https://deadline.com/2026/01/actors-strike-possible-2026-1236676773/
Happy 2026 all! Hope this is the right place to write this. I pitched in 2025 - twice. Pitch was liked by both. One of the lovely producers has the TV pilot script. Both recommended different comps to be added to those I had added. The issue I face is that I have not found anything similar. One comp listed simply because it is also one of the locations of my TV pilot. What to do as I need comps (obviously) before pitching again. The second query is...so the TV pilot is based on a true story. Both lovely producers requested this information (specifics of it, which are mentioned in the pitch) to be listed much earlier on the Pitch. Where can this be listed right at the beginning of a Stage 32 pitch? It has been mentioned that you state your connection to the script and story. Thanks in advance.
Ladies and gentlemen don’t be surprised auditions will be held in the event a Disney executive buys my script. Let the games begin.
A new year, and a new chance, to experience our lives as actors using the wisdom of all the experiences from the past year. A lot, right? Haha.Most of the times, as actors, we are constantly searching for someone to direct us (generally speaking). To advise us in what we should be doing: acting wise, role wise, picture wise, social media wise, contract wise, methods wise...you get the gist of it. But that word, wise...we should be looking within...listening to our own wisdom.There's a word that has come up, softly, and a bit surprisingly, this beginning of 2026: sovereignty. The way I do things, as an actor, my choice of movement, of work, of being...should be my own. How I would like to get into a rehearsal space, what my boundaries are in terms of other players and crew as I prep, how I feel I need x, y, z...or don't...and all the other things that most of the time, we let slip, and allow, because we...adapt...flow...and at times...allow an intrusion....once...twice...Now, this is where it gets interesting: when we are on a film, a television show, in a play, etc..., we are usually directed, and reacting to notes, to other's energies, other characters, the ensemble...you get the idea. We are literally reacting like magnificent and unique chemicals in a beautiful lab, to create a story. And how that happens...is when we completely let go, relax, and allow the environment, actors, sounds, sensations, to propel us toward a place. That place, well, us the unknown...and is not in our control, and we hold no power there.But, there is something that is still ours...something deep within, that I feel is a point of discovery, and here in this post, a dialogue: What is sovereignty to you, as an actor? Do you feel it? How does being on a set, or the stage, affect it, and how can it free you to become a more generous actor, while still anchoring you in your essence, your confidence...your authenticity...?Sovereignty...
CASTING CALL — HOUSE OF SATURN (Table Read)We are hosting a virtual table read for the feature film HOUSE OF SATURN, a psychological sci-fi thriller currently in development. The award-winning screenplay is a strong character study and an exciting read.The lead role JACKIE is already cast. We are seeking actors to read remaining roles for a one-night virtual table read only.This is not a casting commitment beyond the table read. The purpose is script exploration, rhythm, and character dynamics.
You don't need representation to succeed. You can do it all yourself! Or can you?Visit jameswoodland.com for more information on Woodland Productions.
