
If you’re an actor who gravitates toward character-driven work, this is an interview you’ll want to read.In this new Q&A from Deadline, Cillian Murphy opens up about his upcoming indie drama Steve, a minimalist film that strips everything back to focus on the raw, emotional weight of a man in crisis.Read the full interview here: https://deadline.com/2025/08/cillian-murphy-movie-steve-interview-1236484583/Murphy talks about why he chose this project after Oppenheimer, how the script reminded him of early Ken Loach, and why silence and stillness can be just as powerful as dialogue. He also reflects on trusting the audience to lean in, even when a story unfolds quietly.Have you ever taken on a role where you had to do more with less?What’s a performance that stayed with you because of its subtlety or restraint?

Hello everyone my name is Faisal Askari and I am hoping to work on a series pilot as a protagonist but I don't have any type of acting experience and I haven't learned acting too. In order to perform the role I am working to learn acting but along with this I have a lot of other things to do in the same Project. The reason why I am here is to ask you whether I should learn whole acting thing from start or just learn what's important for the character now and then expand my learning afterwards.Now I am considering to learn only what this character requires because of a few reasons like my learning method is quite different like I learn things when I see someone doing it at advanced level or I learn by doing things instead of taking lessons. Another reason why I think my approach would be good and work because the character is both the most easiest character to portray and most difficult character to portray depending on the actor's experience. Let me tell you a bit about the traits of the character. He is a billionaire 21 years old man and is kind of over confident as hell. The character (Aryan) is a man with a lot of fame, money, political power and he is almost untouchable for most of the people which is why he is too arrogant. He doesn't show any type of emotions and mostly keeps his face blank (which is difficult to keep and that's why it is a difficult character but he also gives reactions mix of evil smiles or over confident expressions which is easy part). I am confident about keeping my face blank and the expression but the thing I am worried about is his accent and dialogue style. Even though he speaks less but still his every word says something much bigger so what do you guys say?

Ok, you know EXACTLY what I'm talking about! Lol! What is the WORST note you've received while on set. As they say on social media, "I'll go first!"I had spent most of the week before a gig memorizing lines for one of those infomercials. I knew they were going to have a teleprompter but I wanted to impress the production with memorizing everything they had sent me. Eight pages, single spaced.I get to set and LITERALLY right before the cameras roll, the Director lets me know that he has rewritten the entire script the night before without telling anyone, even his client. So, I'm basically doing a cold read on a teleprompter and he gives me the note to "just go for it!" Excuse me? Dude!? Just go for WHAT?A few days later, after the check clears, he feels the need to reach out via email and tell me I'll never make it in this business if I can't be "more professional" and "take bigger risks" with my acting. So, you've heard mine, let me hear yours!

How improve and be selected for anything? how join a group and a team ? .

The 3 Proven Ways Models/Actors Can Get Copies Of Their Commercial Modeling Jobs https://youtu.be/DZX60JDTl8w Any suggestions or advice on how actors/models can get copies of their tear sheets (ads)? If so, share your information here and on the channel so we can learn from you.

In this week's Coffee and Content RB shares a video essay about Ben Stiller who re-invented himself after the collapse of theatrical comedies and went on to direct Severance. I am in awe of his resilience. I wonder if you've had to re-invent your career and how you developed the grit and resilience to do so? Here is the article https://www.stage32.com/blog/coffee-content-embracing-what-scares-us-to-grow-as-creatives-4188

so i am an ex impor actress.Who learned photograph y and screenwriting.I studied even culture science. Now i do many artistmanagment.But from now and then i still shoot or write sooo. lets connect

Beautiful Meryl Streep has changed my life 'profoundly' twice. The first when she played, Karen Von Blixen in 'Out of Africa' and proved that women could be independent and courageous. She inspired me to travel the world solo and follow my heart. The second time was in her speech at Cannes recently when she was awarded an Honorary, Palme d'Or for her exceptional contributions to cinema. (Yes RB, she has played the long game.) Meryl stood with Juliette Binoche in unity, when Meryl acknowledged that acting is the process of channeling spirits. As someone who has known about the relationship of creativity and spirit and who has been able to see spirits (souls) since the death of my brother and father, despite being told that I can't, this was a profound moment that has forever changed my life and will no doubt inspire many people who see, to start to speak their truth and open doors for discussion on what consciousness truly is and how connected we all are. I would love to know if you have been inspired by an actor or their role and if it has profoundly changed you?

