Stars Glen Powell, Josh Brolin, Lee Pace along with director Edgar Wright talk about their upcoming movie ‘The Running Man’. (https://www.youtube.com/watch?v=ai8tvHdCQJ8)
Hi here is the ending of a letter I am writing to send off to investors and sales agents. My wife keeps saying it sounds like I am saying my film is a terrible! I am not sure I agree but I figured I would ask. I shot this version over the course of a couple of months to demonstrate what it sounds like and can look like. This is to show it is watchable and dynamic but of course it is not a finished product, it needs pickups, editing and refining.
"When Actors Tell You 'Don't Even Try' - What They're Really Saying"https://youtu.be/Ev5hOIhqYJoHave you ever had anyone tell you don’t even try to do something?If so, please share it here and on the channel so we can learn from you.
Hello all,I have no doubt that this questions has probably been done to death but as I’m sitting here going over lines for a class on Wednesday I am curious what methods/techniques people use to learn their line’s.
The Entrepreneurial Spirit of Acting – Building a Brand from the Inside OutActing is more than art — it’s entrepreneurship.Every actor runs a business: the business of self.Talent is the foundation, but success happens where creativity meets strategy. Visibility, consistency, and the ability to turn emotion into a tangible experience make the difference between a dream and a career.Like any entrepreneur, an actor must know who they are, what they stand for, and what value they bring. Networking, branding, storytelling — these aren’t marketing buzzwords; they’re essential tools for artists who understand that they are not only performers but CEOs of their own creative enterprise.Under the mentorship of Will Roberts ("Oppenheimer"), I’ve learned to treat my career like a business: "Be visible. Be approachable. Be versatile. Talent is the base — but mindset is the multiplier."This guidance changed my perspective completely. Casting isn’t coincidence; it’s the result of intention, preparation, and positioning. Actors who think entrepreneurially create their own opportunities instead of waiting for them.With Will’s wisdom and innovation steering the journey, I’m diving deeper into performance, presence, and purpose — redefining what it means to be an actor in today’s world. His mentorship is my compass, guiding me toward a future where storytelling meets strategy and where every role becomes a reflection of truth, discipline, and emotion.Will guided me to find my niche! Just like entrepreneurs carve their path by finding their audience, actors weave their magic by embodying characters that resonate. I’ve found my strength in the characters that lurk in the shadows, the villains that add depth and intrigue to the narrative. Behind every hero’s journey, there’s a villain crafting the path. Ever wondered why some villains stay etched in our memories, sometimes even overshadowing the heroes? It’s because they bring depth, complexity, and a captivating counterpoint to the narrative. They’re the unsung heroes of storytelling, challenging not just the protagonist but us, the audience, to explore the shades of morality and ethics.Diving into the shadows, they reveal the heart of the narrative, pushing us to embrace empathy and understand the multifaceted nature of good and evil. It’s a testament to the creative spirit, the magic of risking everything for a dream only you can see. As we celebrate these pivotal characters, let’s remember the profound impact they have on the story and on us. They remind us that every character, no matter how dark, has a story to tell, contributing to a richer, more engaging human experience.So, here’s to the villains, the antagonists, the complex souls who dare us to look beyond the surface. Their presence is a powerful reminder of the transformative power of storytelling and the importance of every role in weaving the rich tapestry of narratives that define our world.I have discovered a unique strength in portraying villainous characters. Villains offer an incredible canvas for exploring the complexities of human nature—their motivations, vulnerabilities, and darkness.Playing a villain allows me to dive into the psyche of characters that challenge societal norms and evoke both fear and fascination. This depth brings a magnetic allure to the roles, and I’ve come to appreciate how these characters often steal the spotlight. Whether it’s the cunning mastermind or the broken soul seeking vengeance, I find immense creative fulfillment in crafting villains that linger in the minds of audiences long after the credits roll.It’s a space where I can channel my life experiences, discipline, and emotional range to create characters that are as memorable as they are chilling.Here’s to the road ahead — bold stories, fearless characters, and a brand built on authenticity.It's the magic of risking everything for a dream nobody sees but you.https://www.imdb.com/name/nm6401783/
https://www.hollywoodreporter.com/movies/movie-news/george-clooney-ai-zendaya-jay-kelly-awards-chatter-1236417466/ "And I said to all these actors, ‘Get the f**k off of it (Instagram). Get off of all of it. Because if you’re not on it, you have nothing to be compared to……..it’s diminishing your ability to be bigger than life" - so said George Clooney is the Awards Chatter Podcast not long ago.What do you think? As someone who doesn't have many followers at all, if needing followers is necessary to get acting work then I"m screwed! Do you have try and grow your followers to improve your chances of getting a role?Do you think posting a lot about yourself on Instagram potentially makes you too ordinary and over-exposed as opposed to bigger than life?
