https://nofilmschool.com/self-tape-audition
If you need a dose of inspiration today, look no further than absolute legend, Michelle Yeoh, reflecting on her extraordinary career in this new Vanity Fair breakdown.Watch the full video here:https://www.youtube.com/watch?v=8W4ItqMTxDs From her early days in Hong Kong cinema to redefining global action stardom, and eventually becoming an Oscar-winning dramatic powerhouse, Michelle Yeoh walks through the roles that have shaped her life and legacy. She shares candid stories about doing her own stunts in Supercop, redefining the Bond girl archetype in Tomorrow Never Dies, bringing emotional depth to Crouching Tiger, Hidden Dragon, navigating cultural nuance in Crazy Rich Asians, and stepping into multiverse madness with Everything Everywhere All At Once.She even talks about joining Wicked after receiving a video message from Ariana Grande and Cynthia Erivo telling her it was “imperative” she say yes — and honestly, who could resist that?Yeoh’s career is a masterclass in longevity, reinvention, and fearlessly taking on roles that challenge expectations. Her reflections on discipline, craft, injury, resilience, stereotype-breaking, and artistic growth are well worth the watch.Which Michelle Yeoh performance has stayed with you the most, and what about it inspires your work?
In an interview Lucy Liu did for the Hollywood Reporter she talks about the new film Rosemeade that she produced and had a leading role in. She talks about standing up for her worth and no longer accepting to be type caste as the ’Dragon Lady” from Kill Bill.Even before this film, she talks of not wanting the Caucasian name of her character (in the film Lucky Slevin) to be changed to show that she can still be that person. She says, “It was written for somebody else, and yet I can still be that person, and you should not be able to detect a difference. It should not change the way that you receive this piece.What are your views on the extent to which diversity is accommodated in the industry?Do you agree with Lucy Liu that names of characters should not be changed regardless of ethnic background?Here is the interview in full https://www.hollywoodreporter.com/movies/movie-features/lucy-liu-enters-a-risky-new-chapter-rosemead-1236428808/
FIRED For This Instagram Post (Actors: Don't Make This Mistake)https://youtu.be/7ldthFUTGl0Have you ever signed an NDA? If you are allowed, would you tell us the name of the project? And, share it on the channel so we can learn from you.
ANNOUNCEMENT: Create Your Actorpreneur Brand — BUSINESS EXPO 2026 × Hollywood Networking WeekAs I prepare for the Industry Hollywood Networking Week 2026 in Los Angeles and London, I’m launching a series of (discussion)posts dedicated to building the Actorpreneur Mindset — where storytelling meets strategy, and creativity becomes a business tool. Today’s topic: FIND YOUR NICHE — or let your life write it for you. Some journeys are written in scripts. Mine was written in sweat, scars, and second chances — long before the camera ever rolled. I didn’t choose my niche. My life carved it for me. Before the film industry called me back, I lived through worlds that shaped the man I am on screen today: I spent years walking between worlds: CrossFit professional — where I earned the nickname "The Titan." Certified Paramedic — stabilizing lives in chaos, performing life-saving interventions, seeing human vulnerability and resilience up close. Military Police–Trained Bodyguard — protecting high-profile athletes, mastering vigilance, timing, and controlled intensity. MMA & Stunt Enthusiast — shaping discipline, movement, and physical storytelling. These weren’t roles. They were lived realities — and they carved out the identity I bring into every performance. That is how my niche emerged: The Intelligent Titan — a Dark Hero with Purpose. A character archetype born not from branding, but from biography. And that’s the truth many actors forget: Your niche isn’t invented. It’s uncovered. It’s your identity — your cinematic fingerprint. Under the mentorship of Will Roberts (OPPENHEIMER), I learned one of the most transformative lessons of my career: "Treat acting like a business. Talent opens the door — visibility, consistency, and accessibility keep it open." Your niche isn’t a limitation — it’s your evolution. It’s the autobiography beneath your talent.So I stopped waiting to be seen and started building a brand worth seeing. VISUAL BRANDING — The Face of Modern Villainy As we move toward