The SAG Nominations have been announced! What do we think? What nominations stood out or are you excited? I'm glad to see OBAA and Sinners get some well-deserved nominations! The nomination that surprised me with glee? Odessa A'zion for supporting. I used to work at the agency she was repped at prior to Marty Supreme, and thought she was amazing in the film, and who doesn't love Pamela Adlon?Read the noms here! https://www.hollywoodreporter.com/movies/movie-news/2026-sag-awards-actor-awards-nominations-list-1236466410/
I once read a beautiful comparison: life is like a journey on a train.And the longer I work in this industry, the more I believe that acting might be one of the most honest versions of that journey.When we are born into this profession — when we first step onto the train of acting — we meet people we believe will stay with us forever. Teachers. Mentors. Parents. Early supporters. The ones who tell us we are talented, that we should go for it, that we belong on this path. For a while, they sit right next to us. And then, often without warning, they get off at a station we didn’t expect. Some leave because life calls them elsewhere. Some because they no longer understand our choices. Some because their role in our journey is simply finished.At the next stations, new passengers enter the train. Fellow actors. Directors. Coaches. Producers. Friends we form on sets, in rehearsal rooms, in waiting areas outside casting offices. Some of them see the journey as a short ride — one project, one collaboration, then they’re gone. Others sit with us for years, sharing long stretches of doubt, hope, success, rejection, and growth.There are passengers who travel lightly, as if acting were just a pleasant walk through life. And there are others who carry heavy luggage — disappointment, financial pressure, comparison, fear. Some passengers are always ready to help those who stumble. Others leave the train so quietly that we barely noticed they were there at all. And some leave behind something deeper: longing, gratitude, a sense of “what could have been.”What often surprises us most is that some of the people we care about deeply move to a different wagon. They are still on the same train, still in the same industry — but suddenly we are no longer sitting side by side. Our careers diverge. Our rhythms change. Our opportunities don’t align. And yes, many of us try to make our way through the wagons, pushing past doubts and obstacles, hoping to sit next to them again.Sometimes we make it.Sometimes we don’t — because the seat beside them is already taken.And that, too, is part of this journey.Acting is a path filled with challenges, dreams, fantasies, hopes, and farewells. It is a journey without guarantees and without return tickets. None of us knows when we will get off this train. And just as little do we know when the people sitting next to us will leave — not even the ones who feel inseparable today.If I’m honest, I believe there will be a moment of sadness when I step off this train one day. Saying goodbye to people I met along the way will hurt. Leaving loved ones behind will feel heavy. But there is also hope in this image. The hope that there is a central station somewhere — a place where all these journeys make sense. And the quiet comfort of imagining the people I cared about arriving there with luggage they didn’t have when they first stepped onto the train.What matters most to me is this thought:that I may have helped make that luggage heavier — not with burden, but with value. With experience. With courage. With memories.So, to my fellow actors and creatives reading this on Stage32:let’s try to make this journey a good one. Let’s treat our fellow passengers with respect. Let’s remember that at any point someone next to us may be struggling and might need understanding — just as we will, more than once, need someone who understands us.And when we eventually step off the train, let’s try to leave behind an empty seat filled with longing, gratitude, and good memories. A seat that tells those who continue the journey: it was worth sharing this part of the ride with you.None of us knows the final station.But we can choose how we travel — and what kind of passenger we are along the way.To everyone on this train with me:have a good journey.Dan Martin Roeschhttps://www.imdb.com/name/nm6401783/#life #love #instagood #instagram #lifestyle #happy #photography #follow #like #motivation #photooftheday #nature #art #beautiful #quotes #bhfyp #inspiration #smile #style #photo #fashion #instadaily #picoftheday #travel #happiness #music #beauty #cute #loveyourself #me
If you want a smart, career-spanning reminder of what long-term craft looks like, this Sigourney Weaver video is worth your time: https://www.youtube.com/watch?v=6s1ssDMUXZ4 What I loved most was how clearly she frames an actor’s job as more than showing up and saying lines. She talks about reading scripts with a real structural eye, walking into director meetings with notes to strengthen character and story, and taking responsibility for consistency so the role stays honest from start to finish. She also shares great behind-the-scenes perspective on flexibility, like how much of Alien evolved through improvisation and unpredictability on set, and how being part of an ensemble bonds you for life when you survive something intense together. There’s also a really useful thread running through her whole timeline about range, her desire for a repertory-style career, jumping between genres, tones, and “types,” so you do not get stuck repeating yourself.When you read a script, what is the first thing you look for to decide if a character is worth committing to, voice, structure, relationships, arc, or something else? And how comfortable are you speaking up if you see an inconsistency or a stronger option?
2 Reasons Actors Don't Book Commercial Modeling Jobs (And How to Fix Them) https://youtu.be/sMTNsNXSoFU Have you booked commercial modeling jobs? If so, share your experience here and on the channel.
https://youtu.be/x2x8KGzZsO4?si=aTqhEXtjBUd3QoLFLet me know what you think!
Hi everyone! I’m a single mom of two amazing boys and I recently started writing screenplays, which I absolutely love. I also love experiencing my characters’ emotions as I write. My dream is to star in the film I’m currently writing. I’m passionate about acting and truly interested in developing my craft. Fantasy romance films are my world I study the actors and their emotional journeys deeply whenever I watch them. I’m so happy to have found Stage 32, where I can learn, grow, and build connections. I’m open to any advice that can help me improve as an actor!