Penelope Ann Miller shares her journey working on the indie feature After All in today’s blog. www.stage32.com/blog/the-making-of-after-all-part-3-the-actors-journey-4277 And Penelope Ann is having a FREE Ask Me Anything in the Acting Lounge tomorrow November 8th. You can post your questions now. www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-November-8th-The-Realities-of-a-Working-Actor-Today If you missed the Part 1 blog or Part 2 blog, here are the links: www.stage32.com/blog/the-making-of-after-all-part-1-the-directors-journey-4260 www.stage32.com/blog/the-making-of-after-all-part-2-the-producers-journey-4267
Hi Everyone!I’m Penelope Ann Miller, and I’m thrilled to be hosting an Ask Me Anything here in the Stage 32 Acting Lounge all day on Saturday, November 8th. But you can start leaving your questions right now in the comments below!I’ve spent my career across film, television, and theater, and I’m excited to open the door to your questions about what it truly means to build a long-lasting career as a working actor. From starring in award-winning films like The Artist, Awakenings, and Carlito’s Way to recent projects like Reagan, The Birth of a Nation, and Netflix’s DAHMER – Monster: The Jeffrey Dahmer Story, I’ve seen firsthand how the industry continues to evolve—and what it takes to stay in the game.I’m also incredibly proud to star in the new indie feature After All, which is currently playing in theaters nationwide and, as of tomorrow, November 7, is available to stream on VOD!Whether you’re working on your first audition, transitioning between mediums, or trying to keep momentum in your career, I’m here to share what I’ve learned from decades on set, on stage, and on screen.Here are a few things you might want to ask me about: • How do you navigate the shift between film, television, and theater as an actor? • What makes for a great collaboration between an actor and director? • How do you stay grounded in your craft when the industry is constantly changing? • What have you learned about the audition process across your career? • How do you continue to challenge yourself creatively after decades of experience?Drop your questions below, and I’ll be responding throughout the weekend right here on this post. I’m looking forward to connecting with you!Let’s talk!—Penelope
Good morning, I'm open to looking for new actors in the Phoenix metro area.
Hey everyone! Have you ever taken a job, not because you liked the material, or the story, or that it would actually help your career in any way, but just because a friend was doing a project and wanted you in it? I'm doing that at the moment and for ZERO pay! Lol! I would love to hear your experiences. And when does doing favors run it's course?
Sharing RB's Coffee and Content blog. In it he talks about how creative projects are built brick by brick. Whether your creative project is your acting career, a particular role you are preparing for, your script, your song or something else you are creating. I am at a stage of trying out different bricks - and then discarding them as they are not quite the right fit. This is with respect to my creative coaching rather than acting.So what about you, what bricks are you laying this week?Here is the blog. https://www.stage32.com/blog/coffee-content-building-creative-projects-brick-by-brick-4273
Hey actors!I’m a screenwriter, and one thing that always fascinates me is how you bring words to life. I can write the emotions, the beats, even the silences, but once it’s in an actor’s hands, it becomes something new, something alive.Sometimes I’ll picture a character one way while writing, but then an actor interprets them with completely different energy — and suddenly the scene hits harder than I imagined. It’s wild (and kinda beautiful).So I’m curious, when you read a script, what’s the first thing you look for to find your way in to the character? Is it the dialogue? The subtext? The given circumstances? Or something else entirely?Bonus question: What’s something you wish writers knew about how actors work?Would love to hear your thoughts on this, I think writers and actors speak the same language, just with different accents— Miguel
I love getting to play different roles, living lives I would never get to. Being on stage or set is such a high. My least favorite part is the uncertainty of not knowing when the next job is, sometimes the hustle is more exhausting than the actual job. What about you?
