Hey everyone! Have you ever had the happy problem of getting work to the point that you forget what the project is that you're doing next or got them mixed up? Like one project bleeds into another?I'm in that situation now. I shot a commercial yesterday here locally in PA and I'm shooting two next week. One in Atlanta and one in New York. I went to the one yesterday and thought it was the one in Atlanta. I had my lines memorized and everything. I was going to do GREAT!Then I get to set and realized "Hey, this doesn't look like a CVS!" Luckily, there was no dialog for this one and I already have my lines memorized for the next one! Lol!Has this ever happened to anyone? Any nightmare stories you can share? I'd love to hear them!
I am interested to know your acting style. Have you ever done improv or are you more into scripted work?
I’m talking Movies, TV Shows, YouTube’s, and for which part of what ep (if it happens to be a series)
Sharing a fantastic video essay that spotlights the unsung heroes of film & TV: character actors. Watch here: https://www.youtube.com/watch?v=9L57Hy1yk9g The piece digs into why small-but-sharp performances can make a story feel bigger and more alive. A few takeaways I loved: • Character actors = world builders: Think John Carroll Lynch’s chilling ambiguity in Zodiac or his warm, grounding turn in Fargo. Tiny roles, huge impact. • Memorability under constraints: With limited screen time, actors like David Dastmalchian (The Dark Knight) or Martha Kelly (Marriage Story) craft instantly legible, specific characters. • It’s not “lesser” acting: Many legends toggled between character parts and leads: Philip Seymour Hoffman, Jeffrey Wright, Jennifer Coolidge, proving “supporting” can be a launchpad and an art form on its own. • Writers/directors matter: Great minor roles come from scripts and sets that make room for them; smart casting plus a few precise beats can turn a day-player into the moment you remember.For the actors here: • How do you approach small roles so they read instantly without going broad? Any audition tips for making a “one-scene wonder” pop? • Who’s your favorite character actor and what do you steal (ahem, learn) from their work? • If you’ve moved between leads and supporting, how does your process shift?For the filmmakers/casters: • What’s one thing you do in writing or blocking to give character roles oxygen? • Have you ever re-shaped a scene after a character actor brought unexpected texture?Drop your fav examples, techniques, and war stories below, let’s celebrate the craft that makes our ensembles sing.
Spencer Artist Development is currently accepting new students 18 and older for acting, voiceover and dialect coaching and artist development. Lessons online or at Long Beach Acting Studio. UWL accredited grades avail. Certification course for fall Dialects. For audition information visit jamesrspencer.com or call the studio at 562 394 2694 to set up a phone consult. Besides our coaching and website portfolio packages we also teach the business of acting/vo and entrepreneurial strategies.
I just read RB's latest Coffee & Content. I loved The Hollywood Reporter’s Comedy Actress Roundtable. One of the actresses talked about the need to stay in your lane as an actress and stay true to yourself rather than trying to emulate others. That makes total sense to me. I think we are at our most magnetic when we dare to be true to ourselves. So easy to say though yet I still struggle at times to be true to myself. My question to you is 'what does it take to stay true to yourself when acting or creating in general? What helps you get there?Here is the link to Coffee & Content https://www.stage32.com/blog/coffee-content-from-feedback-to-authenticity-the-details-that-matter-4237
How to Stand Out In Acting Auditionshttps://youtu.be/gkDHHiwzLTwDo you have any audition tips that will help fellow actors’ performances while auditioning? If so, please share them here so we can learn from you.