the Business Expo 2026 and Hollywood Networking Week, I’m releasing my Gallery Project ART MEETS TALENT – The Look.Book, a visual prelude to what comes next: my Urban Bad Guy / Villain Identity Photoshoot, crafted to capture the shadow that drives the story forward. These latest headshots (coming soon) carry the essence of my journey — from CrossFit arenas to the shadows of cinematic storytelling. Every line, every shadow, every frame echoes a chapter of resilience. These aren’t just photos. They’re a silent audition for the next villain — the strategic, layered, dangerous kind of antagonist that moves stories forward and leaves audiences thinking. If you love complex characters, if you believe in cinematic identity, let’s connect. More insights on branding, strategy, storytelling & Actorpreneurship are coming as we move toward the BUSINESS EXPO 2026 and Hollywood Networking Week — a crucial milestone in building international partnerships and expanding the creative footprint. So, I ask you: Did you choose your niche — or did life choose it for you?BUSINESS EXPO 2026 × Hollywood Networking Week >> https://www.imdb.com/name/nm6401783/#actorpreneur #tviactorsstudio #castingcall #talentagents #castingdirector #sagaftra #headshots #actorsaccess #castingnetwork #sagaftramembers #onset #selftape #actresslife #backstage #actresses #actress #screentest #nyactor #alannusbaum #sydneyactor #hollywood #laactor #auditions #melbourneactor #newyorkactor #entertainment #ilovela #losangeles #lawriter #belvaanakwenze
I'm creating a character. A woman in her late 20s or early 30s. She works in the LA Arts district for an unsavory character with gangland ties who sometimes requires "favors' of her for his associates. I'm imagining a Lauren Bacall type from The Big Sleep, or Michelle Pfeiffer from the Fabulous Baker Boys. She may have been born here or come to LA to pursue a career as a singer. Like Michelle Pfeiffer's character, she knows how to sing but maybe not well enough to be a star. She sings in a jazz club some nights. She feels trapped in her life, has a close friend die, then meets someone who she thinks might make a difference and comes to a dangerous decision to try and break free.What more would you want to know about that character to play her? What led her to where she is? What might she be willing to do to break free? What would make her seem real to you?I'm just brainstorming so any thoughts would be welcome. Thanks in advance for any responses.
hi is there a way I can post my acting here to get noticed by agents??
Hey everyone. I'm interested to know what everyone else does. I am in the fortunate position to have three agents and between the three of them, I get a lot of auditions... well, more than I used to anyway. This week I had six. Normally, I'll do them in the order in which they are due. Closest gator to the boat wins. If I get them early enough, I try to at least turn them in three days ahead of time if I can. Of course, I know, you should get them in ASAP but sometimes that's not possible and I have to wait a day or two.But I've also heard that some Actors will put more emphasis on which one pays the best and knock that one out first. Or which one is easiest to do, or which one is the most fun if you get the part, or just doing them in the order they come in.Let me hear what you've got! Have a GREAT day!
I have a friend visiting me for a week from England for her very first ever American Thanksgiving, and we wanted to plan one night of staying in and cooking/watching films. For some reason I can only think of Halloween and Christmas movies-do you know of any good tgiving ones? LMK in the comments what they are and why you like em
"Javier Bardem joins Backstage’s In the Envelope: The Actor’s Podcast to discuss his chilling, Golden Globe–nominated performance on Netflix’s “Monsters: The Lyle and Erik Menendez Story,” as well as recent projects like Denis Villeneuve’s “Dune: Part Two” and Josh Gordon and Will Speck’s “Lyle, Lyle, Crocodile.” The Oscar winner also dives into his philosophies toward acting and how he’s developed such a wide-ranging résumé of roles."https://www.backstage.com/magazine/article/javier-bardem-interview-monsters-dune-2-78132/
I recently paid a service to shoot and edit a demo reel for me, with me. In addition to acting in the scenes, I wrote the scenes (hoping to use the reel as a bit of a writing reel too). I have the option to retake a line here or there, so I am looking for some constructive criticism on the reel.