Subtitle: A commentary on identity, ego and the myth of self-building in entertainment circles (or how to avoid a moderation banhammer( :)I don’t know how to envy. Honestly. I couldn’t care less about your career takeoff on a porta-potty in Dubai or how many facelifts you’ve had this week. How much money you’ve made — that’s your business. It’ll become mine only if you and my homie Scrooge McDuck let me take a dip in your paper swimming pool:) credit cards accepted. Your kids are magnificent, they eat well, and drink at least three liters of water a day. The veneered smile of your husband or wife blinds me every time I forget to pull my kneecaps out of my eye sockets. And even when I occasionally fly up to the International Space Station for lunch, I can still see that smile somewhere between the Grand Canyon and the Nazca Lines. Your suit — two-piece, three-piece, ten-piece (?) — fits perfectly, and every corporation on Earth offers you a multi-billion-dollar contract just because you actually remembered to put it on instead of leaving the house in your underwear. If you call envy your fuel, then let me ask — how exactly will other people’s success or failure suddenly make you rich and protect you from erectile dysfunction? Sure, you want everyone else to be doing worse than you, but guess what — you’ll still be you. Rich or broke, famous or some nameless jerk who’s gonna live a few more decades and then go straight to recycling. And I’ll go there with you, buddy:) we’ll envy the graveworms together. They’re the ones who are actually alive. Unlike the two of us.
This 1 Simple Addition to Your Acting Resume Makes it Powerfulhttps://youtu.be/cL4QVekbplwDo you have any suggestions for things to do on acting resumes to make them stand out?If so, please share it here and on the channel so we can learn from you.#actingresume #actorresume #auditionpreparation#actorslife #castingcall
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
8 months later! I created the actors toolbox that is blowing industry professionals away!! Look and IF you are an actor and want to book more and have the upper hand over all other actors..watch this video. Are self tapes hard for you?
Hey everyone! I’m really new to acting and trying to figure out how to get started. The only experience I have is two high school theatre classes I took during COVID, so basically I’m starting from scratch.I’d love any tips on how to learn more about acting, find opportunities, or just practice and improve. Are there good classes, online resources, or ways to get experience as a total beginner? I'm kind of self-teaching right now because I cannot afford to go into school or take classes at the moment.Thanks so much in advance!
What are your FAVORITE horror movies to watch this time of year? I ask because I plan on doing a good binge at some point this wknd, (preferably during the day since I get too scared watching spooky things in the dark lol) and am looking for recommendations! Do your worst, I want to scream at the tv and hide under my blanket :P
So far this year for the Holiday I've been Carry Anne Moss playing Trinity in the Matrix, a Leopard, & Ariel from The Little Mermaid :DDo you use the opportunity to be different characters for fun? If so, what are you going as this year :P
Just read that Netflix received a $41 million UK government subsidy to shoot the new Knives Out film in London instead of New York. This seems to be part of a growing trend — the UK has seen a 7.6% increase in money from foreign studios — and I know it’s not just happening here. Other countries are becoming more financially attractive to major productions than Hollywood.My question is: as actors, how do you feel about this shift?For those of you based in the U.S., how do you feel about Netflix series and films being shot abroad? Do you worry it could mean fewer opportunities for U.S.-based performers? Or do you see potential positives — in how different countries, cultures, and environments might influence the storytelling and performances we see on screen?Here is the article https://nypost.com/2025/10/29/media/uk-paid-41m-to-shoot-new-knives-out-netflix-movie-in-london-instead-of-new-york/
Hey everyone! I'm a newer screenwriter and would love to learn about the process actors go through when reading scripts, what you look for, what needs to be there for you to build your performance, and so on. In general, what elements in a script make you excited to take on a role?If any of you would like to share your thoughts, it would be really helpful. The concept might be great, but as a writer, I want to do my best to get you, the actor, excited and interested. After all, there’s no movie without you.