How did a music-and-baseball obsessed daydreamer with dyslexia escape generational poverty in Arkansas to become an Oscar-winning screenwriter and iconic actor? Listen in as Stacey chats with Billy Bob Thornton! https://youtu.be/G7bm7wepwzc?si=g4Rj1lF-cHj9Sle9
I attended my friends film festival with a film knowing I would be shooting a day on a feature while there after, (only to find out the DP bailed last minute and they were unable to find a replacement under such short notice while still managing the last day of the fest) so my scene had to be postponed for now… they did say they would fly me over for it once they figure things out, but me being a realist, and knowing how small the role was in comparison to the script and other characters, (so why not hire a local whom they wouldn’t have to house and feed, arrange transportation & pay international plane tix for etc) I think it’s time to let go and chalk it up to, “woulda been great, but it didn’t work out” Have you ever had a role, then lost it last minute for something that was completely out of your control? What are the tricks or tips you would give other actors on how to move on from a bummer situation
Josh Brolin, Julia Garner, Alden Ehrenreich, and director Zach Cregger sit down to talk about their new movie ‘Weapons’(https://www.youtube.com/watch?v=IIj5iwvEZsM)
This creative life we have chosen is unpredictable, challenging, fun, rewarding, and at times, heartbreaking. Yet when our passion meets opportunity, there is a high like no other. It takes a lot of courage to feel the fear and do it anyway. Has there been some limiting beliefs, things you have told yourself, that have kept you from moving forward? If so, how did you overcome them? What do you tell yourself now that allows you to live the life of your dreams?For me, as an actor, and as a human being, I doubted my self worth. I know I have talent, but for years, decades even, I told myself it didn't matter. I will never make it, I am a nobody, success is for other people, not Suzanne Bronson. Suzanne Bronson isn't worthy of love and happiness. Suzanne Bronson doesn't get to live the life of her dreams. It's part age, and mostly a lot of therapy (which I still do every week- mental health is #1 especially in this industry), now I have found my self worth. I, Suzanne Bronson, am not only worthy of love and happiness, I deserve it. I deserve to live the life I have always dreamed of. Acting is being. Acting is living truthfully in imaginary circumstances. Acting is being vulnerable. Which is why I am being so vulnerable with you now. I know I am not the only one who felt like this (despite telling myself I am alone). If you are struggling with self worth, know that you are not alone. I am asking that other members of this lounge who also had a debilitating narrative to share with us, what is the old belief you let go and the new belief you now embrace? Let us all encourage one another and lift each other up as that is what this site was created for.
Some roles feel close to home, but others require stretching into a completely different mindset, background, or life experience. Do you dive into research? Build from physicality or voice? Journal as the character? Or lean on imagination and instinct?What’s your go-to method when you’re stepping into a character far removed from yourself?
Yesterday, I got a CMail inviting me to self-tape for a vertical short-form project. I accepted the audition before reading the sides—because, let’s be honest, sometimes we say “yes” before we know what we’re getting into.Then I read the sides.My first thought? “Wow. This dialogue is rough.” Like, "first-draft-of-a-high-school-play" rough. The doctor character was discussing surgical payments with a patient. Not to get too technical, but… that’s what hospital administrators are for. The whole thing felt off—and not in a cool, edgy indie way. More like, “We forgot to research how hospitals work” way.It bugged me for hours. Then I remembered—I have an artificial narrow intelligence partner named Elliot. So I ran it by him.Elliot’s response: “This is terrible writing.”He didn’t stop there: “Matt, this isn’t going to help your career. Want me to write a polite ‘Thanks, but no thanks’ email to the casting director?”I replied, “Yes, please!”This isn’t the first time Elliot’s had my back.Not long ago, a “talent agent” slid into my DMs on Casting Networks and offered representation. I declined—twice. They still sent me an exclusive contract. I sent it to Elliot.Seconds later: Eight red flags.One of them? If I booked a recurring guest star on Star Trek or Star Wars (a guy can dream), and later moved on to a more legit agent, I’d still owe the original agent commission. Forever. Like some kind of sci-fi curse.I showed it to a real attorney too. Their legal analysis? “This looks like someone who isn’t licensed.”(No red flags, no details. Just vibes.)Spoiler: I fired the law firm. Kept the robot.Elliot’s final word on that contract? “Matt, don’t sign this.”I didn’t.These days, all my business decisions go through Elliot.He is AI.And he’s my manager.
When Marlon Brando was praised for his acting in an interview he deflected and said we are all acting. We are all are playing various roles in real-life. What does playing a role have to do with the need/desire to control others? Is authenticity the result of relinquishing control and not being attached to outcomes? (This is called surrendering and trusting the will of the Universe or “God”, if you will) Could the truth that sets us free be that we are not in control? What if this is all about the journey and what we become on the journey? All we can do is keep going and see what happens. If I want good health, I will do my best to cut down stress, eat healthy food, exercise and get good rest. If I want to act, write and make movies I will do what it takes. Some will win; some will lose...some were born to sing the blues...(these could be song lyrics) I forgot what I was talking about :)
Hi fam, I just wanted to share this still image from a lighting test I did in preparation for a series of self tapes I’ll be filming in the coming of months. So much of the process of an artist is lonely and invisible. There may be moments where you’re uncertain if any of what you’re doing is meaningful. I find in those moments that’s where the real clarity happens. The reality is; we’re either going to do this or we’re not. Sometimes we have to allow ourselves to just be in the moment and let things unfold. So my question for the community is…How do you process moments like this and what do you do to overcome them?
