reality: sometimes a conversation reveals more than a thousand pictures ever could. Sometimes one moment of recognition, one human exchange, one shared breath in a room, becomes the turning point a career has been waiting for. Visibility is not a monologue. It is a dialogue. A bridge. The Actorpreneur understands that to be visible is not merely to show yourself, but to allow others to find you.This truth has shaped legends. When Daniel Craig stepped into the shoes of James Bond, he did not do so by fitting an existing silhouette. He broke the silhouette. But what often goes unspoken is that his rise was not sealed by image alone. It was sealed by the conversations behind the scenes — by producers and casting directors who felt his authenticity, his discipline, his grounded humanity. They did not cast the photograph. They cast the man. The industry does not invest in copies; it invests in originals. And originality is revealed in connection.That is why events like the Hollywood Networking Week carry such power. They are more than gatherings — they are modern agoras of Show Business, temporary yet extraordinary constellations of creators, actors, agents, directors, producers, and visionaries. This is where strangers become allies, where contacts become collaborators, where supporters are born. It is where the architecture of a career begins to expand. Supporters are not optional in this profession; they are the lifeblood of longevity. And nothing — nothing — builds a supporter faster than human connection.Networking Week is where visibility becomes human. It is where passion becomes shared, where stories intertwine, where careers accelerate not by coincidence but by alignment. In Show Business, the right supporter is not merely helpful — they are transformative. And every transformative connection begins the same way: by showing up.It is precisely for this reason that 2026 will mark a turning point in my own journey — the year in which I will host my personal Hollywood Networking Week, not as an event of convenience but as an act of responsibility. Because when I look at the agencies and agents who have represented me, I see a truth that demands both humility and action. I was connected to some of the finest talent agencies in Hollywood — Paradigm, ERIS, Enorama — relationships formed in the years when my IMDb ranking rose below 7k. In those days, doors opened, conversations began, momentum moved.And then something happened that no artist likes to acknowledge: the momentum shifted — not because the world turned away, but because I stopped steering it with the same intensity I once had. I waited. I hoped. I convinced myself that opportunity would knock again simply because it had knocked before. I waited for the mythical magic moment — the one where Christopher Nolan calls out of the blue — and while that fantasy is charming, it is not how Show Business works. Momentum isn’t granted. It is created. Visibility isn’t gifted. It is earned. A brand isn’t maintained by memory — it is maintained by movement.And so I realized something essential, something liberating: if I want to rise again, I must rebuild my visibility, my presence, my network — not from nostalgia, but from purpose. Brands with staying power do not rest. They renew. They sharpen. They evolve. The actor who becomes unforgettable is the actor who stays in motion.This is why 2026 is not just a year on the calendar for me. It is the year of return, of reinvention, of reconnection — the year of my Hollywood Networking Week. A week dedicated to meeting the people who shape this industry. To reconnecting with the dreamers, the decision-makers, the believers. To building the supporters every actor needs — and offering support in return. To becoming once again a brand with presence, purpose, and unmistakable identity. To stepping back into the arena not as someone waiting to be discovered, but as someone choosing to be seen.The Artist in me creates. The Entrepreneur in me acts. And together they walk toward 2026 — a year of open doors, of new relationships, of restored visibility, of reawakened momentum.Perhaps our paths will cross there. Perhaps we will shake hands in Los Angeles or London. Perhaps we will look back one day and say: This was the moment everything shifted.And maybe — just maybe — we will stand together as witnesses to the truth that has always defined this profession: there is no business like show business, and the greatest breakthroughs often begin the moment we choose to step forward again.
Another nice new AI short (7') that explains a lot of the current state of modern AI moviemaking. Have a close look and let know what you think of this film, I am especially interested in what you think of the acting. To me the acting is on a scale between 0 and 10 a 6.5. The characters come across somewhat shallow at certain points, but I have seen worse in my life. I think with a little bit of extra work by acting and art department talent these performances can be made to 7 or 8. What kind of number would you give this acting performances? And as an actor would you be intererested in creating your own AI or virtual character?https://youtu.be/YRVvFtTO86w?si=zF87FOFsZ5CwomGR
There I was, retired from broadcasting 21 years ago and wondered at age 60 what else I could do? Be an actor? Never! I'm too old. I learned age is not a barrier...read my blog how it all worked.https://www.raywatters.com/post/a-new-career-at-my-age
My place is firmly behind the camera, or a desk, and I'm happy there, but a recent project has me requisitioned for a making of type of documentary. My task is to read notes and sound as though I am not reading them but making it up on the spot.I set up a microphone and gave it a try, and no matter what, I sound like I'm reading, and then when I try to sound like I'm not, I sound like I'm overacting. Which obviously I am. Are there any quick bits of advice for a total non-actor who is suddenly on the spot to do some audio VO and make it sound natural and on the spot.