"This video, from a seasoned Hollywood Talent Manager, discusses the current challenges within the entertainment industry, including difficulties in securing work, acting roles, and representation. This channel provides crucial acting advice for those wondering how to get a manager for acting or how to get an agent. Learn what talent management looks for when evaluating actors and how to navigate the current climate to secure acting auditions."https://youtu.be/oik4zaa4nC8
A lot of LA reps last year in my actor friend circle asked their talent to make an account but I haven't heard of anyone booking anything off it yet the way Casting Networks seemed to be constant, so just looking for opinions, recs, and if people like it better or the same as the other casting sites out there
Before you can step into a new door...you must close the one, behind you.Greetings, one and all, my creative community!We are at the last day of the year, the last day of the 9 year, the last day...of the old.What, out of everything you have experienced, seen, felt, and lived through, is the most important lesson of them all, that one thing that has completely shaken you, and like a tree, helped you grow stronger, leaner, and more beautifully?And...what are you leaving behind that is too heavy, old, rotten, or not even yours, as you close the door, and with gratitude, and grace, leave 2025 behind?The countdown begins...bye, bye, bye 2025 (in the NSYNC song melody, lol)Casi, casi, comenzamos de nuevo! Felicidades, cheer, and joy for all!!!Juliana
It was one of those over the top CRAZY characters, which I find the most rewarding since I don't get to do them often, but am so nervous to see how it turns out... could go a lot of different ways on the editing room floor... and as only an actress on this one I have no say in it. I get now why so many Actor friends have started creating their own content- gives you a bit of creative control back when it's your own writing/directing. Did anyone book some last minute 2025 gigs? If so tell us all about them! :)
Hey Actors!Getting back into the swing of things after the Holidays, I have a creative question for you: If you weren't acting, what would you be doing? Was there a time in your life you had two paths before you? Or did you have a backup plan? Or perhaps acting is your second career. So if not an actor, or in the entertainment industry, what would you be doing instead?I have a security guard, an administrative assistant, a courtesy clerk, a homecaregiver, among other things. All with the potential to make a career out of. All soul killers to me.
The Actors Complete Checklist – 6 Essential Steps Actors Must Take For 2026https://youtu.be/42IQPXDDdokWhat steps are you working on first to prepare and move your acting career forward in 2026? Share in the comments!
Good morning actors!The last Monday of the year…WOW!!!✨Let’s wrap 2025 up with joy, thanks and community at our Stage 32 Community Open House, free to join via Zoom.If you’re a Stage 32 newbie, it’s the perfect place to break the ice and say hello!If you’re a Stage 32 veteran, come on by and tell us how your years’ been!https://www.stage32.com/education/products/stage-32-s-december-community...Wanting to share some last minute yuletide cheer, make new friends, or just spend some time with colleagues and future collaborators?Join the link above, and see you there!12:00 Noon PSTHappy Holidays all, and ciao bello 2025!
I don’t wanna give away my idea, but I wanna pitch it to whoever will take it on
Brigitte Bardot messaged me in 2018 to say she'll die on Dec 28. She then messaged me 3 more times (I tried posting all 3 but Stage32 only lets me post one image) to say it'll be in 2025 near/after Christmas (Dec 28). She was a great legend. Rest in peace!
Good tidings, players!Coming back online after a few days of needed R&R, with a simple, and important question:What’s your pre-set, pre-opening night, pre/acting work ritual you must do before the camera rolls or the curtain rises?A quick mantra? Breathwork? Do you trigger your intentions with a substitution, or an as if? Let’s get our creative juices flowing!