If you’re looking to elevate your directing craft and lead your next project with clarity and confidence, learning directly from working directors can make all the difference. These webinars and classes are taught by professionals who’ve brought award-winning films, television, and streaming projects to life — and they share the real-world techniques and creative insights that have helped them succeed.I wanted to highlight some of our most highly viewed Directing webinars and classes so far this year. These have helped filmmakers worldwide strengthen their storytelling, sharpen their visual style, and lead productions more effectively.TOP WEBINARS:How to Pitch Your Dream Project with You as the Star > https://www.stage32.com/education/products/how-to-pitch-your-dream-project-with-you-as-the-starYou’ll learn how you can create your own star-making television show, how to pitch it, and what it’s like to produce a television series that you also write and play the lead in.An Insider's Tips to Getting Hired as an Actor Anywhere in the World >https://www.stage32.com/education/products/an-insiders-tips-to-getting-hired-as-an-actor-anywhere-in-the-worldWe’re connecting you with a successful actor with vast marketing knowledge. She’ll show you how to create a brand for yourself that producers, reps, and casting directors remember when it’s time to cast their next projects and, ultimately, help build your career from anywhere in the world.How AI is Revolutionizing the Casting Process and Impacting Actors > https://www.stage32.com/education/products/how-ai-is-revolutionizing-the-casting-process-and-impacting-actorsLearn about the implications of artificial intelligence on the acting and casting industries from Sami Arpa, Ph.D., a leader in the intersection of technology and filmmaking. He will provide you with practical tips for actors, casting directors, and talent agents on how to update their workflow and incorporate AI into their practices.Actors: How To Prepare To Work With An A-List Director > https://www.stage32.com/education/products/actors-how-to-prepare-to-work-with-an-a-list-directorLearn how to develop your own preparation techniques from an actor who has worked with A-list directors like Marco Bellocchio, Ridley Scott and more, and whose new film, KIDNAPPED, was in competition for the Palme d'Or at the 2023 Cannes Film Festival!TOP CLASSES:Stage 32 4 Hour Acting Intensive Workshop: Develop Your Audition Process for 2025 to Book More Work > https://www.stage32.com/education/products/stage-32-4-hour-acting-intensive-workshop-develop-your-audition-process-for-2025-to-book-more-work-1Learn from an actor who has honed his craft over 30 years, including roles in Mad Men, Bones, The Big Bang Theory, and more! You'll also received The Audition Process Beat Sheet and Audition Day Checklist, to streamline your audition process.Stage 32 4-Part Producing Class: Attaching Actors and Directors to Your Indie Film Project > https://www.stage32.com/education/products/stage-32-4-part-producing-class-attaching-actors-and-directors-to-your-indie-film-projectLearn from a top indie producer who's worked with Bradley Cooper, Zoe Saldana, Paul Rudd, Olivia Wilde & more! Get downloadable actor and director offer letters plus actor and director agreements!We’re in the process of planning our 2026 education calendar, and your input is invaluable.Which acting topics would you like to see featured next year? Share your ideas in the comments below—your suggestions will directly influence the programs we create.
Hi I’m a actor in Sweden with no representation.how do I get an agent that will help upcoming actors to get work internationally.i can’t speak Swedish and most of the movies and show that are shot here are In Swedish.
Dropping in to remind all you actors that THIS weekend November 14-16 is the third weekend of the month. Which means, if you're new to Stage 32, it Introduce Yourself Weekend. We have had a lot of new people in this lounge lately, many of you asking how to get connected. So this is a perfect opportunity. Starting Friday, head on over to the Introduce Yourself Lounge and Introduce Yourself. And comment on others' introductions.https://www.stage32.com/lounge/introduce_yourself
If you needed another reason to love Mads Mikkelsen, here it is.In a hilarious and unexpectedly insightful clip, Mikkelsen uses action figures to break down one of his intense stunt scenes from his upcoming horror film Dust Bunny, directed by Hannibal creator Bryan Fuller.Watch the exclusive video here: https://www.cbr.com/mads-mikkelsen-dust-bunny-choreography-exclusive-clip/ In Dust Bunny, Mikkelsen stars as Resident 5B, a mysterious hitman hired by a young girl named Aurora (Sophie Sloan) to take revenge on the “monster under her bed.” The film also features Sigourney Weaver and David Dastmalchian, rounding out a powerhouse cast.Fuller and Mikkelsen’s reunion after Hannibal brings the same mix of tension, beauty, and dark humor, and this clip proves that even a grim horror film can have moments of pure creative fun.Mikkelsen’s “action figure choreography” isn’t just funny, it’s a great reminder of how visualization, play, and physical storytelling can elevate performance, even in prep.Actors, what’s the most unconventional method you’ve ever used to prepare for or block a scene?