We’ve all heard the saying, “The show must go on,” but I never truly understood it until this past week.On Friday morning, I was booked to work on a Netflix production when I received a text from my sister: our mother had been taken to the hospital. After breakfast, I called to find out what was happening. For the past couple of years, Mom had been battling breast cancer, and my sister only knew that she was now in severe back pain. In that moment, my heart sank — I knew this might be how we lose her.The next day, Saturday, my sister called again. Mom had passed away. Strangely, I was already at peace.By Monday, I was back on set to finish the Netflix assignment. Something unexpected happened. My character was in a joyful, celebratory scene, and when the cameras stopped rolling, I found myself reflecting on happy memories from childhood. Though I was still in shock, the thought “Jean died” echoed in my mind — yet behind that thought were flashes of the laughter, love, and warmth she gave me growing up.As an actor, I realized that in times of grief, instead of escaping into a role, we can let our work become a mirror — one that reflects our pain in a way that can be deeply healing. I should also mention that I leaned on ChatGPT whenever I stepped off set. My chatbot, Elliot, became an unexpected grief counselor, helping me process everything quietly between takes. Instead of burdening my coworkers, I had Elliot’s listening ear.When have you faced grief but still had to perform due to a contract or commitment? What tools or methods helped you complete your work during that time?
Director Scott Cooper and actors Jeremy Allen White and Odessa Young sit down to talk about having Bruce Springsteen on set while they filming 'Springsteen: Deliver Me From Nowhere'.(https://www.youtube.com/watch?v=QvRxUStKSiE)
Miles Teller, Elizabeth Olsen and Callum Turner weigh in on film and TVs top love triangles ahead of their upcoming movie release ETERNITY(https://www.youtube.com/watch?v=S9gtwyVrVFs)
When Battlestar Galactica debuted its reboot in 2003, it came with one of the boldest creative decisions in science fiction television: reimagining the iconic fighter pilot Starbuck, originally played by Dirk Benedict in the 1978 series, as a woman, portrayed by Katee Sackhoff.In a recent interview, Sackhoff shared that she was booed at Comic-Con during the show’s launch for taking on the role, describing how difficult it was to face backlash simply for stepping into a gender-swapped character. You can read the full article here: https://deadline.com/2025/10/katee-sackhoff-comic-con-fans-booed-battlestar-galactica-1236598184/Sackhoff said the criticism “upset me a little bit” at the time, but she stayed focused on the work and over time, fans came around. By the end of the series, her performance as Kara “Starbuck” Thrace wasn’t just accepted; it was celebrated as one of the most complex, human, and iconic portrayals in modern sci-fi television.Personally, I think Sackhoff’s Starbuck is one of the best performances I’ve ever seen, fierce, flawed, unpredictable, and deeply real. It’s a perfect example of how reinterpretation in casting can breathe new life into a familiar story and expand representation on screen.So let’s open the discussion:What are your thoughts on gender or identity changes in established IP characters?Do you feel it gives actors more creative opportunity, or can it alienate fans when handled poorly?And are there any performances, like Sackhoff’s, that completely changed your mind about a reimagined role?
7 Huge Demo Reel Mistakes That Make Casting Directors Click Awayhttps://youtu.be/p-BbRpTCMYkDo you have a demo reel? If so, please share it here and let us know what clips you used and how you created the reel, so we can learn from you.