Hi I have a question for ANYONE that can advise .....my question: "what video file "format/s" does Stage 32 support for its members to upload their respective video files?". I have reached out to Support regarding this , but if someone has a short/quick answer to my question, then at least I can ensure that I'm using the right formatting specifications at my end, when attempting to upload my show reel or any other video files. Much appreciation to anyone that can advise. kind regards Chas
Sharing this week's Coffee & Content which is about the bold reinvention behind Predator: Badlands and the lessons we can draw from Dan Trachtenberg’s fearless approach to storytelling. It also ties directly into the return of original storytelling and the resurgence of the spec market. So I am asking you actors, how important do you feel it is to re-invent or overhaul aspects of your identity as an actor or indeed aspects of your craft?Here is the blog link https://www.stage32.com/blog/coffee-content-reinvent-the-story-reinvent-the-industry-4294
Can't wait for these ones, cuz yall absolutely killed it at the Thanksgiving Holiday theme request last time!
Before we go deeper into the Actorpreneur journey, I want to pause for a moment and speak about something that quietly affects almost every actor I know — something that brings hope one week, frustration the next, and confusion in between: the IMDb Starmeter.IMDb – The Damocles Sword Above UsIf you know the story behind that ancient metaphor, you know exactly what I mean. In Greek mythology, Damocles envied the wealth and power of King Dionysius. To teach him a lesson, the king invited him to a lavish banquet — but suspended a sharp sword over Damocles’ head, held only by a single horsehair.The message was cruel but truthful:From the outside, success looks glorious.But from the inside, it carries a constant, invisible pressure.And for many actors today, that sword is called IMDb.There is an unspoken pressure around this number, as if it were a mirror of talent or a prediction of future success. But the truth is far simpler and far more comforting: your IMDb ranking is not your identity. It is not your talent, not your value, and certainly not the measure of where your career can go.I say this because I’ve experienced the entire spectrum myself.My Starmeter has climbed to an All-Time High of 7k… only to fall to 2 million shortly after, then rise again to 40,000, then slip, then rise, then slip again — sometimes all within the same month. And in none of these moments did my craft change. My passion didn’t disappear when the number dropped, and it didn’t magically increase when the number rose. I remained exactly who I am: a storyteller on his way.Here’s what actors often forget when they’re staring at their IMDb ranking: ask yourself this — is Matt Damon a highly paid, consistently booked, globally respected actor because he sits in the IMDb Top 100… or is he in the Top 100 because he is an exceptional actor? The answer reveals itself instantly. The same applies to Denzel Washington, Cate Blanchett, Robert Downey Jr., Viola Davis, Tom Hardy, Emma Stone — they don’t work because their ranking is high; their ranking is high because they deliver truth, presence, excellence, and unforgettable performances. IMDb is not a talent barometer, not a measure of quality, not a predictor of destiny. It is a popularity ripple, shaped by online traffic, search trends, algorithmic shifts, new releases, media buzz, and even gossip. If IMDb truly reflected artistic value, films I personally cannot connect with — like Deadpool & Wolverine — wouldn’t dominate the charts; yet they do, because millions click on them. And the reverse is true: I prefer the older Fantastic Four with Miles Teller, so that’s the one I look up — my personal clicks shape the number, just as yours do. That’s all IMDb is: a subjective echo chamber of curiosity. Rankings rise when people search you; they fall when attention moves. But none of it changes who you are. None of it defines your craft. None of it touches your talent, your evolution, your worth, or the legacy you are building. IMDb fluctuates. You don’t.And here is the part many actors misunderstand: Branding and IMDb do not always move together. At least not until you reach the A-list, where studios, PR teams, and global media push your name into constant circulation.For everyone else, branding grows quietly and strategically: through consistent storytelling, powerful visuals, a clear niche, meaningful connections, and the ability to position yourself as a recognizable identity in the industry.Your IMDb ranking can jump or fall overnight.Your brand grows over months and years.IMDb = noise.Branding = identity.IMDb = fluctuations.Branding = direction.IMDb = who Googled you this week.Branding = who the industry believes you are.This is why we must stop treating IMDb as a judgment and start seeing it for what it is: a digital weather report. It changes with every wind of public taste, every new announcement, every trending project. But you — your craft, your identity, your evolution — those things don’t fluctuate week to week. They grow. They deepen. Furthermore, they solidify. And the industry remembers that, not a number.Branding lasts longer than algorithms.Niche lasts longer than trends.Presence lasts longer than traffic waves.So use IMDb as a tool — a place to keep your bio polished, your photos updated, and your credits clean — but never as a mirror for your self-worth. The business remembers authenticity and emotional truth far more than analytics. The world casts human beings, not rankings.And this is exactly why Actorpreneurship, visibility, and branding matter. Because while IMDb reflects noise, your brand reflects identity. Because while an algorithm moves up and down, the