I just read the beautiful journey of Sandra and she motivated me so much. That blog was beautifully crafted and I could read her passion through every sentence. Thank you for motivating me
Stepping into the cape comes with big expectations, and even bigger shoes to fill. David Corenswet, who will lead James Gunn’s Superman, recently opened up about the advice he received from past Supermen Henry Cavill and Tyler Hoechlin:https://deadline.com/2025/07/david-corenswet-superman-advice-henry-cavill-tyler-hoechlin-1236450467/Both actors offered grounded, thoughtful guidance that speaks volumes about what it takes to embody such an iconic role with authenticity, balance, and grace.For actors in this community, it’s a reminder of how every performance, especially one that comes with legacy; benefits from mentorship, collaboration, and staying true to your own voice.If you were handed an iconic character, what advice would you hope to receive, or pass along?
Good morning everyone, hope all is good! I wanna start getting more active on here and interacting with you all more, so everyday I’m going to try to post something on here, whether it’s questions I have for you guys or even anything new I'm working on, anything new I found out about, and etc. first question I want to ask you guys is about networking on social media. did you guys make a new account just for acting, or did you guys use your own personal page to show off your work? I would like to use my personal page, but I feel like it’s been too much of a “personal page” for so long I personally feel Like starting a new page and account would be better (even with me having to start over from scratch) and that account can only for my acting and etc. what do you guys think?
I honestly didn't know Vertical Dramas were a thing until I read this article from The Guardian. It caught my interest and made me think that - as a late to the game actress- it could be way to gain some experience and add to my Showreel. Here is the article https://www.theguardian.com/tv-and-radio/2025/jun/22/a-new-space-to-play-in-can-vertical-dramas-save-the-uks-tv-sector?For any of you who don't know, vertical dramas are ultra-short narrative series—often just 60 seconds per episode—designed to be watched on smartphones in portrait mode. They're gaining popularity on apps like FlexTV and ReelShort, especially in the UK, as a fast, low-cost way for actors, writers, and directors to stay creatively active and visible during industry slowdowns. The pros are: quick exposure for creatives; low-budget, fast-turnaround format; platform for experimenting with story and structure. The cons are: Often underpaid or unpaid work; Risk of creative burnout or lowered standards; Questions about sustainability, artistic depth, and fair compensationHere's an example of one: https://youtu.be/btoNZ4KYEaoSo, as an actor have you been in one or would you potentially if an offer came along?
After Auditioning, I Didn't Book The TV Show Gotham - Then I Did: Here's Whyhttps://youtu.be/neWbngWX6tgHave you ever booked a job after being turned down? If so, share your experience here and on the channel so we can learn from you.
I recently received a CMail invitation to audition for two day-player roles in a film. One was a single line of dialogue, the other included a full page of text.The single-line character was an easy yes. Despite the brevity, the line revealed everything I needed to know: this was an abusive high school professional. I understood him immediately. He masks his threat with a disingenuous smile, delivering it just within earshot of the student’s parents. There was depth, intent, and subtext—all in that one line.The second role, however, was more complicated. It involved a doctor assessing a critically ill patient. But the dialogue felt flat—just words on a page. There was no clear character, no hint at how this doctor operates or what drives him. I initially agreed to self-tape, but after sitting with the material, I realized I couldn’t approach it truthfully. I ultimately wrote back to the casting director to explain why I needed to step away from the audition.So I ask you:Have you ever found yourself in a similar situation?If so, how did you handle it?Looking forward to hearing your experiences and insights.
In a recent interview, Michael Douglas shared that he’s stepping back from acting, stating he has “no real intentions” of returning to the screen. After a legendary career spanning decades, from Wall Street to Behind the Candelabra to The Kominsky Method, Douglas is choosing a quieter chapter, saying he’s satisfied with what he’s done.Read the full article here:https://deadline.com/2025/07/michael-douglas-no-real-intentions-acting-again-1236450628/Actors—how do you feel when you hear stories like this? What do you hope your own creative legacy looks like?
https://youtu.be/ILy1ug8S1Do?si=zBSlhI0fxcTrjfiiAs an actress, I know that a dress is never just fabric – it’s transformation, presence, and storytelling. In this short visual, “Wearing the Role with My Tascano”, I explore how wardrobe becomes part of the performance, shaping emotion and character even before a word is spoken. As a Stage 32 Ambassador for Germany and the Dominican Republic, I’m passionate about connecting international creatives and celebrating the visual language of storytelling — through movement, style, and expression.