Just finished reading Coffee & Content and watching the video documentary about the making of the visual effects for 'bullet time' in the film, The Matrix. It took over a year of experimenting for just ten seconds worth of film. Hearing about that and about how long it took the directors to get anyone interested in making the film is inspiring. So my question to you is, do you ensure you work is of a very high standard before putting it out there or do you believe that it is more important to get your work out there unpolished and it will have impact anyway? Due to my own time constraints, i learn towards 'good enough will do' so let's just do the thing.Here is the blog with the video Watch & read: What The Matrix Can Teach You About Persistence, Innovation, & the Power of Starting Small
Hi friends. So I just read a People magazine interview out today with Allison Williams. She recently got married to Alexander Dreymon. They met on the set of the 2020 movie 'Horizon Line'. She says that by the time she decided to start dating him she had seen many different sides of him; grumpy, hungry and exhausted. She says seeing him at 4am after and 18hour shooting day gave her valuable knowledge about his character.Made me wonder what your boundaries are (or not) around on-set dating. Do you think it's ok or best to keep things entirely professional? And is it really possible to get a good sense of someone on-set or is there a possibility we are falling for the 'fantasy' of the person aka their film character rather than the real person?Personally i have never had to make that decision about whether an on-set relationship should develop into more however I have found myself falling for (in an unrequited way) an acting peer in a previous training where it was definitely the case that I was swept along by the storyline we were acting out. Let's just say i came back down to earth with a bump after the training ended and we went our separate ways.Here is the articlehttps://people.com/allison-williams-shares-complexities-of-falling-in-lo...
Hey Acting Lounge, I’m looking for the best qualities to bring a complex villain to life. The role is Kaizu Shen, a calm but calculating figure who betrayed his tribe and now runs an underground arena empire called the Hollow Network. I’ve been considering Mark Dacascos for the role — his physicality and intensity caught my eye.Does he fit the energy and depth this character demands?
Actor, writer, and director Ethan Hawke (Before Sunrise, Training Day, Dead Poets Society) rides the subway with Kareem Rahma for a raw conversation about art, fame, and what really matters. He breaks down why chasing money ruins creativity, why fame is a trap, and why true artists make work for the love of it, not for applause. Along the way, Ethan reflects on The Beatles, humility, and the idea that the real miracle isn’t walking on water, it’s walking at all.(https://www.youtube.com/watch?v=mmmVUOsubbs)
This literally just happened. I had a callback audition this morning via Zoom. The instructions were to show up 15 minutes early and expect to stay 15 minutes after, in case they were running early or late. So there I was at 10:30am for my 10:45am callback. Then 11:00 came and went. Then 11:15 came and went. Then 11:30 came and went.I was in the middle of composing an email to my Agent, telling her that if they can't keep an audition on schedule, that there was no telling what set was going to be like and that I was going to drop this one. Just then, however, they clicked in and I got to do the audition.However, if they hadn't clicked into the room (at 11:50am mind you), that I was out the door. I've got things to do too and if you can't be respectful of my time, I can't work with you. This is true when I put on my Director/Producer hat as well. If I'm there on time, so you should be too. It's just common courtesy.What do you think? Let me know in the comments.
This is a question for actors, acting coaches, and possibly even directors. What do you think is the most important quality for an actor to possess? I am interested in hearing from those who have worked with a lot of actors, who have had to manage personalities, especially. For me, I think the most important quality for an actor to possess is being a good listener. Thoughts?
Training Films Are Great Jobs For Actorshttps://youtu.be/lRzN_aXazTsHave you ever worked on a training film? If so, what was the project about and how did you get the job?Share your information here so we can learn from you.