story you carry stays constant. And because your journey deserves to be defined by intention, purpose, clarity and evolution — not by a weekly fluctuation on a website.DEEP INSIDE — Visibility, Branding & The Actorpreneur EraAnd this is exactly why visibility and branding matter far more than anything an algorithm could ever say. IMDb rises and falls with the tides of online noise, but your brand grows through intention, clarity and the choices you make over time. Visibility is not luck — it’s something you build. And branding is not a gimmick — it’s the identity that carries you through an industry that remembers presence, truth and individuality far longer than it remembers numbers.Actorpreneurship is the bridge between both worlds. It’s the moment you stop seeing yourself only as an artist and start understanding yourself as a creative business — as someone who shapes their own ecosystem through strategy, storytelling and authenticity. When you embrace that mindset, your artistic life stops depending on outside approval and begins to generate its own momentum.That’s the phase I’m stepping into now — a phase where my brand becomes visible, not just conceptual. As I prepare for Business Expo 2026 and Hollywood Networking Week 2026, I’m building the next layer of my identity: a clear, cinematic representation of who I am on-screen.That journey begins with ART MEETS TALENT – The Look.Book.This gallery isn’t just a collection of headshots. It’s the first visual chapter of my niche — a curated expression of range, identity and emotional truth. Every frame is a small story. Every portrait is a version of the man I bring to the screen. It’s a visual identity system designed to show casting directors where I live emotionally, physically, and energetically in the world of storytelling.And over the next weeks, that visibility will deepen even more as I step into the Urban Villain Identity Shooting — a cinematic exploration of my niche as The Intelligent Titan / Dark Hero with Purpose. This is where the work becomes real, where identity meets imagery, and where branding finally becomes something you can feel.Because in the end, this industry doesn’t reward the loudest algorithm — it rewards the clearest identity.And that is something we can all build, step by step, with heart, intention and courage.Let IMDb fluctuate.Let your identity rise.And let your branding speak louder than any metric ever could.
If you want an interview that’s equal parts hilarious and genuinely insightful about the actor’s journey, Glen Powell delivered a great one on Hot Ones.Watch it here: https://www.youtube.com/watch?v=-fY6AI0964Q In this episode, Glen talks through:• Doing his own stunts and why he wants audiences to actually see him taking the hits• Learning story structure from the inside out while working as a script reader early in his career• Reframing the early struggles of being a young actor in Hollywood and the moment he realized the job is really about play• Advice from Sylvester Stallone on what muscle groups truly read on camera• Life on set, from tornado sightings during Twisters to navigating stunt terminology• How he hopes his career is remembered decades from nowBeyond the wings and the comedy, Glen opens up about what keeps him grounded, how he collaborates, and what helped him level up as a performer.If you’ve watched it, what stood out most to you: the stunt stories, the honesty about rejection, or the way he talks about building a career he loves?And if you haven’t seen it yet, give it a watch and share your takeaways in the comments.
Anyone else out there ever been ripped off by an online person representing themselves as an agent. I have. The biggest disappointment was I’m so certain my work is worthy, I couldn’t believe she wasn’t real. She was professional, knew the processes, and totally suckered me. The biggest disappointment is my work is worthy of an agent. But I am forever jaded.
In RB's Sunday Blog, he talks about opening doors and taking control of your creative path. You can read it here::https://www.stage32.com/blog/coffee-content-opening-doors-taking-control-of-your-creative-path-4286I ask you, what is one bold move you've made to kickstart your creative career? For me, it was making my creative career, whether it's acting, writing, audio book recording my number one priority. I fully believe in "Do what you love and the money will follow." I am still waiting on that money, but I am happier. My life is full of joy.
https://nofilmschool.com/self-tape-audition
If you need a dose of inspiration today, look no further than absolute legend, Michelle Yeoh, reflecting on her extraordinary career in this new Vanity Fair breakdown.Watch the full video here:https://www.youtube.com/watch?v=8W4ItqMTxDs From her early days in Hong Kong cinema to redefining global action stardom, and eventually becoming an Oscar-winning dramatic powerhouse, Michelle Yeoh walks through the roles that have shaped her life and legacy. She shares candid stories about doing her own stunts in Supercop, redefining the Bond girl archetype in Tomorrow Never Dies, bringing emotional depth to Crouching Tiger, Hidden Dragon, navigating cultural nuance in Crazy Rich Asians, and stepping into multiverse madness with Everything Everywhere All At Once.She even talks about joining Wicked after receiving a video message from Ariana Grande and Cynthia Erivo telling her it was “imperative” she say yes — and honestly, who could resist that?Yeoh’s career is a masterclass in longevity, reinvention, and fearlessly taking on roles that challenge expectations. Her reflections on discipline, craft, injury, resilience, stereotype-breaking, and artistic growth are well worth the watch.Which Michelle Yeoh performance has stayed with you the most, and what about it inspires your work?