Join the executive producers and showrunners behind The Witcher, Severance, Snowpiercer, and Stargate for a free Stage 32 webcast filled with insider insights on what's selling, how to adapt existing IPs, and what networks and streamers are hungry for right now.Attend live to ask your questions during the Q&A and hear what networks and streamers are buying now.Can’t make it live? Register anyway, and the full recording will be added to your Stage 32 Education Library.Free registration: https://www.stage32.com/education/products/stage-32-presents-sci-fi-fantasy-roundtable-the-state-of-the-industry-adapting-ip-today
I'm looking forward to seeing this movie. You can tell he's really living the character. Beautiful cinematography, strong acting, perfect scenery, and a well-adjusted team. This scene looks promising. You can see the dedication. !!! Living another life, feeling intensely, transforming emotion into art.I remember a recording in which Ana, a super-talented actress, gave her all. It was incredible to see, super inspiring for those who were just starting out and watching this dedication up close. I imagine how hard she and other big names worked so that we could really feel each scene, truly enter into that atmosphere.I watched movies that made me feel like I was inside the story. One of them was Somewhere in Time. My wife and I felt like we were floating with the movie... it was magical. I'm sure many of you here have also had that feeling.
Actor Anxiety: Why Being Asked to Re-Record Your Lines Isn’t Always Badhttps://youtu.be/2-emlHSlxKIHave you ever been asked to re-record your lines? If so, share your experience here and on the channel so we can learn from you.
Dear Stage 32 Community,My name is Yvonne, an actress with a deep passion for storytelling through my own theater shows. Looking back, I recall being approached for film roles when I was younger. Yet, I couldn’t bring myself to say yes. Why? It wasn’t fear or doubt—it was the lack of control. Reading someone else’s script felt like stepping into a world I hadn’t shaped, and that didn’t sit right with me.Back then, did I envision myself writing screenplays years later? Honestly, no. But here I am, crafting my own stories for the screen. Do I see myself starring in these films? Not quite. For now, I’m more drawn to pitching my work—think press-style sizzle reels—while envisioning other actors bringing my scripts to life. Will this mindset shift? Perhaps. I’m open to change, but I’m curious about the journey.This brings me to my question for you, the talented Stage 32 community: Are there any screenwriters here who also star in their own films? What’s your philosophy behind wearing both hats? How do you balance the creative control of writing with the vulnerability of acting in your own story? I’m eager to hear your experiences and insights, as I navigate this path with curiosity and an open mind.Thank you for sharing your wisdom!Warm regards, Yvonne
I was just reading how Michael Sheen from Good Omens and Twilight recently released a children’s picture book, A Home for Spark the Dragon, benefiting homeless charities. He also launched and funded a national Welsh theatre. He has described himself as a “not-for-profit actor.” Emma Stone, Mark Ruffalo, Tarji, P. Henson and others are also 'actor activists' My question is, Have you ever used your acting or creative skills in service of a cause you care about? If so, what happened?
Hope everyone had a great weekend!I wanted to let you know that our 4th of July Sale has been EXTENDED until midnight tonight!You can save 20% on all Stage 32 education — including webinars, classes, and labs — by using the code 4THOFJULY25 at checkout.If you have any questions or would like a recommendation, feel free to email us at edu@stage32.com .... We’re always here to help!Hope you take advantage of it — and have a productive week ahead. Happy Learning!