Hi everyone, I'm back on STAGE 32!This image captures a moment from Che Lingua! Here in the role of Dante, in a powerful backlit shot by Massimo Apeddu, taken during the performance on December 20th at the Piccolo Teatro Comico in Turin. Che Lingua! is a winding journey through the most significant pages in the evolution of the Italian language, guided by some of the authors who shaped it and made it known around the world. The performance retraces the birth and formation of Italian, from its most ancient origins to its literary development, placing language under a magnifying glass and exploring how it changes, resists, and survives through time. Through theatre, music, and physical storytelling, the audience encounters Dante, Manzoni, Collodi, and Pirandello, whose works become living presences on stage rather than historical references. Yes, if you're wondering... I play all the characters! It's exhausting! Artistically, Che Lingua! emerges from the desire to explore language as a living, emotional, and political body. History, irony, imagination, literature, and sound coexist in a shared theatrical experience that investigates the deep relationship between language, identity, and memory. Italian becomes a space of encounter, conflict, and play — inviting the audience to actively participate rather than simply observe. Conceived in Italy with an international perspective, Che Lingua! is designed for festivals, universities, and cultural institutions interested in language, heritage, and contemporary performance. Its adaptability and immersive quality make it a strong proposal for international dialogue and intercultural exchange. The show premiered during the XXII Week of the Italian Language in the World at the Bogentheater in Innsbruck, Austria. I would like to take this opportunity to thank everyone for their support, and to wish you all a peaceful and warm Merry Christmas. — Gigi
https://www.theguardian.com/tv-and-radio/2025/dec/24/shaheen-baig-casting-director-interview-adolescence-peaky-blinders-sherwood
Timothée Chalamet joins BBC Radio to talk about his new movie, Marty Supreme. He discusses the craziest place he practiced ping-pong, working with Uncut Gems director Josh Safdie, and how he relates to the character of Marty.(https://www.youtube.com/watch?v=NhMqMdu6Wlc)
Hello, fellow actors,Happiest of days of holly, sweets, and magic to you!I used this same image for my screenwriting post, but it means something different to me in the acting part of me. As actors, we give it all: to the story, to the character, to the industry...and we keep on, on, and on. But, take a look at this candle...it's almost done. Its light, that beautiful flame, is steady, and effortless, yet the lovely thing, concept even, holding it, wanes away.This year, my acting self, and how I see, feel and embody this part of my work, is going through what the candle is embodying. I'm letting the old me, the old way of doing things, the old way of approaching acting, to end. Gently, softly, and with gratitude.The flame remains, as the wax melts away...and a new, pure, marvelous new candle, the real, pure, joyous me, will begin in 2026.Perhaps, we can all do this: reflect, and let whatever is done...in our way of thinking about our acting careers, methods, habits...that which no longer serves us, but gets in our way, or that which no longer speaks our flame...remain in 2025. And, with love, and kindness, and lots and lots of gratitude, say goodbye, and just be. Be, in openness, and freedom, to welcome a new way, and a new year of success, work, and joy.May everyone here have peace, love and light, and if not readily there...may you find it in your hears.Ending 2025 with gratitude, and ready, for that January 1, 2026 bell to ring.Abrazos,Juliana Philippi
"CRINCHY"-Christmas - Merry Christmas to all my fellow creativesAs the year comes to a close, I just want to send a heartfelt thank you to everyone who shared this journey — on set, behind the scenes, in rehearsal rooms, at castings, festivals, and in all those moments that make this industry so special.May this holiday season bring you health, peace, strong family moments, and a chance to breathe after a year full of passion, challenges, and unforgettable stories.Thank you for the trust, the creativity, the vulnerability, the laughter, and the courage it takes to do what we do.May the New Year bring great scripts, meaningful collaborations, and many moments where we get to meet in person and create together again.Enjoy the holidays, recharge your hearts, and keep the magic alive.Looking forward to seeing many of you again in 2026.Dan Martin Roeschhttps://www.imdb.com/name/nm6401783/And for once… a script without drama:May your holidays come without deadlines or direction notes — but with good food, laughter, and genuine moments of rest.As we step into 2026, I’ll be reaching out again in early January to personally schedule meetings for the Hollywood Networking Week · Los Angeles: March 28 – April 6, 2026 · London: April 7 – April 10, 2026. I’m also in the final phase of my O-1 visa process, and I would truly appreciate any support — including recommendation letters.I’m very much looking forward to connecting in person in 2026 — during networking week, on set, and in rooms where the next chapter begins.*#christmas #merrychristmas #christmastree #christmasdecor #xmas #christmastime #love #winter #natale #christmasgifts #handmade #santa #holidays #holiday #christmasdecorations #gift #christmasiscoming #family #december #navidad #smallbusiness #art #santaclaus #instagood #gifts #noel #giftideas #christmaslights #photography #natal
Fellow actors, players, comediennes, performers, artists, and...creators,It's Introduce Yourself Weekend at Stage 32! IYW is a perfect time to post a hello, a new introduction, or a re-introduction to the community at large. Directors, producers, screenwriters, filmmakers, and the works are all coming out, saying hello, and as an actor, what better way to take the stage, find your light, and shine?Share a bit about yourself, your experience, or background, any projects you've worked on, are currently working on, or what your goals are for the amazing, fantastic new year ahead.Just go to the "Lounges" tab, and pick the "Introduce Yourself" lounge, and put your best foot forward into a new year, full of new possibilities, people, places, and projects.https://www.stage32.com/lounge/introduce_yourselfWishing you a wonderful IYW, and a fantastic Holiday Season!