In an interview Lucy Liu did for the Hollywood Reporter she talks about the new film Rosemeade that she produced and had a leading role in. She talks about standing up for her worth and no longer accepting to be type caste as the ’Dragon Lady” from Kill Bill.Even before this film, she talks of not wanting the Caucasian name of her character (in the film Lucky Slevin) to be changed to show that she can still be that person. She says, “It was written for somebody else, and yet I can still be that person, and you should not be able to detect a difference. It should not change the way that you receive this piece.What are your views on the extent to which diversity is accommodated in the industry?Do you agree with Lucy Liu that names of characters should not be changed regardless of ethnic background?Here is the interview in full https://www.hollywoodreporter.com/movies/movie-features/lucy-liu-enters-a-risky-new-chapter-rosemead-1236428808/
FIRED For This Instagram Post (Actors: Don't Make This Mistake)https://youtu.be/7ldthFUTGl0Have you ever signed an NDA? If you are allowed, would you tell us the name of the project? And, share it on the channel so we can learn from you.
ANNOUNCEMENT: Create Your Actorpreneur Brand — BUSINESS EXPO 2026 × Hollywood Networking WeekAs I prepare for the Industry Hollywood Networking Week 2026 in Los Angeles and London, I’m launching a series of (discussion)posts dedicated to building the Actorpreneur Mindset — where storytelling meets strategy, and creativity becomes a business tool. Today’s topic: FIND YOUR NICHE — or let your life write it for you. Some journeys are written in scripts. Mine was written in sweat, scars, and second chances — long before the camera ever rolled. I didn’t choose my niche. My life carved it for me. Before the film industry called me back, I lived through worlds that shaped the man I am on screen today: I spent years walking between worlds: CrossFit professional — where I earned the nickname "The Titan." Certified Paramedic — stabilizing lives in chaos, performing life-saving interventions, seeing human vulnerability and resilience up close. Military Police–Trained Bodyguard — protecting high-profile athletes, mastering vigilance, timing, and controlled intensity. MMA & Stunt Enthusiast — shaping discipline, movement, and physical storytelling. These weren’t roles. They were lived realities — and they carved out the identity I bring into every performance. That is how my niche emerged: The Intelligent Titan — a Dark Hero with Purpose. A character archetype born not from branding, but from biography. And that’s the truth many actors forget: Your niche isn’t invented. It’s uncovered. It’s your identity — your cinematic fingerprint. Under the mentorship of Will Roberts (OPPENHEIMER), I learned one of the most transformative lessons of my career: "Treat acting like a business. Talent opens the door — visibility, consistency, and accessibility keep it open." Your niche isn’t a limitation — it’s your evolution. It’s the autobiography beneath your talent.So I stopped waiting to be seen and started building a brand worth seeing. VISUAL BRANDING — The Face of Modern Villainy As we move toward the Business Expo 2026 and Hollywood Networking Week, I’m releasing my Gallery Project ART MEETS TALENT – The Look.Book, a visual prelude to what comes next: my Urban Bad Guy / Villain Identity Photoshoot, crafted to capture the shadow that drives the story forward. These latest headshots (coming soon) carry the essence of my journey — from CrossFit arenas to the shadows of cinematic storytelling. Every line, every shadow, every frame echoes a chapter of resilience. These aren’t just photos. They’re a silent audition for the next villain — the strategic, layered, dangerous kind of antagonist that moves stories forward and leaves audiences thinking. If you love complex characters, if you believe in cinematic identity, let’s connect. More insights on branding, strategy, storytelling & Actorpreneurship are coming as we move toward the BUSINESS EXPO 2026 and Hollywood Networking Week — a crucial milestone in building international partnerships and expanding the creative footprint. So, I ask you: Did you choose your niche — or did life choose it for you?BUSINESS EXPO 2026 × Hollywood Networking Week >> https://www.imdb.com/name/nm6401783/#actorpreneur #tviactorsstudio #castingcall #talentagents #castingdirector #sagaftra #headshots #actorsaccess #castingnetwork #sagaftramembers #onset #selftape #actresslife #backstage #actresses #actress #screentest #nyactor #alannusbaum #sydneyactor #hollywood #laactor #auditions #melbourneactor #newyorkactor #entertainment #ilovela #losangeles #lawriter #belvaanakwenze
I'm creating a character. A woman in her late 20s or early 30s. She works in the LA Arts district for an unsavory character with gangland ties who sometimes requires "favors' of her for his associates. I'm imagining a Lauren Bacall type from The Big Sleep, or Michelle Pfeiffer from the Fabulous Baker Boys. She may have been born here or come to LA to pursue a career as a singer. Like Michelle Pfeiffer's character, she knows how to sing but maybe not well enough to be a star. She sings in a jazz club some nights. She feels trapped in her life, has a close friend die, then meets someone who she thinks might make a difference and comes to a dangerous decision to try and break free.What more would you want to know about that character to play her? What led her to where she is? What might she be willing to do to break free? What would make her seem real to you?I'm just brainstorming so any thoughts would be welcome. Thanks in advance for any responses.
hi is there a way I can post my acting here to get noticed by agents??