I was watching "Wicked" and thinking to myself, 'Wow, it would be fun to work on a film with Cynthia Erivo.' She is so talented. When I visited my IMDB page, I discovered a few years ago I in fact did appear in a musical (visual album) featuring Cynthia Erivo. Thank you, universe! ❤️
Correction ! The ‘Trans-Atlantic’ accent is NOT 'made up ‘ without ‘true native’ speakers. The ‘Mid-Atlantic' accent is NOT the same... https://ryanol.com/trans-atlantic-and-mid-atlantic-accents ... #EnglishAccents #Transatlantic #MidAtlantic #Accents #English
https://youtu.be/tVPifcnLRas?si=o9hDmAG83w8V_N5THey everyone as a Stage 32 Team Ambassador for Germany and the Dominican Republic I’m excited to share my new YouTube video How to Find the Right Drama School Private or State-Funded In the video I talk about the differences between private and state-funded acting schools and why public institutions often offer stronger industry connections especially through theatre and state-supported networks Watch here [insert your YouTube link] I’d love to hear your thoughts what kind of training did you choose and why Let’s open the conversation ⭐️☀️
https://youtu.be/NEZJrQRRJ7M?si=fKhtsQTl2vHgONMB
I first moved to Los Angeles Aug 2014, fresh from another country, (although American) so the majority of my work and reps had been overseas with people no one had heard of. Because I had been a union actor there, I went directly to the SAG website & printed up list of SAG Franchised agencies based in Los Angeles, crossing out each as I sent submissions. At that time, the majority were still only excepting mail outs, so I first sent to all that took emails, then went and printed up a ton of headshots with my one page shortened resume on the back for the theatrical ones, as well as front to back model comp cards, that I stapled to a paper version of a resume for the modeling agencies. (since both of my managers at Williams Management and Gilchrist Management had divisions for both, I was used to having two different resumes and sets of pics, one for acting, one for modeling)I got called in to meet with three in person, Wilhelmina wanted me for their plus size division (but I would have to put on 20 lbs) Mavrick Artists wanted me for the Sports and Specialty Stunt Division (but I would have to keep up with training although I had just been certified for a bunch of safety and stunts in Oz ) and Peak Models wanted me as I was, didn't matter if I gained or lost weight or kept up with certs or not so I went with them and oddly enough, the agent I would have had/& had met with at Wilhelmina ended up coming over to Peak so I got the representative I wanted in the end anyway!Moral of the story is, you never know what could happen! Did you have any no's that lead to yes's? Have you recently done any rep hunts? What seemed to work for you? And not work for you? I'd love to hear!
Charlize Theron has spoken about an uncomfortable audition she had with an well known director when she was starting out. This made me think, what about you? Do you have a story of an audition gone wrong, or a scary situation, and how did you handle it? What advice would you give to new actors going out on auditions on how to stay safe?https://variety.com/2025/film/news/charlize-theron-director-sexual-pass-audition-1236446079/
Sharing this week's Coffee and Content blog about Sinners. Lots of interesting stuff in the video essay on Sinners https://youtu.be/DPGf5TfGwAk?si=nTD9XokhIfxAX1SZ. One thing it talks about is how Coogler explores immersive storytelling. I"m wondering, How do you use immersive techniques (like internal monologue or unconventional staging) in your own acting work? Here is the link to Coffee and Content https://www.stage32.com/blog/coffee-content-what-ryan-cooglers-sinners-teaches-us-about-creative-control-4147
This Free Actor's Marketing Tool Is A Networking Game Changerhttps://youtu.be/8wxi0T5fQLsHave any suggestions for apps that help actors? If so, share it here and on my channel so we can learn from you.
This fascinating audition tape comparison shows Emilia Clarke and Claire Foy both reading for the role of Elizabeth in Belle (2013), a role that ultimately went to Sarah Gadon:https://youtube.com/shorts/oSVkfFp93fU?si=PfBFjtFO5dsRbKo_What’s so striking here is how different each take is, yet both are deeply compelling. Each actress brings a unique emotional tone, personality, and point of view to the same lines of dialogue, proving just how much life the performer breathes into the text.Neither of them got the part in the end, and yet you can clearly see the caliber of their talent. It’s a perfect example of how auditioning isn’t about being “perfect,” it’s about offering a truthful, grounded, and inspired interpretation.Rejection isn’t failure. It’s just not this one. Not this moment. But your moment is coming, and every audition is a brick in the foundation of a creative career built to last.Have you ever had an audition you were proud of, even if you didn’t book the role? Let’s talk about it.