Have you ever gotten a strange response, when telling someone you are an actor? Do they assume your job is easy, or you are living a pipedream? My question is, What is the one thing you wish people knew about the acting profession?My answer is: it is not "easy." It is hardwork, just like an athlete. Part talent, mostly drive.
Morning actors!Hope you're ending the week in peace, with joy, and in learning!This blog post is essential in knowing who, what, where, when and why to contact each invaluable team here on Stage 32, working diligently and passionately for your continued benefit and success on this platform.Check it out!https://www.stage32.com/blog/how-to-get-help-from-stage-32-meet-the-teams-behind-the-scenes-4320
There is a quiet exhaustion many actors carry that rarely gets named. It doesn’t come from laziness, lack of talent, or missing discipline. It comes from movement without direction. From doing everything that seems right on paper — constant auditions, endless self tapes, relentless training, networking, adapting — and still feeling like you’re circling the same point. You move, you adjust, you take another turn at the next crossroads, hoping that this one will finally lead somewhere else. And then, months or years later, you find yourself back where you started, only more tired. At some point, the question becomes unavoidable: How can I be working so much and still not moving forward?This isn’t a personal failure. It’s structural. And it’s deeply connected to how the business actually works today.The industry has changed fundamentally. Not long ago, actors could afford to wait. Training, representation, patience — those were viable strategies. Today, Hollywood operates on volume, speed, data, and risk reduction. Casting directors aren’t judging dreams; they’re solving concrete problems under pressure. Talent agents aren’t waiting for potential; they’re tracking momentum. The unspoken question behind almost every submission is no longer “Is this actor talented?” but “Is this actor clear, placeable, and active right now?”This is where many actors begin to drown — not because they do too little, but because they do too much without alignment. They try to be flexible, open, adaptable — and slowly erase their own edges. One casting note pushes them left, the next pushes them right. One agent says “broader,” another says “more specific.” At every crossroads, choosing a different direction feels safer than committing to one. But when direction is driven by fear instead of identity, the result is often the same place, again and again.That moment is not failure.It is information.It is the point where the industry quietly asks you to stop circling and start choosing.Being different is often misunderstood as a personality trait. In reality, it is a professional decision. In an industry driven by numbers, speed, and risk management, owning your difference is not a creative luxury — it is a practical strategy. Casting directors are not searching for the safest option; they are searching for the clearest solution. Clarity reduces risk. Specificity creates trust. Neutrality creates noise.This is also where comparisons quietly become dangerous. I’m often told I look like Dwayne “The Rock” Johnson, sometimes like a younger Bruce Willis — the build, the presence, the physicality. And every time I hear it, my response is the same: please don’t. Not because those men aren’t icons — they are. But because the industry does not need a second Dwayne Johnson or another Bruce Willis. If it did, it would hire the originals. Or cast a stunt double.The moment you allow yourself to be framed as “the next version of someone else,” you reduce your value. You stop being a solution and become a substitute. And substitutes are replaceable. The industry doesn’t invest in replacements — it invests in singular identities. Casting rooms don’t ask who you resemble; they ask what problem you solve that no one else does.This is why being different must be clear, consistent, and communicable. Difference only works when it can be translated into roles, genres, and needs — when it becomes reliable, not chaotic. Casting directors say this privately all the time: “They’re good… but I don’t know where to put them.” That sentence ends more careers than rejection ever will — not because the actor lacks talent, but because they lack definition.The black sheep metaphor is not poetic here — it is precise. In every herd, the black sheep stands apart. For a long time, it is treated