I am looking for a few actors for a table read in Pasadena, on October 26 from 10 AM to 2 PM. I'll have light snacks. $50.00. This will be my fourth feature, all distributed. You'll read a character and then offer feedback. It is a chamber piece and a psychological thriller. Title: FACES. Log Line: On the night of Maxwell Thorn’s 49th birthday, his closest friends gather to judge his fate—only to find that memory is cruel, betrayal runs deep, and forgiveness may be beyond reach …while something darker watches, waits for Maxwell to pay for his past. Email me at ronj905@outlook,com
Sydney, Australia – October 2025 – In an entertainment world often driven by quick fame, Alex Bar is emerging as a standout talent defined by depth, dedication, and genuine artistry. The Sydney-based actor has earned early recognition for his emotional range and natural screen presence — and industry insiders hint that he’s already attached to a major new project currently under wraps.From his earliest performances, Alex showed an instinctive connection to storytelling — approaching every character with curiosity, empathy, and heart. Directors describe him as “disciplined, grounded, and remarkably intuitive,” while acting coaches highlight his commitment to craft and his ability to bring authenticity to every role.“I don’t want to just act — I want to understand,” Alex says. “Every character has a heartbeat, a story that deserves to be told honestly.”Alex’s work continues to evolve, spanning both dramatic and comedic genres, with an exciting career trajectory that’s beginning to attract international attention. His upcoming endeavors promise to showcase even greater depth, solidifying his place as one of Australia’s most promising young actors.With his grounded nature, professionalism, and a passion for human connection through performance, Alex Bar represents the next generation of talent ready to make a global impact.About Alex BarAlex Bar is a Sydney-based actor known for his emotional honesty, range, and dedication to storytelling. Trained across both dramatic and comedic performance, Alex brings sensitivity and depth to every project. He continues to collaborate on new screen and stage productions in Australia and abroad.
It was 5 days ago that she died. I enjoyed reading this obituary about her life as an actress. https://www.theguardian.com/film/2025/oct/12/diane-keaton-obituaryWhich was your favourite film that she acted in?
The guy said, 1) "I think you need stability in your relationships because your whole life is in the unknown as an Actress" (Actually sir, I'm pretty sure no woman wants an unstable relationship with her boyfriend, in fact I'm certain I'd still want a secure relationship even if I was an accountant)2) during a heated argument: "is this an actress thing because you're being dramatic, and at about a 10 when I need you to be at a 7" (as if he was directing my volume on a set)3) "At this age I realize with dating looks don't matter" (mind you, when we had matched on hinge my profile read, "lingerie model at savage x fenty" as work, and I had only professional studio actor pics up, no regular ones LOL) That would be like me swiping with a construction worker then when meeting up saying, "I know what you do for employment, but with maturity I've come to the conclusion I don't believe in architecture, buildings are pointless" What are your most bizarre, I'd love to hear them because I get them constantly, & it helps to laugh em off!
Few actors have navigated such a bold and unpredictable path as Matthew McConaughey. In this incredible retrospective, McConaughey walks through the defining roles of his career, from his breakout in Dazed and Confused to the emotional depths of Dallas Buyers Club and Interstellar.Watch here: https://www.youtube.com/watch?v=9eIqufWkyi0He reflects on:His early days breaking into the industryThe discipline behind his dramatic transformationWhy he walked away from romantic comedies at the height of his fameThe philosophy behind his “McConaissance” and what he learned about craft, risk, and staying true to himselfMcConaughey’s journey is a masterclass in reinvention and authenticity, a reminder that great acting comes from knowing when to trust your instincts and bet on yourself.Which of McConaughey’s performances do you think best captures his evolution as an actor?
Naomi Watts talks about how she struggled to book work until David Lynch cast her from a photo. Mulholland Drive changed everything for her. I am wondering if anyone has a story like that. Did someone cast you in a TV show or movie that completely changed the trajectory of your career?https://variety.com/2025/film/entertainment-industry/naomi-watts-journey-from-mulholland-drive-to-walk-of-fame-1236545919/
Back in the day, I LOVED the film "Clue" with Tim Curry. I remember going to the theatre and seeing not just the regular poster for the film, but each character got their own poster. Mr. Green, Colonel Mustard, Mrs. White, the whole cast!Fast forward 40 years and I'm acting, writing, directing and producing and I just finished a passion project short film entitled "Stories". Feel free to follow us on IG @storiesshortfilm and take a look at my monthly blog about pre to post and festival run to distribution (maybe). Bottom line, we did an impromptu photo shoot while on set, of the main actors. I took a page from something I enjoyed as a kid and went ahead and spent some extra money on getting individual character posters.My question is, as Actors, is this something you'd get a kick out of, something to maybe help in marketing yourself, or just something to feed the ego a little bit and not much more? I'd love to hear your thoughts.