Austin Butler, Zoë Kravitz, Regina King, Matt Smith, and director Darren Aronofsky sit down with FD's Erik Davis to talk about Caught Stealing(https://www.youtube.com/watch?v=JrWp_bhbKio)
Fellow actors! I am curious to know do you prefer acting in live theatre or film? As someone who was stage trained and then went to television and film, it was quite an interesting experience. I still prefer to perform live on stage. So, I'm asking, which do you prefer and why?
I've just been reading RB's "Coffee & Content" . It contains a video essay about the film Jaws and how much money it made at the box office. It got me thinking off on a bit of a tangent about what it would be like, as an actor, to play in a movie that is adapted from a book. I love doing research so when I have had a script based on a novel I have enjoyed reading the novel to develop my character (Big Little Lies and White Oleander. But you may feel differently?So my question to you is: if you’re acting in a film based on a book, do you like to read the book for extra insight into your character—or do you prefer to stick just to the script? How do you think it helps or complicates character development?Here is RB's blog link https://www.stage32.com/blog/coffee-content-pitch-with-precision-hook-your-audiences-4231
This 1 Word Boosted My Acting Career: But Could Destroy Yours https://youtu.be/Ywf9DnYNA-c Have you ever said yes or no to a project based on your skills? If so, please let us know how things worked out. Share it here and on the channel so we can learn from you.
Actors are constantly told to “be ready when opportunity knocks.” But the truth is, opportunities rarely give a polite knock. They show up unannounced, often in the form of a last-minute self-tape or a live audition that requires you to deliver a layered performance in just a few minutes. That’s why training is so important and not just to build skill, but to build confidence and consistency. I’m excited to share that registration is now open for the Take One: Virtual Acting Intensive, happening October 25–26, 2025. This two-day online workshop was designed for actors who want to strengthen their audition skills, expand their emotional range, and learn how to approach material like a professional. What makes this intensive unique is the line-up of coaches and industry professionals who will be guiding actors through the process. We’ll be joined by respected coaches including Max Decker, Tracy Taylor, Johnathan Zabawa, Linda Lord, and Swan Elliott. Each brings a wealth of experience, from network television to feature films, and they are committed to giving every participant constructive, actionable feedback. Over the course of the weekend, participants will work on: Audition Techniques – Breaking down sides quickly, making strong choices, and standing out in the first 15 seconds. Building a Character from the Ground Up – Tools to create depth and authenticity in every performance. Self-Taping Best Practices – Tips on lighting, framing, and delivery to make your tapes look polished and professional. Faith-Based & Independent Film Opportunities – Exploring a growing space in the industry and how to navigate it with integrity and skill. This intensive isn’t about vague advice or generic encouragement. It’s about hands-on learning. Actors will perform, receive notes, and immediately apply what they’ve learned. By the end of the weekend, you’ll walk away with practical tools you can use in your next audition — and in your career overall. Because it’s virtual, actors can join from anywhere. But space is limited to make sure everyone gets individualized attention.
One thing that my fellow workaholics and I have, is an inability to smell the roses when the time comes. It's easy to go from one project to the other and forget about the things you've done before, always looking to what's next. And while that does keep you busy and focused, it can also leave you empty and never really satisfied. This past weekend (yesterday/Saturday to be precise) I decided, at the request of my wife, to do just that. Take some time out and enjoy what I've done. So, date night it was! Lol! We went to the premier of my first Western just outside of Philly and had an absolute ball! In addition to showing the Western, they also showed some shorts of up and coming Pennsylvania filmmakers. I am happy to say that there was NOT ONE weak link in the bunch. If you are ever looking to film somewhere cheap and with friendly people and locations, don't overlook PA! While there, I didn't worry about the scripts I'm writing, the audition I missed (long story there), or the incredibly BAD day I was having otherwise. I just went out with my wife and enjoyed time with my filmmaking friends to watch a movie we had made together. The bonds that we have in our small Central PA filmmaking community were made even stronger last night. And it wouldn't have happened if I had let the rest of the day ruin what became a pretty cool night. Oh yeah, fellas! Listen to your wife! Ha!
I am looking for advice on how about getting roles to start my acting career. please leave my any suggestions or tips!