I would love to know how you all got interested in acting. For me, when I was 8 or so I was asked to read "God" for a play at church camp. I had fun, I got accolades from people, so of course I needed more of that!

Hello all!I'm currently writing my first blog for Stage32 (keep an eye out for it soon!) and one section will be covering the topic of scripts and writing. I'm sure many if not all of the writers on here will be aware of this, hence I'm posting it in the Acting section, as I think it's essential for actors to be constantly reading. Below is a link to Script Slug - a website not many actors I know have heard of. Script Slug have hundreds of free to read scripts available for anybody to download (under fair use for educational purposes only).They have all of the 2025 Academy Award nominees, 2024's, 2023's, etc, as well as entire catalogues of screenplays from directors including Christopher Nolan, Quentin Tarantino, Robert Eggers and Ridley Scott. Aside from movie scripts, they also have TV shows including Breaking Bad, Better Call Saul and Shogun.Be sure to check them out. A great acting exercise is to read through them, and pick any 2-5 pages to memorise within a specific time, then practise as a self-tape rehearsal exercise, or just for cold-reading skills. Set yourself a challenge to read a script a week, or a certain amount within a month. It's all great preparation for when a real audition and opportunity comes along. Let me know your thoughts and which scripts you enjoyed the most! My personal favourites are by Robert Eggers. I'm a huge fan, and his attention to detail throughout his films even shines through into the script formatting which is beautifully done. And of course, Chris Nolan's plot structure and Quentin Tarantino's dialogue - gripping! Hope this helps and inspires someone! https://www.scriptslug.com/

What do we think? (https://deadline.com/2025/08/dave-franco-luigi-mangione-biopic-1236480215/)

Angry rant coming. Sorry in advance but I'm really tired of hearing the excuses.When I first started, I was always hearing about the "Catch 22". You couldn't get an Agent without doing a lot of work. But in order to work in many cases, you "needed" an agent. Fortunately I never fell in to that trap and I have a solution for those of you who think you're falling in to it. Are you ready? Here it is! MAKE YOUR OWN S#!T!There's a wonderful interview from a couple of years ago with Jason Alexander from "Seinfeld" who said that "the days of just being the Actor are probably over. If you're sitting by the phone waiting for it to ring, it's never gonna. You have to go out and make it happen for yourself..." or something along those lines.I know, I know, it is easier said than done, but hear me out. I LITERALLY have a Clubhouse friend (an app for your phone like the old 80's party lines) who made an entire feature length documentary from her iPhone and not even the most up to date one. You can probably still find it out on the streamers somewhere, as she got distribution for it. It's called "My Yang Gang Diary", it's the story of a presidential campaign. She had no clue what she was doing when she did it. She didn't know how to edit. She didn't know lighting. She hadn't been to film school. She knew NO ONE in distribution. SHE JUST DID IT and she learned on the way! Another friend of mine who is a nurse, just made her first short film. She wrote it, directed it, produced it, got the locations, cast it, ordered food, literally EVERYTHING. And she also had NO CLUE what she was doing! It's called "Poetry on the Pavement". See the pic. She literally learned EVERYTHING while she was doing it! Don't want to go the documentary or short film routes? No worries. You can just use your ring light that you already do auditions with and write a scene for you and a friend. Or you can do it completely solo. iMovie on the iPhone is what I use for auditions. Who says it can't work for a small scene with you and friend too?Now, I know I'm probably going to get comments like "I don't know how to do that" or "I don't have that equipment" or some other excuse. LEARN! Save up until you can get a small camera, if you don't want to use a phone. Technology makes it easier than ever to learn lighting, writing, Directing, and Acting. I literally watch the Michael Caine video on Youtube once a year at Christmas time and my DP for my latest short AND the Director of my first film "Turbo Cola" never went to school. Luke learned EVERYTHING he does from Youtube videos! "Turbo Cola" would go on to win Best Comedy and Best Indie Film of the Year in 2023 AND he won a Telly last year for his commercial work.The point is, in your auditions, you're ALREADY doing your own directing, lighting, sound, in addition to trying to act. Why not just go a step further and make something of your own? It doesn't have to be a million dollar movie. Just a short film that you write or a scene. Throw it up on IMDb and BAM! you got a new credit that shows that you're working.Sorry for the lengthy rant. I just am not a fan of listening to the excuses.