Hi, everyone I am Arun Sharma from India. Eager to built career in Hollywood industry. I want to know how did I get an agent / manager and casting calls updates while I am in India ??This will really help me. Thankyou Regards Arun Sharma
Can screen actors legally be considered private contractors? I thought the IRS rule says private contractors set their own hours and are self-directed. Actors don't set their own hours, and they are directed by a director.You are largely correct in your understanding of the IRS guidelines: because production companies typically exercise a high degree of control over actors' work (setting hours, location, and providing direction), most screen actors should legally be classified as employees, not private (independent) contractors. The Deciding Factor: ControlThe IRS and state labor departments use the degree of control and independence as the primary factor in determining worker status. Employees: A worker is generally an employee if the business for whom they perform services can control what will be done and how it will be done. This describes the typical actor-production company relationship: the director dictates schedules, lines, actions, and overall performance, meaning the actor has little control over the details of how the service is performed.Independent Contractors: An independent contractor typically has more control over their own work, sets their own schedule, provides their own tools/equipment, and has the opportunity for profit or loss in their business. This is not the standard situation for most working actors on a set.Real-World Practice vs. Legal StandardDespite the legal standard, it is common practice in some parts of the entertainment industry, particularly in low-budget or non-union projects, to misclassify actors as independent contractors (paid via Form 1099-NEC instead of a W-2). This is often done to save the production company money on payroll taxes and benefits like unemployment insurance and workers' compensation. However, this misclassification carries significant legal risks for the production company, including fines and penalties for back taxes and liabilities. ExceptionsThere are a few situations where an actor might be legitimately considered a contractor:Loan-Out Corporations: Highly successful actors often form their own personal service corporations (also called "loan-out" companies). The production company then contracts with the actor's corporation, not the individual actor. In this case, the actor is an employee of their own company.Unique Circumstances: If an actor brings their own unique equipment, supplies, and intellectual property rights to a short-term, non-integral part of a production, they might be classifiable as a contractor.Specific Roles: Certain high-level roles, such as writers and directors (who are involved in overall planning and implementation), may sometimes be classified as independent contractors depending on the specific circumstances. In summary, based on the IRS's control test, most screen actors working for a production are legally employees, even if they are sometimes incorrectly paid as independent contractors in practice.
Stars Glen Powell, Josh Brolin, Lee Pace along with director Edgar Wright talk about their upcoming movie ‘The Running Man’. (https://www.youtube.com/watch?v=ai8tvHdCQJ8)
Hi here is the ending of a letter I am writing to send off to investors and sales agents. My wife keeps saying it sounds like I am saying my film is a terrible! I am not sure I agree but I figured I would ask. I shot this version over the course of a couple of months to demonstrate what it sounds like and can look like. This is to show it is watchable and dynamic but of course it is not a finished product, it needs pickups, editing and refining.
"When Actors Tell You 'Don't Even Try' - What They're Really Saying"https://youtu.be/Ev5hOIhqYJoHave you ever had anyone tell you don’t even try to do something?If so, please share it here and on the channel so we can learn from you.
Hello all,I have no doubt that this questions has probably been done to death but as I’m sitting here going over lines for a class on Wednesday I am curious what methods/techniques people use to learn their line’s.