I am a British cinematographer with 31 years experience with 32 features to my name, offering a very intensive on.line workshops on.line .Offering a great "sizzle reel"and a chance to be casted in my next features.Please p.m.Mike@enkiproductions1.8b.io
As an actress, producer, and Stage32 ambassador, I’ve experienced what it feels like to be on the outside – and what it takes to slowly, authentically work your way in. In my latest video, I talk about: the invisible “circle” that often determines who gets seen – and who doesn’t how to make yourself heard as a newcomer – without losing your voice why networking isn’t the same as pretending how to know your own value – even before the industry reflects it back to you and why persistence matters – especially in the quiet phases Maybe you’re in that space right now. Or maybe you remember what that felt like. Either way, I’d love for you to watch the video – and even more, to hear your thoughts. Watch it here: https://www.youtube.com/watch?v=osTbHpC5Qts&t=178s
Hey all! I know we've all had this happen before. The inevitable last minute audition sent by your Agent. I had just woken up for the morning and had a full day planned with pre-production on the project I'm directing/Producing next month. I was about to head out the door when I get an email from my Agent in Atlanta. As the door is wide open, letting out the AC, I decide to see what it's about. Now, normally, I answer emails at night when I'm done with my day but for some reason, I decided to look at this one right then and there. No idea why. It was an audition that was due in an hour and a half! Ugh! I read a little more of the email and saw that the audition was for a show starring someone I have followed my entire GenX life. One of the most recognizable stars on the planet. As inconvenient as it was, I closed the door and went to my basement studio to do the audition, cursing the entire time. "This is what you WANTED Brandon!" I kept reminding myself. Now, am I going to get this part? Probably not. Only an hour prep time, the lines weren't memorized and there was no reader. Ugh! I KNOW! But still... I got to ACT that day, when I was only going to be doing the "boring stuff" of movie making. It brightened my day that day. So, what are your last minute audition stories? Did you get the part or was it just cool to get to act that day? Let me know!
If you’re a fan of character-driven dramedies, Nobody Wants This has likely been on your radar. In this new article from Deadline, actress Justine Lupe shares insights on where Season 2 is headed and how the show continues to challenge expectations with its honest, offbeat storytelling.Read the article here:https://deadline.com/2025/06/justine-lupe-nobody-wants-this-season-2-1236436051/And if you missed it, we recently hosted a FREE Stage 32 webcast with series writer Mahtub Zare Mochanloo, where she discussed writing for Nobody Wants This, breaking into a writers’ room, and crafting these complex roles. You can now watch the full conversation on demand:https://www.stage32.com/education/products/30-minutes-with-nobody-wants-this-writer-mahtub-zare-mochanlooActors, what kinds of roles do you hope writers continue to create in shows like this? Let’s talk about what you’d want in a character, even if the show’s title says otherwise.
I'm sure this has been discussed before but "Barbra Streisand’s call-out on gender pay disparity got me thinking—how can we, as actors, be more empowered or aware when negotiating our own rates?"Here is the article https://ew.com/barbra-streisand-wasnt-paid-as-much-male-costars-meet-the-fockers-11759285
Hi everyone,I’m not entirely sure which lounge this post belongs in, so apologies if it’s misplaced.I recently submitted a project to an actor’s agent and received this response: "XYZ Agency has a firm policy of not accepting unsolicited material."I’m a bit confused—how are you supposed to contact actors or directors with projects if their agents won’t accept unsolicited material? Do agents actively seek out or query material for their clients, or is there another pathway I’m missing?Any insights or experiences you can share would be greatly appreciated!
Actors Should Stop Trying to Read the Casting Director's Mind (Do THIS Instead) https://youtu.be/Ka3Kkqv1EUo Have any suggestions when preparing for an audition? If so, share it here and on the channel so we can learn from you.
Hello everyone. Fellow actor here, well actor, director, playwright, but wanted to connect to some actors since theater is my first love. Hope to make some connections. I'm an open book so feel free to ask any questions you may have. I'm a little awkward when it comes to small talk. Thanks for committing to the awkwardness.
In this blog, the author shares some great networking tips. Do you have any networking tips or can you share a networking experience?https://www.stage32.com/blog/5-tips-to-make-networking-opportunities-valuable-4139
Hey community!Curious — who’s using a website to market their services, and who isn’t?