2 Ways New Actors Can Get Experience And Cast https://youtu.be/kY49550ccjg Do you have any suggestions how beginning actors can find film auditions? If so, share your information here and on the channel so we can learn from you.

I just read this article about Corey Mylchreest in My Oxford Year. He says he immersed himself in interviews and books about young men facing terminal diagnoses. Here is the article https://www.hollywoodreporter.com/movies/movie-features/corey-mylchreest-interview-my-oxford-year-1236335551/When preparing for a roles, how do you research your character and how far do you go?

Check out this new Deadline interview- https://deadline.com/2025/07/cristin-milioti-the-penguin-video-interview-emmys-1236474176/ Where Milioti opens up about her role in The Penguin, what it meant to play Sofia Falcone, and how she navigated the complex emotional layers of a character raised by corruption but fighting for autonomy. She also shares her experience working alongside Colin Farrell and reflects on her journey from musical theater to genre television.Actors, this is a must-watch if you’re interested in character transformation, scene work rooted in deep emotional conflict, and building chemistry with larger-than-life characters. What part of her process stood out to you? Have you ever had a role that forced you to tap into a part of yourself you hadn’t explored before?

Join our Head of Community, Ashley Smith LIVE on the @Stage32 Instagram with Daniel Sol, Co-Founder of HollyShorts, to celebrate 10 years of partnership between Stage 32 and the HollyShorts Film Festival!They’ll talk about how the partnership began, Daniel’s excitement for this year’s festival (kicking off Thursday), and the launch of our new Stage 32 Global Contest Hub.This is totally free to attend—just follow @Stage32 on Instagram and join us live!

Hey everyone, I’m Auzzey — a first-time screenwriter and new to acting, but it’s something I’ve wanted to do since I was a kid. I’ve recently written a short film based on a deeply personal experience — a symbolic story about emotional distance between a son and his mother, and the unexpected love that helped him begin to heal. I plan to act in the project myself, and I’m here to connect with other actors and creatives who value emotional truth over perfection. I don’t have training — just real life, real emotion, and a willingness to put myself into roles that matter. Would love advice, guidance, or connection with anyone who’s walked this path before.

Good morning everyone!I’m new to this site just discovered it yesterday and I’m an aspiring actress based in Miami, Florida. I’m currently looking to build my experience, so if anyone needs an actress for a short film or any kind of project, I’m available and open to unpaid work as long as I receive proper credit.Excited to connect and grow with you all. Thank you!

good morning everyone, hope your weekend is all starting off to a good start, what social medias doyou guys be on to show off your work and reels? if you guys are on Instagram, then what is your guys Instagram? I want to start getting in contact with you guys on social media and seeing your guys work! it’s good for us to always keep networking.


Who are some actors who have inspired you? Is there a particular actor who continues to blow you away with their performances? Who you would love to work with and would fanboy/girl out on? For me, it's Nicole Kidman. I have admired her career and the different kinds of roles she plays. I like to think, "I can do that." When I was a child, I would say I was really inspired by Anthony Hopkins and Val Kilmer. To this day, LEGENDS OF THE FALL and TOMBSTONE are in my TOP 10.