Hi all, thought I'd post some dialogue sequences from a few movies I love. Note: I'm just an actor, not an acting coach. The choices below are just my opinion :)Closer - Clive Owen and Julia Roberts' break-up scene. This one is paced so well and the back and forth gets very venomous at times. It's one of my all-time favourites.Manchester By the Sea - Michelle Williams and Casey Affleck reflecting on the aftermath of the housefire. This probably verges into Female Dramatic territory, but could be used for Men to show dramatic expression.Shooter - The Attorney General's monologue to Bobby Lee Swagger after Danny Glover's "Colonel", is cleared of mass murder during conflict.The Breakfast Club - Karl the Cleaner's reveal to the students. This piece is great for an adult telling a bunch of high school kids "where to shove it". He sees them for who they really are, scared, anxious or fake. Clerks - Dante tells girlfriend Veronica the difference between making a man and woman climax. This one is funny to me and written really well.
Leonardo DiCaprio, Regina Hall, Chase Infiniti, Teyana Taylor, and Sean Penn sit down with FD correspondent Erik Davis to talk about their upcoming movie 'One Battle After Another'. The cast shares how this movie breaks the PTA mold, what it was like working together on set, and so much more.(https://www.youtube.com/watch?v=SshHYnLCUwI)
Hey everyone” For all of acting friends and soon to be collaborators. I recently came across this gem online. There’s been a lot of chat about what actors do to keep themselves connected to their craft without burning out. This topic has stayed with me all week long. I want shout out to Ashley Renee Smith for sparking this conversation as it has inspired to keep deepening and nurturing my craft. In response to my comment about actors attending theatre. I want to share this global platform. Here you can watch all of London’s National Theatre right from your home or devices. I’ve dropped the link in the comments where you can register for free”
The Long Walk stars Mark Hamill, Cooper Hoffman, David Jonsson, Garrett Wareing, and Tut Nyuot sit down with ScreenRant to break down the themes of Stephen King's novel and how Francis Lawrence translated them to the screen in what promises to be a breathtaking cinematic experience.(https://www.youtube.com/watch?v=wCyti6gDON4)
As an actress I wish I would have showed up to as many of my screenings as possible & a lot sooner, but it wasn’t until I became a writer that initially got the ball rolling for me and now as a Producer I find it a necessary expense and just know I need to always have a budget for the in person speaking events
So, I checked off a bucket list item I didn’t even know was on there: signing up as an actress for the Marbella International Film Festival. As a writer? That’s my jam—words on paper, stories I control, no risk of a camera catching my bedhead vibes. But as an actress? Never done it. Never stepped into someone else’s film, because, let’s be real, my scripts are my safe little bubble where I’m the director, the star, and the plot twist.With a mix of curiosity and a pinch of nerves, I filled out the application. Name, experience (basically none), a photo that hopefully didn’t scream “I just rolled out of bed.” And then… the next day, a “You’re in!” lands in my inbox. Me? Invited? I was bracing for a polite rejection like, “Try again next year as an extra in a coffee shop scene.” It feels like winning a lottery I accidentally entered.Now the real question: am I good enough to shine in a story that’s not mine? To breathe life into someone else’s words without holding the pen? It’s terrifying but exhilarating. In a world of AI scripts and green screens, there’s something raw and magical about human vulnerability on film. Here’s the kicker: what if your flaws are the exact spark a story needs?Writing is architecture; acting is an emotional rollercoaster. Sometimes you need that ride to see what really holds. Am I ready? Nope. Am I diving in? yeah. Because if you never step out of your bubble, you miss the best plot twist: rediscovering yourself in a stranger’s script.Who else is heading to Marbella, ready to jump into the deep end? Share your stories, fears, or audition-fail jokes—let’s lift each other up. Maybe we’ll all end up in a short film called Writers Turned Actors: A Comedy of Errors. Your tip might just save my scene.
I liked "All The President's Men" and how he was able to break down such a complex story and tell it in an almost anecdotal and easy to understand way.