AI's Vertical Progression - to imitate, originate, and evolve creative aspects of the art of acting, and creative concept origination. Where is this leading to ... ?https://ryanol.com/is-ai-replacing-human-actors #AI #AGI #CreativeConcepts #Art #Acting
Hello, fellow actors! I would like to know do you have a scene that you are most proud of? It can be either one you did in acting class that for example, really challenged you emotionally or showed your growth, and perhaps a film or tv series you got to work on with an established actor, or you know, something you did for fun. This is your chance to humble brag. I will start: I did an indie horror called Turkey Stuffer, five years ago. I played the victim of a serial killer. I am proud of my work personally, because it was unlike anything I played before, and professionally, it has led to a lasting relationship with the writer/director/producer of that short.
As an Actress in Hollywood these days, I am mostly booking film work out of state and the majority of the gigs being offered locally are commercials or influencer type videos, & verticals, (mind you I've been with the same agencies for over a decade and definitely think it's time to switch it up seeing as all my favorite agents at those who were really getting me out there, have now left the business) however, every once in a blue moon I'll get a UCLA or AFI student film audition request that has a great lead character or a really fun script to work with that I can see myself using a clip of for an updated acting reel The problem is, it's always DEFERRED PAY, so knowing they are film students, (usually fresh out of high school and this is their college years meaning they haven't had time to work full time and make or save any money yet) I tend to be more understanding and flexible, because in the back of my mind their equipment and education is top notch so even if the project is just for an assignment, the worst that could happen is they bomb it, the best thing that could happen is it's so good they are encouraged to enter it in to top festivals by their professors, (my first two films to play in the Cannes short film corner were both grad student films from Griffith University in Brisbane Australia for example) So because my time is valuable, yet I know any of these could have the potential to be beneficial to my career more so than a paid project that doesn't see the light of day somewhere, (which has happened to me many times before too, and I'm trying to not have ptsd from it) this is what I've started to do:1) I won't memorize the lines, I read it with the script off screen/camera but still act it out completely, this is mostly because they tend to send over 5 pages and for no pay that's even more time commitment to something you don't even know you'll get, but for sure know you're most likely not getting paid for even if you do. I then put in the notes of the self tape, "happy to memorize the lines if I get a callback or book obviously! :)" 2) Ask the questions, "is this a first year project, third, graduation film etc" because that can also be pretty disappointing if you are going into it thinking you'll get more practice or footage as an actor but then get to set and they are shooting on the oldest camera known to man, with no professional lighting, (you probably won't want to even use the footage for a reel in the end, so weigh up the pros and cons)3) Once confirmed on the project (not before because then they may go in another direction) I then ask how they will be covering the expenses, "Do I just save the receipts for parking/ubers/gas/food?" knowing these are bare minimum human necessities and travel costs. Also, the amount of times I've had to pay for a lyft because there was no crew/cast parking or I get there and the daily cost for parking is 5x more than what a lyft would have cost to and from, after already spending a half tank of gas there and back, you tend to learn as you go, on how to plan ahead to avoid unnecessary additional fees, because if you're not getting fed either, then you're looking at spending money for up to 3 meals a day and that can easily add up to $100 daily including the transport stuff, (so now you should be getting a producer credit on the film as well since it's basically pay to play at that stage) lolMy question for you: what are your ways of setting boundaries with projects as an actor, while still trying to meet them half way, and how did you come to those decisions?
Hi everyone – and welcome! I’m Nicolà Melissian – Actress, Producer, and proud Stage32 Ambassador for Berlin, Hamburg, and the Dominican Republic. https://www.youtube.com/watch?v=T74kA7YajnAI’m also passionate about empowering fellow creatives as a Creative Mentor. I’m truly excited to introduce myself here on Stage32 and YouTube – two platforms that allow us to connect, grow, and support one another across borders and disciplines. On my channels, I share interviews, acting insights, creative lifestyle content, and everything that helps strengthen your artistic mindset. As a longtime member of Stage32, I believe deeply in the power of global collaboration and honest creative exchange. Whether you’re just starting out or already on your professional path, I’m here to uplift and inspire through content that speaks to both heart and craft. ✨ Let’s create, connect, and rise – together.