Ever wonder what happens when two longtime friends and seasoned performers sit down for a candid conversation about their craft?In this Variety Actors on Actors interview, Adam Scott and Kristen Bell dive into the creative process behind their latest projects, Severance and Nobody Wants This. The conversation is refreshingly honest and full of mutual respect, from Bell’s questions about the psychological tension of Severance to Scott’s praise for the authentic chemistry between Bell and Adam Brody.They also touch on what it means to work with friends, how their careers have evolved, and how they find joy in the in-between moments, on and off set.Watch the full conversation here: https://m.youtube.com/watch?v=sgOicK_ix1E&pp=ygUHVmFyaWV0edIHCQnHCQGHKiGM7w%3D%3DWhat stood out to you most from this exchange? Have you ever worked with someone you had a personal connection with, and how did it impact your performance?

Hello all, I thought I'd share this excellent workshop I discovered many years ago from the legendary Michael Caine! In it, he covers many aspects of screen acting including the difference between theatre and movie performances, blocking, position relative to camera, eyelines, and much more. Highly recommend viewing and hope you find it useful!https://www.youtube.com/watch?v=bZPLVDwEr7Y

So I'm from a pretty small town where there's really no filmmaking opportunities other than the ones me and my team create, I just thought I'd shoot up a question about how I can work and grow as an actor while not receiving jobs, so that when I am going for work I can still make a very compelling case. Cheers

Hi guys sorry I missed the meeting. I was stuck dealing with Verizon.

Be sure to join us this Wednesday, Jul 30th, 12:00 PM PDT https://www.stage32.com/education/products/stage-32-july-community-open-... Ashley Smith, Head of Community at Stage 32, will take you on a guided tour through the platform’s features, resources, and opportunities available to help you connect, grow, and take the next steps in your creative career. Hope to see you there!

https://youtu.be/hfdnyAcQYi8?si=ylBtPyvctB7J8hlYAs a proud Stage 32 Ambassador for Germany and the Dominican Republic, I am excited to share my thoughts on a question that so many actors face: Is acting just a passion, or is it truly a profession? For many, the journey begins with love for the craft — the thrill of stepping into a character and telling stories that move people. But behind the passion lies the discipline, persistence, and professionalism required to build a sustainable career. Acting is more than dreams and talent; it is also about constant learning, networking, and embracing the business side of the industry. I believe that true success comes when passion and professionalism walk hand in hand, and through Stage 32, I am grateful to connect with creatives around the world who share this vision.

Posting about something very British here. Gurinder Chadha writer/director is working on the sequel script to Bend It Like Beckham which was a smash hit back in 2002. See article here https://deadline.com/2025/07/bend-it-like-beckham-sequel-gurinder-chadha-1236469339/This news came just before the British women's football team, The Lionesses won the UEFA Women’s EURO 2025 2 days ago. Chadha only decided to write a sequel when she felt a strong pull to do so due to a great plot idea. She is trying to create great character arcs to entice the original actresses (Keira Knightley and Parminder Nagra) back again.Actors, would you have liked to play in the original film and why or why not?Had you done so, would you interested in playing in the sequel of a film you did 23 years ago? If so, what themes would you like to see it explored this team?

How To Avoid A Crew Member Yelling At You On A TV Set https://youtu.be/oRxhcNeyPeMHave you ever made a mistake on a set? If so, share your experience here and on the channel so we can learn from you.

Accent holding you back on tape? I help actors reduce regional and international accents to sound camera-ready and booking-strong. With years of coaching experience and industry referrals, my sessions are practical, fast, and actor-focused. Great for auditions, reps, and career growth. Please contact me at 310-919-9127 or on WhatsApp for a free consultation.

Like a bullet fired down range, most of the time, I turn in a self tape submission and then forget about it. You can't get it back, so why worry about it? But every now and then, like today, I get one that I have an absolute BALL doing and wish there was more to be done. I just auditioned for a well known car company and it was one of the most fun auditions I've had in a while. It was comedy based and I'm usually not a comedic actor. 80% of my resume is dramatic cops, dads and teachers. But this time around, I really had fun with it. That being said, I'd love to hear about YOUR auditions that you just had fun doing, whether you got the part or not! I look forward to what you have! Have a GREAT day!