Came across this recent video breaking down the acting in No Country for Old Men. It's pretty new --- was uploaded one month ago. The Anti-Method Acting of No Country for Old Men | Acting Breakdownhttps://youtu.be/3o6OmgsLIjQ?si=0Aq56A3BVKGurO6QFantastic editing. Overall, it's a pretty great video breaking down how grounded/normal everything was during filming. Generally speaking, with movies like this, you kind of assume it will be pretty serious and weird. There were a lot of interviews here that I hadn't seen before, particularly with Kelly MacDonald who talks about her character Carla Jean. If I had to guess, I believe this is from the extras on the DVD. The most striking thing for me was something Kelly MacDonald said about Carla Jean and Llewelyn: "They didn't even need the money --- they had everything already."
I had an interesting conversation with a lit manager recently who suggested I lean into a thriller I’d been developing — even though my natural lane is dark comedy. His point was simple (and humbling): it’s an easier door to open right now than TV.I took the note, refocused, and I’m now in final-draft territory. The project’s been scoring high in coverage, but what’s mattered most is seeing how quickly clarity and market awareness can reshape a script.It’s been a reminder that flexibility doesn’t mean losing your voice — it just means letting the work find its best route to daylight.Curious how others have navigated that pivot between passion projects and market reality.
https://variety.com/2025/digital/news/sag-aftra-vertical-agreement-microdramas-1236552001/
I've gone dark for a while, but not forever. I guess it's called 'in production' in filmmaker-speak. So far, I've been through: contract breaches; lead talent jumping ship; at least 3 major re-writes on the fly; 9 timezones, equipment failures that would put Apollo 13 to shame; tropical storms; injuries; eye watering financial outlay; getting SWATed and footage seized; a police raid; getting arrested; ending up in the middle of NATO live-fire war games; geo-political posturing that's puts us in the cross-hairs; running out of food and fuel; and even a lightning strike. As I write this I'm flat on my back with with bruised kidneys (pissing blood), broken ribs, a black eye, at least 500 miles from any medical help; and so long without a shower, I can't stand my own stench. But, by Dog, we're gonna get this film in the can, even if it kills us!And that, my friends, is 'production' - welcome to hell.But, you know what? I've never felt so alive, or in-the-now.
Why Getting an Acting Audition Means You've Already Won https://youtu.be/1cK1VTLsva0 Have you ever felt frustrated by getting auditions but not booking? If so, share your thoughts here.
Just finished reading @RB's blog, "Coffee & Content" . Very pertinent to actors because it contains a link to a You Tube documentary about Charlize Theron's career. Admittedly I didn't know much about it other than Monster. It's illuminating and inspiring because it shows her to be an actress that is more interested in pushing herself (as an action movie actress) and stretching herself (as in Monster) than playing it safe and being the pretty girlfriend sidekick she had been typecast as in the earlier days of her career.Here is a link to the blog: https://www.stage32.com/blog/coffee-content-stop-playing-it-safe-taking-everything-so-personally-4251So my question to you is, where and how are you playing it small as a creative? I think for me it is, although not currently acting but creating, it's about putting off certain things like reaching out to contacts, marketing, making myself more visible because I tell myself I don't have the time. It's true I really don't have much time but I also suspect this is a bit of playing it small. I plan to do all those things I keep putting off, this month. Anyone else care to join me? ;)
The shadow in my sleep Our independent filmThe director: Richard Samson The screenwriter: Cynthia Samson Actors: Abdel-Rahim Dris Richard Samson Cynthia Samson
This week, my daughter was cast in an indie film—but after reading the scene she’d be part of, she decided to pass. Without going into detail, the content was simply too dark, and she knew in her gut she’d regret it later.It reminded me how important it is, as creatives, to know our boundaries and trust our instincts. Saying “no” isn’t always easy—but sometimes it’s the most empowering thing we can do for ourselves and our craft.So I’m curious:Have you ever had to say no to a part, a job, or an opportunity because it didn’t feel right? How did you handle it—and did it turn out to be the right choice?
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