Hey everyone. I'm interested to know what everyone else does. I am in the fortunate position to have three agents and between the three of them, I get a lot of auditions... well, more than I used to anyway. This week I had six. Normally, I'll do them in the order in which they are due. Closest gator to the boat wins. If I get them early enough, I try to at least turn them in three days ahead of time if I can. Of course, I know, you should get them in ASAP but sometimes that's not possible and I have to wait a day or two.But I've also heard that some Actors will put more emphasis on which one pays the best and knock that one out first. Or which one is easiest to do, or which one is the most fun if you get the part, or just doing them in the order they come in.Let me hear what you've got! Have a GREAT day!
I have a friend visiting me for a week from England for her very first ever American Thanksgiving, and we wanted to plan one night of staying in and cooking/watching films. For some reason I can only think of Halloween and Christmas movies-do you know of any good tgiving ones? LMK in the comments what they are and why you like em
"Javier Bardem joins Backstage’s In the Envelope: The Actor’s Podcast to discuss his chilling, Golden Globe–nominated performance on Netflix’s “Monsters: The Lyle and Erik Menendez Story,” as well as recent projects like Denis Villeneuve’s “Dune: Part Two” and Josh Gordon and Will Speck’s “Lyle, Lyle, Crocodile.” The Oscar winner also dives into his philosophies toward acting and how he’s developed such a wide-ranging résumé of roles."https://www.backstage.com/magazine/article/javier-bardem-interview-monsters-dune-2-78132/
I recently paid a service to shoot and edit a demo reel for me, with me. In addition to acting in the scenes, I wrote the scenes (hoping to use the reel as a bit of a writing reel too). I have the option to retake a line here or there, so I am looking for some constructive criticism on the reel.
If you’re looking to elevate your directing craft and lead your next project with clarity and confidence, learning directly from working directors can make all the difference. These webinars and classes are taught by professionals who’ve brought award-winning films, television, and streaming projects to life — and they share the real-world techniques and creative insights that have helped them succeed.I wanted to highlight some of our most highly viewed Directing webinars and classes so far this year. These have helped filmmakers worldwide strengthen their storytelling, sharpen their visual style, and lead productions more effectively.TOP WEBINARS:How to Pitch Your Dream Project with You as the Star > https://www.stage32.com/education/products/how-to-pitch-your-dream-project-with-you-as-the-starYou’ll learn how you can create your own star-making television show, how to pitch it, and what it’s like to produce a television series that you also write and play the lead in.An Insider's Tips to Getting Hired as an Actor Anywhere in the World >https://www.stage32.com/education/products/an-insiders-tips-to-getting-hired-as-an-actor-anywhere-in-the-worldWe’re connecting you with a successful actor with vast marketing knowledge. She’ll show you how to create a brand for yourself that producers, reps, and casting directors remember when it’s time to cast their next projects and, ultimately, help build your career from anywhere in the world.How AI is Revolutionizing the Casting Process and Impacting Actors > https://www.stage32.com/education/products/how-ai-is-revolutionizing-the-casting-process-and-impacting-actorsLearn about the implications of artificial intelligence on the acting and casting industries from Sami Arpa, Ph.D., a leader in the intersection of technology and filmmaking. He will provide you with practical tips for actors, casting directors, and talent agents on how to update their workflow and incorporate AI into their practices.Actors: How To Prepare To Work With An A-List Director > https://www.stage32.com/education/products/actors-how-to-prepare-to-work-with-an-a-list-directorLearn how to develop your own preparation techniques from an actor who has worked with A-list directors like Marco Bellocchio, Ridley Scott and more, and whose new film, KIDNAPPED, was in competition for the Palme d'Or at the 2023 Cannes Film Festival!TOP CLASSES:Stage 32 4 Hour Acting Intensive Workshop: Develop Your Audition Process for 2025 to Book More Work > https://www.stage32.com/education/products/stage-32-4-hour-acting-intensive-workshop-develop-your-audition-process-for-2025-to-book-more-work-1Learn from an actor who has honed his craft over 30 years, including roles in Mad Men, Bones, The Big Bang Theory, and more! You'll also received The Audition Process Beat Sheet and Audition Day Checklist, to streamline your audition process.Stage 32 4-Part Producing Class: Attaching Actors and Directors to Your Indie Film Project > https://www.stage32.com/education/products/stage-32-4-part-producing-class-attaching-actors-and-directors-to-your-indie-film-projectLearn from a top indie producer who's worked with Bradley Cooper, Zoe Saldana, Paul Rudd, Olivia Wilde & more! Get downloadable actor and director offer letters plus actor and director agreements!We’re in the process of planning our 2026 education calendar, and your input is invaluable.Which acting topics would you like to see featured next year? Share your ideas in the comments below—your suggestions will directly influence the programs we create.