In today’s entertainment landscape, being a multi-hyphenate is no longer the exception — it’s becoming the norm. Actor-writers are uniquely positioned to tell personal, compelling stories, and their dual skillset is in high demand across indie and studio spaces. But while opportunities are growing, many multi-hyphenates struggle to package and present themselves effectively to representation. This webinar exists to close that gap — to demystify the representation process, teach creatives how to professionally market themselves, and provide practical tools for getting noticed. Whether you’re writing vehicles for yourself, developing an indie pilot, or crafting shorts to showcase your range, learning how to navigate the industry as both an actor and a writer is essential to building a sustainable creative career.Email edu@stage32.com with any questions!

After predicting in 2011 Ozzy Osbourne's 2019 Parkinson's Disease diagnosis & 2 days before he died I predicted the exact date he would die, I've become busier than ever. But I finally got around to creating a new blog. It only took me a few years to fit it into my increasingly very busy schedule. LOL. I was wise by choosing a quiet summer Sunday. What ways do you manage your busy schedule?

Have you ever had a performance in a film that just clicked? Like, you were so in tune with the character and what they were doing in that scene, that you could practically do no wrong? This week, I'm not coming to you as an Actor, I'm coming to you as a Director. I got to direct a passion project last week that has been 40 years in the making. Feel free to check out the first in a series of monthly, real time, blogs I'm doing on it here: https://www.stage32.com/blog/a-story-about-stories-the-making-of-a-passion-project-short-film-4135 The second in the series will follow next week. Anyway, I am just really proud of my Actors on this one. Sure, they had nine months to delve into the character and the music that inspired them (every scene is a song from Genesis). Sure, they had great costumes done by a true pro of the craft. Sure, we were filming in a location (a museum) that inspired spookiness and of course an incredible DP (director of the Best Indie film of the year for 2023, Turbo Cola) and Gaffer who seemed to speak a second language when it came to lighting. But when the ACTING is on point, everything else, all the work of the other departments, is heightened. So, what is your experience in this? Have you had a character you wished you could play over and over because everything else just fell in to place? A couple of the Actors on our shoot indicated that they can't wait for the feature. But that, as they say, is a story for another time.

It's time to humble brag. Would love to hear from those who are working actors as well. What are your strengths as an actor? Are you good at improv? Comedic or dramatic? I think I am better at dramatic scenes then comedic ones. My strength as an actor is being able to stay connected to my partner(s) and stay in the scene. My emotions are real and I feel them deeply.

Yes, it is true. I just spoke with a casting company in Arizona. They turned their operations over to an AI. The head casting director lets an AI do all the work. He provides the AI with what a production is looking for, and then the AI searches the casting director's database and gives him a list of talent to contact. I never considered that this could, or would happen. This could revolutionize extras casting, but I think it will be more challenging for an AI to cast principal actors.

Whether you first saw him on The Cosby Show or caught his recent Emmy-winning performance on The Resident, Malcolm-Jamal Warner has built a career full of range, longevity, and reinvention.This photo retrospective from Deadline walks through his impressive body of work, from sitcom stardom and spoken word albums to dramatic television turns that prove just how far his talent stretches:https://deadline.com/gallery/malcolm-jamal-warner-a-career-in-photos/For actors, it’s an inspiring example of what it means to evolve with the industry, take bold creative risks, and stay true to your voice.Which part of his career has inspired you the most?

Hey actors, are you regularly on IMDbPro? It’s more than a platform—it’s a space to connect and grow in this craft we love. Do you check it often and use it to network? Share your thoughts!

Director Ari Aster and stars Pedro Pascal and Joaquin Phoenix talk through the struggle of shooting in erratic New Mexico weather and their instant chemistry as they break down a scene from their new movie 'Eddington'.(https://www.youtube.com/watch?v=1MeI2xQ2SkM)

Self-Tape Editing for Actors: Essential iMovie Tips Casting Directors Expecthttps://youtu.be/1v85t6-Eg4QEver run into an editing issue? If so, how did you solve it? Share your experience here and on the channel so we can learn from you.