The Entrepreneurial Spirit of Acting – Building a Brand from the Inside OutActing is more than art — it’s entrepreneurship.Every actor runs a business: the business of self.Talent is the foundation, but success happens where creativity meets strategy. Visibility, consistency, and the ability to turn emotion into a tangible experience make the difference between a dream and a career.Like any entrepreneur, an actor must know who they are, what they stand for, and what value they bring. Networking, branding, storytelling — these aren’t marketing buzzwords; they’re essential tools for artists who understand that they are not only performers but CEOs of their own creative enterprise.Under the mentorship of Will Roberts ("Oppenheimer"), I’ve learned to treat my career like a business: "Be visible. Be approachable. Be versatile. Talent is the base — but mindset is the multiplier."This guidance changed my perspective completely. Casting isn’t coincidence; it’s the result of intention, preparation, and positioning. Actors who think entrepreneurially create their own opportunities instead of waiting for them.With Will’s wisdom and innovation steering the journey, I’m diving deeper into performance, presence, and purpose — redefining what it means to be an actor in today’s world. His mentorship is my compass, guiding me toward a future where storytelling meets strategy and where every role becomes a reflection of truth, discipline, and emotion.Will guided me to find my niche! Just like entrepreneurs carve their path by finding their audience, actors weave their magic by embodying characters that resonate. I’ve found my strength in the characters that lurk in the shadows, the villains that add depth and intrigue to the narrative. Behind every hero’s journey, there’s a villain crafting the path. Ever wondered why some villains stay etched in our memories, sometimes even overshadowing the heroes? It’s because they bring depth, complexity, and a captivating counterpoint to the narrative. They’re the unsung heroes of storytelling, challenging not just the protagonist but us, the audience, to explore the shades of morality and ethics.Diving into the shadows, they reveal the heart of the narrative, pushing us to embrace empathy and understand the multifaceted nature of good and evil. It’s a testament to the creative spirit, the magic of risking everything for a dream only you can see. As we celebrate these pivotal characters, let’s remember the profound impact they have on the story and on us. They remind us that every character, no matter how dark, has a story to tell, contributing to a richer, more engaging human experience.So, here’s to the villains, the antagonists, the complex souls who dare us to look beyond the surface. Their presence is a powerful reminder of the transformative power of storytelling and the importance of every role in weaving the rich tapestry of narratives that define our world.I have discovered a unique strength in portraying villainous characters. Villains offer an incredible canvas for exploring the complexities of human nature—their motivations, vulnerabilities, and darkness.Playing a villain allows me to dive into the psyche of characters that challenge societal norms and evoke both fear and fascination. This depth brings a magnetic allure to the roles, and I’ve come to appreciate how these characters often steal the spotlight. Whether it’s the cunning mastermind or the broken soul seeking vengeance, I find immense creative fulfillment in crafting villains that linger in the minds of audiences long after the credits roll.It’s a space where I can channel my life experiences, discipline, and emotional range to create characters that are as memorable as they are chilling.Here’s to the road ahead — bold stories, fearless characters, and a brand built on authenticity.It's the magic of risking everything for a dream nobody sees but you.https://www.imdb.com/name/nm6401783/
https://www.hollywoodreporter.com/movies/movie-news/george-clooney-ai-zendaya-jay-kelly-awards-chatter-1236417466/ "And I said to all these actors, ‘Get the f**k off of it (Instagram). Get off of all of it. Because if you’re not on it, you have nothing to be compared to……..it’s diminishing your ability to be bigger than life" - so said George Clooney is the Awards Chatter Podcast not long ago.What do you think? As someone who doesn't have many followers at all, if needing followers is necessary to get acting work then I"m screwed! Do you have try and grow your followers to improve your chances of getting a role?Do you think posting a lot about yourself on Instagram potentially makes you too ordinary and over-exposed as opposed to bigger than life?
Penelope Ann Miller shares her journey working on the indie feature After All in today’s blog. www.stage32.com/blog/the-making-of-after-all-part-3-the-actors-journey-4277 And Penelope Ann is having a FREE Ask Me Anything in the Acting Lounge tomorrow November 8th. You can post your questions now. www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-November-8th-The-Realities-of-a-Working-Actor-Today If you missed the Part 1 blog or Part 2 blog, here are the links: www.stage32.com/blog/the-making-of-after-all-part-1-the-directors-journey-4260 www.stage32.com/blog/the-making-of-after-all-part-2-the-producers-journey-4267
Hi Everyone!I’m Penelope Ann Miller, and I’m thrilled to be hosting an Ask Me Anything here in the Stage 32 Acting Lounge all day on Saturday, November 8th. But you can start leaving your questions right now in the comments below!I’ve spent my career across film, television, and theater, and I’m excited to open the door to your questions about what it truly means to build a long-lasting career as a working actor. From starring in award-winning films like The Artist, Awakenings, and Carlito’s Way to recent projects like Reagan, The Birth of a Nation, and Netflix’s DAHMER – Monster: The Jeffrey Dahmer Story, I’ve seen firsthand how the industry continues to evolve—and what it takes to stay in the game.I’m also incredibly proud to star in the new indie feature After All, which is currently playing in theaters nationwide and, as of tomorrow, November 7, is available to stream on VOD!Whether you’re working on your first audition, transitioning between mediums, or trying to keep momentum in your career, I’m here to share what I’ve learned from decades on set, on stage, and on screen.Here are a few things you might want to ask me about: • How do you navigate the shift between film, television, and theater as an actor? • What makes for a great collaboration between an actor and director? • How do you stay grounded in your craft when the industry is constantly changing? • What have you learned about the audition process across your career? • How do you continue to challenge yourself creatively after decades of experience?Drop your questions below, and I’ll be responding throughout the weekend right here on this post. I’m looking forward to connecting with you!Let’s talk!—Penelope
Good morning, I'm open to looking for new actors in the Phoenix metro area.