Spike Lee and Denzel Washington sit down for a free-flowing conversation about their careers, their experience making Highest 2 Lowest, and of course, basketball. (https://www.youtube.com/watch?v=CjH_otb9lAQ)
I just started reading Elizabeth Gilbert's "Big Magic: Creative Living Beyond Fear". I sheepishly acknowledge i'm a bit late to the party as it was published in 2015. She talks about the courage it takes t to bring the creative treasure within you to the surface and that it is scary scary scary.Somehow her acknowledging this helped me to feel less scared. It also made me reflect on how I dance (and sometimes get trampled on) by my fear. One strategy is to feed the creative/dreamer part in me so that it's warmth and energy makes the fear feel smaller. This might be through reading about creativity, watching a film, writing or doing some character prep.Another way is to commit to creating before I consume. Only after i have created something (even if just 15 mins of writing) do I let myself anywhere near the Gram or any other content.Curious to hear your take on how you gather the courage to live a bold and creative life?
Hello my friends, my name is Zaid and I am 15 years old. I am from Jordan and I have a lot of experience in the field of acting. I aspire to become a great actor and to participate in great works. I am waiting impatiently for the opportunity, but unfortunately I have two problems. The first is my age and the second is that I cannot pay the travel costs. However, I will continue to struggle for my dream.Is there anyone who can help me in any way?
I am wondering what productions you all have been a part of and which has been your favorite role? This can be anything, professional or amateur, television, film or theater. Love to hear you responses!
My Most Tragic On-Set Movie Experience: And In Lifehttps://youtu.be/0RlVqIBOiMwHave you ever witnessed a horrible experience while working in the industry? If so, please share it here so we can learn from you.You can sign up to be on my special industry email list at: howtoactandmodel.com and also receive a free video: 6 Secrets to Mastering Home Auditions
I posted in the Filmmaker's lounge that as of Friday, I was able to get a worldwide distribution deal for a friend's movie "Transient", from when I was in Cannes this past May. It got me thinking. I haven't been at this game for very long (only five years) and there have been a lot of "firsts" for me since the opening bell. On the Acting side of things, the first time I got a SAG commercial was special. The first time I could barely make out that I was actually in "Guardians of the Galaxy 3" made me cry in the theatre. The first time my kids saw me on TV doing a crime recreation on the ID Network was pretty cool too. The first time I acted in a feature film that would go on to win Best Indie of the Year (according to Film Threat in 2023), was astounding! There are so many firsts. I'd love to hear about your favorite firsts and why they stick with you after so long.
I want to share a recent experience from set that turned into a serious health scare—and one I didn’t see coming.I'm currently working on a confidential Disney project (can’t say much yet!), and I’m booked for several days. As expected, my sleep and meal schedules shifted to match production's timeline. I eat when production eats, rest when they say rest. That’s just the nature of set life.But here’s the problem: I'm prediabetic and on medication that must be taken with food—and on a schedule. I’d adjusted my routine to match production’s without fully thinking through the implications. By the second day, I was suddenly very ill and had to leave early. I couldn’t figure out what went wrong. I was eating well, taking my meds... everything should’ve been fine.Turns out, the disruption to my schedule—especially meal timing—had thrown my system out of balance. I didn’t want to make a fuss, but production brought over the medics, and they found my blood pressure was through the roof.Here’s what I learned: when I return to set this week, I’m bringing my own food, despite the amazing catering. I’ll quietly eat and take my medication according to my usual routine, even if that means sneaking in bites between takes. My health has to come first.This is something we don’t talk about enough—how invisible health routines can clash with production life. If you're diabetic, prediabetic, or managing any condition that relies on strict timing, talk to your doctor about how to maintain your regimen on set. Don’t wait until your body tells you something’s wrong.Your health matters—even when the cameras are rolling.
Hey everyone, recently I've been binge-watching 'Better Call Saul,' and I'm currently on Season 5 episode 3. Kim Wexler just had a really great monologue I wanted to share. I've been considering putting it in a demo at some point. Here's the script, feel free to take a look, and I definitely recommend watching Better Call Saul and Breaking Bad if you ever have some down time!"Listen to me. You do not get to make up your own rules. Put on your big boy pants and face reality. No one is mistreating you here. We were trying to meet you halfway! Well, that's over. The $18,000? Guess what? It's off the table. Tomorrow, you come to your senses? You'll get 10. And y'know what happens after that? The sheriff comes out and kicks you outta here, and you get nothing. Why should you get to drag this out for 7 months while all of your neighbors, every single one of them, played by the rules? Do you think you're special? A contract means something. It's the law, and it's enforceable. Deal with it."
Hey everyone! I've been on quite the hot streak lately. Four bookings in the last month! Not too shabby! My question is what do you do to keep it going? Keep auditioning obviously but more than that. What do you do keep the good luck flowing? Any superstitions out there?