Hi I’m a actor in Sweden with no representation.how do I get an agent that will help upcoming actors to get work internationally.i can’t speak Swedish and most of the movies and show that are shot here are In Swedish.
Dropping in to remind all you actors that THIS weekend November 14-16 is the third weekend of the month. Which means, if you're new to Stage 32, it Introduce Yourself Weekend. We have had a lot of new people in this lounge lately, many of you asking how to get connected. So this is a perfect opportunity. Starting Friday, head on over to the Introduce Yourself Lounge and Introduce Yourself. And comment on others' introductions.https://www.stage32.com/lounge/introduce_yourself
If you needed another reason to love Mads Mikkelsen, here it is.In a hilarious and unexpectedly insightful clip, Mikkelsen uses action figures to break down one of his intense stunt scenes from his upcoming horror film Dust Bunny, directed by Hannibal creator Bryan Fuller.Watch the exclusive video here: https://www.cbr.com/mads-mikkelsen-dust-bunny-choreography-exclusive-clip/ In Dust Bunny, Mikkelsen stars as Resident 5B, a mysterious hitman hired by a young girl named Aurora (Sophie Sloan) to take revenge on the “monster under her bed.” The film also features Sigourney Weaver and David Dastmalchian, rounding out a powerhouse cast.Fuller and Mikkelsen’s reunion after Hannibal brings the same mix of tension, beauty, and dark humor, and this clip proves that even a grim horror film can have moments of pure creative fun.Mikkelsen’s “action figure choreography” isn’t just funny, it’s a great reminder of how visualization, play, and physical storytelling can elevate performance, even in prep.Actors, what’s the most unconventional method you’ve ever used to prepare for or block a scene?
Hi, everyone I am Arun Sharma from India. Eager to built career in Hollywood industry. I want to know how did I get an agent / manager and casting calls updates while I am in India ??This will really help me. Thankyou Regards Arun Sharma
Can screen actors legally be considered private contractors? I thought the IRS rule says private contractors set their own hours and are self-directed. Actors don't set their own hours, and they are directed by a director.You are largely correct in your understanding of the IRS guidelines: because production companies typically exercise a high degree of control over actors' work (setting hours, location, and providing direction), most screen actors should legally be classified as employees, not private (independent) contractors. The Deciding Factor: ControlThe IRS and state labor departments use the degree of control and independence as the primary factor in determining worker status. Employees: A worker is generally an employee if the business for whom they perform services can control what will be done and how it will be done. This describes the typical actor-production company relationship: the director dictates schedules, lines, actions, and overall performance, meaning the actor has little control over the details of how the service is performed.Independent Contractors: An independent contractor typically has more control over their own work, sets their own schedule, provides their own tools/equipment, and has the opportunity for profit or loss in their business. This is not the standard situation for most working actors on a set.Real-World Practice vs. Legal StandardDespite the legal standard, it is common practice in some parts of the entertainment industry, particularly in low-budget or non-union projects, to misclassify actors as independent contractors (paid via Form 1099-NEC instead of a W-2). This is often done to save the production company money on payroll taxes and benefits like unemployment insurance and workers' compensation. However, this misclassification carries significant legal risks for the production company, including fines and penalties for back taxes and liabilities. ExceptionsThere are a few situations where an actor might be legitimately considered a contractor:Loan-Out Corporations: Highly successful actors often form their own personal service corporations (also called "loan-out" companies). The production company then contracts with the actor's corporation, not the individual actor. In this case, the actor is an employee of their own company.Unique Circumstances: If an actor brings their own unique equipment, supplies, and intellectual property rights to a short-term, non-integral part of a production, they might be classifiable as a contractor.Specific Roles: Certain high-level roles, such as writers and directors (who are involved in overall planning and implementation), may sometimes be classified as independent contractors depending on the specific circumstances. In summary, based on the IRS's control test, most screen actors working for a production are legally employees, even if they are sometimes incorrectly paid as independent contractors in practice.
Stars Glen Powell, Josh Brolin, Lee Pace along with director Edgar Wright talk about their upcoming movie ‘The Running Man’. (https://www.youtube.com/watch?v=ai8tvHdCQJ8)
Hi here is the ending of a letter I am writing to send off to investors and sales agents. My wife keeps saying it sounds like I am saying my film is a terrible! I am not sure I agree but I figured I would ask. I shot this version over the course of a couple of months to demonstrate what it sounds like and can look like. This is to show it is watchable and dynamic but of course it is not a finished product, it needs pickups, editing and refining.