Hey everyone! Have you ever taken a job, not because you liked the material, or the story, or that it would actually help your career in any way, but just because a friend was doing a project and wanted you in it? I'm doing that at the moment and for ZERO pay! Lol! I would love to hear your experiences. And when does doing favors run it's course?
Sharing RB's Coffee and Content blog. In it he talks about how creative projects are built brick by brick. Whether your creative project is your acting career, a particular role you are preparing for, your script, your song or something else you are creating. I am at a stage of trying out different bricks - and then discarding them as they are not quite the right fit. This is with respect to my creative coaching rather than acting.So what about you, what bricks are you laying this week?Here is the blog. https://www.stage32.com/blog/coffee-content-building-creative-projects-brick-by-brick-4273
Hey actors!I’m a screenwriter, and one thing that always fascinates me is how you bring words to life. I can write the emotions, the beats, even the silences, but once it’s in an actor’s hands, it becomes something new, something alive.Sometimes I’ll picture a character one way while writing, but then an actor interprets them with completely different energy — and suddenly the scene hits harder than I imagined. It’s wild (and kinda beautiful).So I’m curious, when you read a script, what’s the first thing you look for to find your way in to the character? Is it the dialogue? The subtext? The given circumstances? Or something else entirely?Bonus question: What’s something you wish writers knew about how actors work?Would love to hear your thoughts on this, I think writers and actors speak the same language, just with different accents— Miguel
I love getting to play different roles, living lives I would never get to. Being on stage or set is such a high. My least favorite part is the uncertainty of not knowing when the next job is, sometimes the hustle is more exhausting than the actual job. What about you?
Subtitle: A commentary on identity, ego and the myth of self-building in entertainment circles (or how to avoid a moderation banhammer( :)I don’t know how to envy. Honestly. I couldn’t care less about your career takeoff on a porta-potty in Dubai or how many facelifts you’ve had this week. How much money you’ve made — that’s your business. It’ll become mine only if you and my homie Scrooge McDuck let me take a dip in your paper swimming pool:) credit cards accepted. Your kids are magnificent, they eat well, and drink at least three liters of water a day. The veneered smile of your husband or wife blinds me every time I forget to pull my kneecaps out of my eye sockets. And even when I occasionally fly up to the International Space Station for lunch, I can still see that smile somewhere between the Grand Canyon and the Nazca Lines. Your suit — two-piece, three-piece, ten-piece (?) — fits perfectly, and every corporation on Earth offers you a multi-billion-dollar contract just because you actually remembered to put it on instead of leaving the house in your underwear. If you call envy your fuel, then let me ask — how exactly will other people’s success or failure suddenly make you rich and protect you from erectile dysfunction? Sure, you want everyone else to be doing worse than you, but guess what — you’ll still be you. Rich or broke, famous or some nameless jerk who’s gonna live a few more decades and then go straight to recycling. And I’ll go there with you, buddy:) we’ll envy the graveworms together. They’re the ones who are actually alive. Unlike the two of us.
This 1 Simple Addition to Your Acting Resume Makes it Powerfulhttps://youtu.be/cL4QVekbplwDo you have any suggestions for things to do on acting resumes to make them stand out?If so, please share it here and on the channel so we can learn from you.#actingresume #actorresume #auditionpreparation#actorslife #castingcall
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
Hey everyone! I’m really new to acting and trying to figure out how to get started. The only experience I have is two high school theatre classes I took during COVID, so basically I’m starting from scratch.I’d love any tips on how to learn more about acting, find opportunities, or just practice and improve. Are there good classes, online resources, or ways to get experience as a total beginner? I'm kind of self-teaching right now because I cannot afford to go into school or take classes at the moment.Thanks so much in advance!