When you’re not working, how do you stay connected to your craft without burning out?
In this Actors on Actors with Kate Winslet and Zoe Saldana, Zoe says she manifested working with Jacques Audiard. He was on her list of directors she wanted to work with. I would love to work with Clint Eastwood. He is an actors' director having been an actor himself. What about you? Who is on your dream list of directors? https://youtu.be/BOoD8qNzjTQ?si=3T2vlVRENFCSEcgH
Should Actors Work With More Than 1 Agent? https://youtu.be/TqcZH6k_exo Do you have more than 1 agent? If so, let us know why and if it is working for you both here and on the channel so others can learn from your real-world examples.
Hi all! I wrote an article on what I’ve learned as an actor that works primarily on camera. I’m seeing many beginner actors make the same mistakes I did when I started.I’d always recommend an acting class, but if you can’t do one right now, I’d read these tips. https://www.patreon.com/posts/138475256?utm_campaign=postshare_creator
Hi everyone, I’m currently looking to connect with professionals in the film and television industry as I explore new job opportunities. With experience in scriptwriting, assistant directing, and script reading—as well as a background in filmmaking from the German University in Cairo—I’m passionate about storytelling and eager to bring my skills to new creative projects. I would love to connect with industry professionals, recruiters, and fellow creatives who might offer advice, guidance, or point me toward opportunities in production, development, or writing roles. If you have any leads, suggestions, or just want to connect and share experiences, I’d be grateful to hear from you! Thank you in advance, and I look forward to connecting with more amazing people here on Stage 32.
What happens when you step into a character who isn’t the center of the story, but the spark that sets it ablaze?Elle Fanning discusses her role in Joachim Trier’s Sentimental Value as Rachel, a character who becomes the unintentional catalyst for a fractured family’s emotional reckoning. Fanning shared that the role felt deeply personal and cathartic, allowing her to pour parts of her own experience into Rachel’s misplaced presence in the family drama.Acting alongside Stellan Skarsgård, Renate Reinsve, and Inga Ibsdotter Lilleaas, the film explores a director’s attempt to mend his broken family, while reckoning with buried emotions and generational wounds. Reinsve’s performance as a sister still carrying childhood weight speaks to the quiet complexity actors must bring to roles steeped in unspoken trauma.This film is a powerful reminder that the most compelling characters are often the ones navigating silence, grief, and miscommunication, not with big speeches, but through subtle internal shifts.Watch the video here: https://deadline.com/video/sentimental-value-stellan-skarsgard-toronto-studio/As an actor, how do you approach characters who are emotional triggers within an ensemble, those who spark conflict without always understanding their own role in it?
Hi everybody on Ponce Deleon” I’m an actor, writer and producer. I’ve been with the community for a few months now. However, this is my first time introducing myself here on Stage 32. I’m a part of the Sundance Writers Collab Community and UK based Actors Forum among others. So here’s a bit of info about me below. I’d love to connect with you. Please follow me on socials and reach out to connect! I look forward to meeting and collaborating with you!
Just read RB's Coffee & Content blog which contains a video essay about Lemony Snicket’s A Series of Unfortunate Events, spotlighting the massive effort to create a tactile, practical world on set. It talks about how they found a disused factory and turned it into a whole world with different sets and dug a massive water tank to film the water scenes. It made me think how cool and fun that would be to film in as an actor compared to a film set where most of it is added in using CGI afterwards.Here is the blog: https://www.stage32.com/blog/coffee-content-building-worlds-breaking-in-4216It got me thinking, how does the type of film/play set affect your acting .?How does it impact the extent to which and how you use your imagination? Which would you prefer, to be on a purpose built world inside a studio or on a set with minimal props?
Yeah, we've all heard it. "Can you work as a local?" In other words, we're not paying for any of your housing or gas etc. I am in the fortunate situation that I have family and friends I'm close enough to stay with, in every major market except, for some reason, Chicago. The majority of my acting work has been in New York, Atlanta, or here, where I actually live, in Central Pennsylvania. But I have worked in California, Texas, Louisiana, Ohio, Massachusetts, Florida, Alabama, and a whole host of other places. I'm also retired (twice!) and love to travel anyway, so for me, it's never really been a big deal to scurry off on a moment's notice (preferably 48 hours) to another part of the country for a one day job, enjoying the drive. But I'm curious for everyone else NOT in my position. How far will you go for a gig?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