I feel the need to bring this to everyone's attention because I realize that Stage32, being a social media platform, has the potential for con artists to reach out to hopefully (sometimes even naive) creatives.I was messaged by a man named Jonny Owen. Self-proclaimed "investor" and as always, I was immediately skeptical, but always allow for some time to be allotted to new contacts. However, it didn't take long for me to see the red flags, and I'm sharing this with people for 2 reasons:1. To make you all aware of a potential bad actor lurking on this site.2. To give this so-called "investor" the opportunity to correct his approach.I'm truly hoping for the latter.That being said, after a couple of emails, he mentioned that he charges a "collaboration fee." I cannot let this go or simply ignore this problem. I have to make this perfectly clear for anyone else who might be approached by him or any other account that suggest potential investments.REAL INVESTORS DO NOT CHARGE COLLABORATION FEES!REAL FINANCIERS DO NOT ASK FOR MONEY UP FRONT FOR ANY REASON!Now, I do like to give people the benefit of the doubt before I completely blacklist them, so here is the opportunity for everyone to see how to appropriately respond to someone asking for money to acquire financing.
This new Stage 32 blog is one of the clearest breakdowns I’ve seen, especially for those of you looking to refine your acting craft. It goes deep into the history of the term "beat", explores how different techniques define it, and lands on an incredibly useful and actionable definition that screenwriters can use to actually write scenes actors want to perform.Check it out here:https://www.stage32.com/blog/the-actors-beat-your-missing-link-between-script-and-screen-4133Let’s discuss: How do you define a beat when preparing a role? Has a writer’s clarity—or lack of it—ever made your job easier or harder?Looking forward to hearing your thoughts!
You don’t need more hours in the day. You need a better process.Stage 32 CEO RB (@rbwalksintoabar on social media) breaks it down: The reason most people fail at their goals? They don’t make them attainable. They don’t set themselves up for success.Want to write a screenplay but feel like you don’t have time? Write one page a day.In 100 days, you’ll have a feature film.It’s not about huge leaps. It’s about small, consistent steps that compound over time.Watch this and start setting yourself up to win.What’s one micro-goal you’re setting for your creative journey this week?
Hello everyone! Have you ever been around someone and they say "I'm bad with names."? I am notoriously bad with names and faces and as an actor, that can sometimes hurt. Welcome, once again, to a story about how I screwed up! Ha!About two years ago, I'm at a meeting of Central Pennsylvania filmmakers in York PA. It's pretty nice. People are dressed up a little, they're serving decent food and drinks and I'm talking to a few people I have worked with before.After a few minutes of conversation with my friends, a very attractive lady walks up to me and starts in on our talk, specifically with me. I'm in my 50's, I'm old and fat and bald with a gray beard, so this sort of thing doesn't happen very often anymore but I took it as flattery and held the conversation, enjoying the moment.After a few minutes, she stops, looks at me directly and says: "You have no idea who I am do you?" My friends go wide eyed and hide their faces with drinks. This is going to be good!I stammer a bit. "I'm so sorry ma'am. I meet so many people. Have we worked together before?"She playfully hits me on the arm. "I'm your god damned Agent you bastard!"The entire circle of friends erupts in laughter and "Oh snap!" and "You screwed up bro!"It was at that point that I realized that, of my three Agents (New York, Atlanta, and here locally in PA), I had only met one of them face to face up to that point and the one that I HAD met face to face, was when he signed me. The others, including Ms. Tashina Roberson, my local PA Agent (Central PA Talent, check her out if you're close), I had not actually met face to face. Everything was done with docusign, phone calls and emails. We still hadn't worked our way completely out of COVID it seems.She is very forgiving and is still my Agent. AS a matter of fact, we were together earlier today for a Central PA Actors Panel. She's the one behind me, second from the right. But this could have been worse. Though we all do it for one reason or another, I do know that in this game, remembering people you meet, especially your Agent, can have positive effects on your career. Some of us just have to get better at it. Myself included. I'd love to hear of any instances where you have forgotten someone important to you and your career. Please don't tell me I'm the only one!I await your responses, as I try to remember who I met at Cannes this year...