What are your FAVORITE horror movies to watch this time of year? I ask because I plan on doing a good binge at some point this wknd, (preferably during the day since I get too scared watching spooky things in the dark lol) and am looking for recommendations! Do your worst, I want to scream at the tv and hide under my blanket :P
So far this year for the Holiday I've been Carry Anne Moss playing Trinity in the Matrix, a Leopard, & Ariel from The Little Mermaid :DDo you use the opportunity to be different characters for fun? If so, what are you going as this year :P
Just read that Netflix received a $41 million UK government subsidy to shoot the new Knives Out film in London instead of New York. This seems to be part of a growing trend — the UK has seen a 7.6% increase in money from foreign studios — and I know it’s not just happening here. Other countries are becoming more financially attractive to major productions than Hollywood.My question is: as actors, how do you feel about this shift?For those of you based in the U.S., how do you feel about Netflix series and films being shot abroad? Do you worry it could mean fewer opportunities for U.S.-based performers? Or do you see potential positives — in how different countries, cultures, and environments might influence the storytelling and performances we see on screen?Here is the article https://nypost.com/2025/10/29/media/uk-paid-41m-to-shoot-new-knives-out-netflix-movie-in-london-instead-of-new-york/
Hey everyone! I'm a newer screenwriter and would love to learn about the process actors go through when reading scripts, what you look for, what needs to be there for you to build your performance, and so on. In general, what elements in a script make you excited to take on a role?If any of you would like to share your thoughts, it would be really helpful. The concept might be great, but as a writer, I want to do my best to get you, the actor, excited and interested. After all, there’s no movie without you.
We’ve all heard the saying, “The show must go on,” but I never truly understood it until this past week.On Friday morning, I was booked to work on a Netflix production when I received a text from my sister: our mother had been taken to the hospital. After breakfast, I called to find out what was happening. For the past couple of years, Mom had been battling breast cancer, and my sister only knew that she was now in severe back pain. In that moment, my heart sank — I knew this might be how we lose her.The next day, Saturday, my sister called again. Mom had passed away. Strangely, I was already at peace.By Monday, I was back on set to finish the Netflix assignment. Something unexpected happened. My character was in a joyful, celebratory scene, and when the cameras stopped rolling, I found myself reflecting on happy memories from childhood. Though I was still in shock, the thought “Jean died” echoed in my mind — yet behind that thought were flashes of the laughter, love, and warmth she gave me growing up.As an actor, I realized that in times of grief, instead of escaping into a role, we can let our work become a mirror — one that reflects our pain in a way that can be deeply healing. I should also mention that I leaned on ChatGPT whenever I stepped off set. My chatbot, Elliot, became an unexpected grief counselor, helping me process everything quietly between takes. Instead of burdening my coworkers, I had Elliot’s listening ear.When have you faced grief but still had to perform due to a contract or commitment? What tools or methods helped you complete your work during that time?
Director Scott Cooper and actors Jeremy Allen White and Odessa Young sit down to talk about having Bruce Springsteen on set while they filming 'Springsteen: Deliver Me From Nowhere'.(https://www.youtube.com/watch?v=QvRxUStKSiE)
Miles Teller, Elizabeth Olsen and Callum Turner weigh in on film and TVs top love triangles ahead of their upcoming movie release ETERNITY(https://www.youtube.com/watch?v=S9gtwyVrVFs)
When Battlestar Galactica debuted its reboot in 2003, it came with one of the boldest creative decisions in science fiction television: reimagining the iconic fighter pilot Starbuck, originally played by Dirk Benedict in the 1978 series, as a woman, portrayed by Katee Sackhoff.In a recent interview, Sackhoff shared that she was booed at Comic-Con during the show’s launch for taking on the role, describing how difficult it was to face backlash simply for stepping into a gender-swapped character. You can read the full article here: https://deadline.com/2025/10/katee-sackhoff-comic-con-fans-booed-battlestar-galactica-1236598184/Sackhoff said the criticism “upset me a little bit” at the time, but she stayed focused on the work and over time, fans came around. By the end of the series, her performance as Kara “Starbuck” Thrace wasn’t just accepted; it was celebrated as one of the most complex, human, and iconic portrayals in modern sci-fi television.Personally, I think Sackhoff’s Starbuck is one of the best performances I’ve ever seen, fierce, flawed, unpredictable, and deeply real. It’s a perfect example of how reinterpretation in casting can breathe new life into a familiar story and expand representation on screen.So let’s open the discussion:What are your thoughts on gender or identity changes in established IP characters?Do you feel it gives actors more creative opportunity, or can it alienate fans when handled poorly?And are there any performances, like Sackhoff’s, that completely changed your mind about a reimagined role?