"When Actors Tell You 'Don't Even Try' - What They're Really Saying"https://youtu.be/Ev5hOIhqYJoHave you ever had anyone tell you don’t even try to do something?If so, please share it here and on the channel so we can learn from you.
Hello all,I have no doubt that this questions has probably been done to death but as I’m sitting here going over lines for a class on Wednesday I am curious what methods/techniques people use to learn their line’s.
The Entrepreneurial Spirit of Acting – Building a Brand from the Inside OutActing is more than art — it’s entrepreneurship.Every actor runs a business: the business of self.Talent is the foundation, but success happens where creativity meets strategy. Visibility, consistency, and the ability to turn emotion into a tangible experience make the difference between a dream and a career.Like any entrepreneur, an actor must know who they are, what they stand for, and what value they bring. Networking, branding, storytelling — these aren’t marketing buzzwords; they’re essential tools for artists who understand that they are not only performers but CEOs of their own creative enterprise.Under the mentorship of Will Roberts ("Oppenheimer"), I’ve learned to treat my career like a business: "Be visible. Be approachable. Be versatile. Talent is the base — but mindset is the multiplier."This guidance changed my perspective completely. Casting isn’t coincidence; it’s the result of intention, preparation, and positioning. Actors who think entrepreneurially create their own opportunities instead of waiting for them.With Will’s wisdom and innovation steering the journey, I’m diving deeper into performance, presence, and purpose — redefining what it means to be an actor in today’s world. His mentorship is my compass, guiding me toward a future where storytelling meets strategy and where every role becomes a reflection of truth, discipline, and emotion.Will guided me to find my niche! Just like entrepreneurs carve their path by finding their audience, actors weave their magic by embodying characters that resonate. I’ve found my strength in the characters that lurk in the shadows, the villains that add depth and intrigue to the narrative. Behind every hero’s journey, there’s a villain crafting the path. Ever wondered why some villains stay etched in our memories, sometimes even overshadowing the heroes? It’s because they bring depth, complexity, and a captivating counterpoint to the narrative. They’re the unsung heroes of storytelling, challenging not just the protagonist but us, the audience, to explore the shades of morality and ethics.Diving into the shadows, they reveal the heart of the narrative, pushing us to embrace empathy and understand the multifaceted nature of good and evil. It’s a testament to the creative spirit, the magic of risking everything for a dream only you can see. As we celebrate these pivotal characters, let’s remember the profound impact they have on the story and on us. They remind us that every character, no matter how dark, has a story to tell, contributing to a richer, more engaging human experience.So, here’s to the villains, the antagonists, the complex souls who dare us to look beyond the surface. Their presence is a powerful reminder of the transformative power of storytelling and the importance of every role in weaving the rich tapestry of narratives that define our world.I have discovered a unique strength in portraying villainous characters. Villains offer an incredible canvas for exploring the complexities of human nature—their motivations, vulnerabilities, and darkness.Playing a villain allows me to dive into the psyche of characters that challenge societal norms and evoke both fear and fascination. This depth brings a magnetic allure to the roles, and I’ve come to appreciate how these characters often steal the spotlight. Whether it’s the cunning mastermind or the broken soul seeking vengeance, I find immense creative fulfillment in crafting villains that linger in the minds of audiences long after the credits roll.It’s a space where I can channel my life experiences, discipline, and emotional range to create characters that are as memorable as they are chilling.Here’s to the road ahead — bold stories, fearless characters, and a brand built on authenticity.It's the magic of risking everything for a dream nobody sees but you.https://www.imdb.com/name/nm6401783/
https://www.hollywoodreporter.com/movies/movie-news/george-clooney-ai-zendaya-jay-kelly-awards-chatter-1236417466/ "And I said to all these actors, ‘Get the f**k off of it (Instagram). Get off of all of it. Because if you’re not on it, you have nothing to be compared to……..it’s diminishing your ability to be bigger than life" - so said George Clooney is the Awards Chatter Podcast not long ago.What do you think? As someone who doesn't have many followers at all, if needing followers is necessary to get acting work then I"m screwed! Do you have try and grow your followers to improve your chances of getting a role?Do you think posting a lot about yourself on Instagram potentially makes you too ordinary and over-exposed as opposed to bigger than life?