We’re so used to being the ones auditioning for someone else’s vision… but what if you pitched your own? Whether it's a short film idea, a character concept, or a creative collaboration—knowing how to pitch opens doors.This blog from Stage 32’s Filmmakers Club breaks it down beautifully. Even if you're not a filmmaker (yet), it's full of gold for actors who want more creative control, visibility, or just better conversations with writers, producers, and directors.Plus: there's a Filmmakers Club Challenge happening this month to practice pitching. If you're curious about creating your own work—or just want to understand what goes into getting a project off the ground—check this out. https://www.stage32.com/blog/july-filmmakers-club-week-4-lets-talk-about-nailing-your-pitch-4170Would love to hear from other actors—have you ever pitched your own idea? A character? A project you wanted to star in? Are you curious to try?

Gerçek Yaşam Hikayem – From Struggles to Strength Merhabalar, Babamın “tatlı balı” olarak büyüdüm, altı yaşımdan sonra baba hasretiyle hayata tutundum. Yedi kardeşin dördüncüsü ve annesinin güçlü “Monika”sı olarak, polis olma hayalimle her zorluğu güç kaynağına çevirdim. Şimdi, bu gerçek yaşam hikayemi bir film ve belgesel projesine dönüştürüyorum. --- Hello everyone, I grew up as my father’s “sweet little one” and, after the age of six, held on to life while longing for my father. As the fourth of seven siblings and my mother’s strong “Monika,” I turned every hardship into strength with my dream of becoming a police officer. Now, I am turning this true life story into a film and documentary project.

Merhabalar, Babamın “tatlı balı” olarak büyüdüm, altı yaşımdan sonra baba hasretiyle hayata tutundum. Yedi kardeşin dördüncüsü ve annesinin güçlü “Monika”sı olarak, polis olma hayalimle her zorluğu güç kaynağına çevirdim. Şimdi, bu gerçek yaşam hikayemi bir film ve belgesel projesine dönüştürüyorum. --- Hello everyone, I grew up as my father’s “sweet little one” and, after the age of six, held on to life while longing for my father. As the fourth of seven siblings and my mother’s strong “Monika,” I turned every hardship into strength with my dream of becoming a police officer. Now, I am turning this true life story into a film and documentary project.

ICYMI: Coverfly is merging with Stage 32 to be a global screenwriting contest hub for all Oscar and BAFTA qualifying contests. How do you think this will impact your career or open doors for you? What opportunities could open up if the short film you starred in got recognized by an Oscar-qualifying contest like HollyShorts?https://www.stage32.com/blog/stage-32-launches-global-screenwriting-contest-hub-oscar-and-bafta-qualifying-contests-participating-4165

On Unqualified with Anna Farris, Melissa McCarthy said when she gets a new part the first thing she does is try on wigs. When she finds the right hairstyle, then she has the character. So actors will you share what is your process for preparing for a role? What do you do for character development? Do you do any kind of research? Have discussions with the costume designer regarding your character's look? Do you do any kind of physical preparation?




Hello, I’m excited to share my short film script titled “The Promise: A Silent Battle” — a deeply emotional and motivational story about a young man, Zayden, who loses everything but holds on to one thing: his mother's final advice — “never lie, never do wrong.” Homeless, hungry, and rejected by society, he comes close to crossing the line, but fate intervenes. The story ends with an unexpected, life-changing turn — a reflection on morality, endurance, and silent struggle. This 10–12 minute short is designed for low-budget production with a powerful message. I believe it will resonate deeply with audiences, especially in today’s world of unseen battles.If you’re looking for a short with heart, humanity, and hope — I’d love to share the full script.

Big news in the acting world: Sean Astin has officially announced that he’s running for SAG-AFTRA President in the upcoming 2025 election.Read the full article on Deadline: https://deadline.com/2025/07/sean-astin-running-for-sag-aftra-president-2025-1236455606/Astin says his decision to run comes from “a sense of duty” to the acting community, with a focus on “financial transparency, union solidarity, and addressing AI concerns.” He’ll be up against current president Fran Drescher, who hasn’t yet confirmed whether she’ll seek re-election.If you’re a union member, or hope to be one, what issues do you want to see the next SAG-AFTRA president address?Let’s start a conversation:- What leadership qualities matter most to you?- What changes would you like to see in contract negotiations, support for working actors, or protections around emerging tech like AI?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.

I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.