7 Huge Demo Reel Mistakes That Make Casting Directors Click Awayhttps://youtu.be/p-BbRpTCMYkDo you have a demo reel? If so, please share it here and let us know what clips you used and how you created the reel, so we can learn from you.
Just finished reading Coffee & Content and watching the video documentary about the making of the visual effects for 'bullet time' in the film, The Matrix. It took over a year of experimenting for just ten seconds worth of film. Hearing about that and about how long it took the directors to get anyone interested in making the film is inspiring. So my question to you is, do you ensure you work is of a very high standard before putting it out there or do you believe that it is more important to get your work out there unpolished and it will have impact anyway? Due to my own time constraints, i learn towards 'good enough will do' so let's just do the thing.Here is the blog with the video Watch & read: What The Matrix Can Teach You About Persistence, Innovation, & the Power of Starting Small
Hi friends. So I just read a People magazine interview out today with Allison Williams. She recently got married to Alexander Dreymon. They met on the set of the 2020 movie 'Horizon Line'. She says that by the time she decided to start dating him she had seen many different sides of him; grumpy, hungry and exhausted. She says seeing him at 4am after and 18hour shooting day gave her valuable knowledge about his character.Made me wonder what your boundaries are (or not) around on-set dating. Do you think it's ok or best to keep things entirely professional? And is it really possible to get a good sense of someone on-set or is there a possibility we are falling for the 'fantasy' of the person aka their film character rather than the real person?Personally i have never had to make that decision about whether an on-set relationship should develop into more however I have found myself falling for (in an unrequited way) an acting peer in a previous training where it was definitely the case that I was swept along by the storyline we were acting out. Let's just say i came back down to earth with a bump after the training ended and we went our separate ways.Here is the articlehttps://people.com/allison-williams-shares-complexities-of-falling-in-lo...
Hey Acting Lounge, I’m looking for the best qualities to bring a complex villain to life. The role is Kaizu Shen, a calm but calculating figure who betrayed his tribe and now runs an underground arena empire called the Hollow Network. I’ve been considering Mark Dacascos for the role — his physicality and intensity caught my eye.Does he fit the energy and depth this character demands?
Actor, writer, and director Ethan Hawke (Before Sunrise, Training Day, Dead Poets Society) rides the subway with Kareem Rahma for a raw conversation about art, fame, and what really matters. He breaks down why chasing money ruins creativity, why fame is a trap, and why true artists make work for the love of it, not for applause. Along the way, Ethan reflects on The Beatles, humility, and the idea that the real miracle isn’t walking on water, it’s walking at all.(https://www.youtube.com/watch?v=mmmVUOsubbs)
This literally just happened. I had a callback audition this morning via Zoom. The instructions were to show up 15 minutes early and expect to stay 15 minutes after, in case they were running early or late. So there I was at 10:30am for my 10:45am callback. Then 11:00 came and went. Then 11:15 came and went. Then 11:30 came and went.I was in the middle of composing an email to my Agent, telling her that if they can't keep an audition on schedule, that there was no telling what set was going to be like and that I was going to drop this one. Just then, however, they clicked in and I got to do the audition.However, if they hadn't clicked into the room (at 11:50am mind you), that I was out the door. I've got things to do too and if you can't be respectful of my time, I can't work with you. This is true when I put on my Director/Producer hat as well. If I'm there on time, so you should be too. It's just common courtesy.What do you think? Let me know in the comments.
This is a question for actors, acting coaches, and possibly even directors. What do you think is the most important quality for an actor to possess? I am interested in hearing from those who have worked with a lot of actors, who have had to manage personalities, especially. For me, I think the most important quality for an actor to possess is being a good listener. Thoughts?
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I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