Hey everyone! Now that we're halfway through the year, I’m curious... what's been your favorite TV show or streaming series of 2025 so far?Could be something new that totally surprised you, or an old favorite that came back stronger than ever. I’m always looking to add more to my watchlist. I’ll go first: Severance! What about you all?
How I Changed My Audition Strategy After 40 Years of Actinghttps://youtu.be/LZ_0XrWmsuMDo you have any suggestions, tips or tricks for getting more auditions and bookings? If so, share it here and on the channel so we can learn from you.
I joined this platform last week after meeting the wonderful stage 32 team in person @ Cannes Film Fest last month and am so impressed with everything it offers us creatives! I'll be posting weekly in here and for my very first I wanted to open the discussion on something that I keep experiencing EVEN AT TOP FESTIVALS once they learn I am an Actress, and that is questions along the lines of, "are you in anything I've seen" Instantly I want to reply, "obviously not or you would have recognized me right away" but that would be rude of course, and in general, I'm a pretty positive, upbeat person, so want to respond accordingly. Also for context, it's one thing to get questions like these from those completely outside of entertainment, who have no concept or understanding of the industry, but it hits a little different when you're at a sit down invite only SXSW lunch surrounded by a bunch of the industries leading talent & creative agents (who you would LOVE to be repped by, and whom are all suddenly quiet, listening in) so playing humble does not work in your favor in this situation, but I truly don't believe boasting or exaggeration of ones resume is ever the way to go either. My question to you is, what would you do?
This is a question for all the actors out there who, as RB says, "lurk." You visit the lounge, you read the posts, but you don't post or even comment yourself. My question is (and it's not meant to be judgemental rather as information gathering) what is keeping you from posting about your work? I hope this inspires you to comment. Ask that question you have been dying to ask. Even if you're a beginner, share your goals, what classes you are taking, if you want recommendations. We.Are.Here.For.You.
Here it is: https://www.stage32.com/blog/coffee-content-when-the-work-is-good-enough-it-finds-the-light-4134I lapped up reading about Cillian Murphy's work ethic. So rare to read about such a grounded and humble artist. I hadn't been aware of his focus on only doing films that challenge him or are close to his heart, rather than heading to Hollywood at the first opportunity. And eventually a leading role with fame found him anyway via Oppenheimer.My question to you is: How do you stay focused on the work when the spotlight isn’t guaranteed?
"I’ve never played someone so rageful in my life. I went to darker places that I had never gone before, but what a gift that is to get to do that. I learn so much about myself on these jobs. It’s crazy. It’s like therapy that you can’t pay for" - so says Kaitlyn Dever in an interview about her role in "Reunited".Here is the article: https://www.vanityfair.com/hollywood/story/walton-goggins-kaitlyn-dever-reunited-awards-insider?srsltid=AfmBOor2mGRDnW2R_eIxioREknREIieidy1lXu6oJBx1hoq8qThsFPWnThis interview between with Dever and Goggins piqued my interest this morning. Later in the day when I had some precious alone time I connected with feelings of grief. I feel them recently whenever I rehearse my role as a woman who can’t have kids for an upcoming play. I’m trying to find ways to separate the role from me and yet I’m aware the role is triggering my own grief related to childhood . As I sat with the feelings and spoke to the sad part triggered in me and asked it what it needed, the grief shifted and I felt brighter and inspired again. The sad inner child part wanted to be seen and honoured and validated. Which is what I proceeded to do and committed to keep doing. I realised then why the article had interested me, because I had just had my own experience of acting as therapy. I wonder if you have learned about yourself, integrated more of yourself through acting? Or perhaps you believe an acting role should be kept within a boundary. Do share
This afternoon, I received a CMail audition invitation. It's a day player role in a short film. I got excited, because it is for a cruel, angry, judgmental neighbor. A single, venomous line. Here's my motivation. I'm calling upon the past 5-years with my neighbor who decided to extend her house. There was constant construction noise. Then, she decided for 8 months to let some guy build furniture in her backyard--the same small table. I was living in hell! My lawyer sent her a few letters. I will draw upon my stored up rage to deliver this line during Monday's audition. I'm not playing this part. I "AM" this part. I hope I get this job.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