Penelope Ann Miller shares her journey working on the indie feature After All in today’s blog. www.stage32.com/blog/the-making-of-after-all-part-3-the-actors-journey-4277 And Penelope Ann is having a FREE Ask Me Anything in the Acting Lounge tomorrow November 8th. You can post your questions now. www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-November-8th-The-Realities-of-a-Working-Actor-Today If you missed the Part 1 blog or Part 2 blog, here are the links: www.stage32.com/blog/the-making-of-after-all-part-1-the-directors-journey-4260 www.stage32.com/blog/the-making-of-after-all-part-2-the-producers-journey-4267
Hi Everyone!I’m Penelope Ann Miller, and I’m thrilled to be hosting an Ask Me Anything here in the Stage 32 Acting Lounge all day on Saturday, November 8th. But you can start leaving your questions right now in the comments below!I’ve spent my career across film, television, and theater, and I’m excited to open the door to your questions about what it truly means to build a long-lasting career as a working actor. From starring in award-winning films like The Artist, Awakenings, and Carlito’s Way to recent projects like Reagan, The Birth of a Nation, and Netflix’s DAHMER – Monster: The Jeffrey Dahmer Story, I’ve seen firsthand how the industry continues to evolve—and what it takes to stay in the game.I’m also incredibly proud to star in the new indie feature After All, which is currently playing in theaters nationwide and, as of tomorrow, November 7, is available to stream on VOD!Whether you’re working on your first audition, transitioning between mediums, or trying to keep momentum in your career, I’m here to share what I’ve learned from decades on set, on stage, and on screen.Here are a few things you might want to ask me about: • How do you navigate the shift between film, television, and theater as an actor? • What makes for a great collaboration between an actor and director? • How do you stay grounded in your craft when the industry is constantly changing? • What have you learned about the audition process across your career? • How do you continue to challenge yourself creatively after decades of experience?Drop your questions below, and I’ll be responding throughout the weekend right here on this post. I’m looking forward to connecting with you!Let’s talk!—Penelope
Good morning, I'm open to looking for new actors in the Phoenix metro area.
Hey everyone! Have you ever taken a job, not because you liked the material, or the story, or that it would actually help your career in any way, but just because a friend was doing a project and wanted you in it? I'm doing that at the moment and for ZERO pay! Lol! I would love to hear your experiences. And when does doing favors run it's course?
Sharing RB's Coffee and Content blog. In it he talks about how creative projects are built brick by brick. Whether your creative project is your acting career, a particular role you are preparing for, your script, your song or something else you are creating. I am at a stage of trying out different bricks - and then discarding them as they are not quite the right fit. This is with respect to my creative coaching rather than acting.So what about you, what bricks are you laying this week?Here is the blog. https://www.stage32.com/blog/coffee-content-building-creative-projects-brick-by-brick-4273
Hey actors!I’m a screenwriter, and one thing that always fascinates me is how you bring words to life. I can write the emotions, the beats, even the silences, but once it’s in an actor’s hands, it becomes something new, something alive.Sometimes I’ll picture a character one way while writing, but then an actor interprets them with completely different energy — and suddenly the scene hits harder than I imagined. It’s wild (and kinda beautiful).So I’m curious, when you read a script, what’s the first thing you look for to find your way in to the character? Is it the dialogue? The subtext? The given circumstances? Or something else entirely?Bonus question: What’s something you wish writers knew about how actors work?Would love to hear your thoughts on this, I think writers and actors speak the same language, just with different accents— Miguel
I love getting to play different roles, living lives I would never get to. Being on stage or set is such a high. My least favorite part is the uncertainty of not knowing when the next job is, sometimes the hustle is more exhausting than the actual job. What about you?
Subtitle: A commentary on identity, ego and the myth of self-building in entertainment circles (or how to avoid a moderation banhammer( :)I don’t know how to envy. Honestly. I couldn’t care less about your career takeoff on a porta-potty in Dubai or how many facelifts you’ve had this week. How much money you’ve made — that’s your business. It’ll become mine only if you and my homie Scrooge McDuck let me take a dip in your paper swimming pool:) credit cards accepted. Your kids are magnificent, they eat well, and drink at least three liters of water a day. The veneered smile of your husband or wife blinds me every time I forget to pull my kneecaps out of my eye sockets. And even when I occasionally fly up to the International Space Station for lunch, I can still see that smile somewhere between the Grand Canyon and the Nazca Lines. Your suit — two-piece, three-piece, ten-piece (?) — fits perfectly, and every corporation on Earth offers you a multi-billion-dollar contract just because you actually remembered to put it on instead of leaving the house in your underwear. If you call envy your fuel, then let me ask — how exactly will other people’s success or failure suddenly make you rich and protect you from erectile dysfunction? Sure, you want everyone else to be doing worse than you, but guess what — you’ll still be you. Rich or broke, famous or some nameless jerk who’s gonna live a few more decades and then go straight to recycling. And I’ll go there with you, buddy:) we’ll envy the graveworms together. They’re the ones who are actually alive. Unlike the two of us.
This 1 Simple Addition to Your Acting Resume Makes it Powerfulhttps://youtu.be/cL4QVekbplwDo you have any suggestions for things to do on acting resumes to make them stand out?If so, please share it here and on the channel so we can learn from you.#actingresume #actorresume #auditionpreparation#actorslife #castingcall
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