as the problem and tries to become white. But when danger comes, when patterns fail, it is never the herd that saves itself. It is the one already outside the pattern. The one who sees differently because it is not trapped by agreement.In acting, that moment arrives under pressure. When timelines collapse. When producers need certainty. When risk must be minimized quickly. In those moments, being “a bit of everything” is not an advantage. It is a liability. Difference — when owned and structured — becomes useful, memorable, placeable.Yes, this raises fear. Will I get fewer auditions? Will I limit myself? But the paradox most actors discover too late is this: trying to belong everywhere often means belonging nowhere. Casting is not about universal appeal. It is about fit. And fit comes from clarity, not dilution.Another reality must be addressed: burnout. Today’s actors are asked to be permanently ready. Dozens of self tapes, little feedback, no recovery cycles. Many exhausts themselves long before the role that truly fits arrives. And when it finally does, they are too drained to deliver their best work.That is not a lack of talent.That is overextension.Casting directors feel this, even if they don’t name it. Under pressure, they don’t need more effort — they need coherence.“Most actors we see are good. That’s not the issue.The issue is clarity. If I don’t immediately know where to place you, I can’t take the risk — no matter how talented you are.”— Casting Director, feature film & seriesThis is where the Actorpreneur mindset becomes essential. An Actorpreneur does not wait to be chosen. They build momentum. They choose projects aligned with who they are. Small roles aren’t beneath them; they are proof of motion. They work strategically, not desperately. Because the industry doesn’t reward waiting. It rewards evidence.Evidence that you show up.Evidence that you finish.Evidence that you understand your lane.Talent agents don’t expect perfection. They expect traction. Casting directors don’t expect stars. They expect clarity and professionalism. And the most freeing truth of all: the industry does not owe us a career. Once that is accepted, energy shifts. You stop waiting for permission and start investing in structure.Plan B is not surrender. It is sustainability. Harrison Ford survived on carpentry. Chris Pratt survived on dishwashing. Jon Bernthal survived on walking dogs. Their careers weren’t saved by recklessness. They were preserved by resilience.Plan B does not kill Plan A.It keeps it breathing.Often, Plan B becomes a second engine — writing, producing, teaching, creating. Sustainability is not weakness. Stability does not dilute ambition. It protects it.So if you are reading this feeling stuck, exhausted, or quietly discouraged, this is not a sign to stop. It is a sign to realign. To stop taking every turn at the crossroads and choose a path that actually fits your energy, your experience, your voice. The industry is not asking you to be louder. It is asking you to be clearer.Do not wait.Do not circle.Do not smooth yourself into someone else’s shadow.Be the black sheep.Not a copy.Not a substitute.Be someone the industry does not already have.And sometimes the way out of the maze is not another turn —it’s choosing your own path and walking it before anyone applauds.Dan Martin Roeschhttps://www.imdb.com/name/nm6401783/
Merry, Jolly Tuesday, actors!What gets you going, what genre, medium of acting do you feel brings you to life? As an actor, sometimes we come to life more, in a specific genre. And, even if you haven't acted in it, yet, when you watch it on tv, on the big screen, even on your phone, your acting juices get going, you love it, you want it, you...see yourself in it. A drama limited series thriller? An action-packed family movie? Or, a period piece, a la "Downton Abbey".A procedural, like "Blue Bloods"? Or, super out there comedies, like "The Good Place", or "The Studio"?Or...the stage!!!!I'll go first:I love film, and more limited and episodic television shows, from the very funny, in Spanish and French and Italian, to the political, and more grounded. I also adore...Spain period pieces, those costumes from the 18th century, I see myself playing a lowly maid, who is secretly the daughter of a duke, and rises to her ranks, but all the other noblewomen, and maids, want her dead!And tv...let's leave it at two shows: "The Diplomat"...obvi, and..."Envidiosa", an Argentinian show in Spanish, on Netflix, about a woman who envies everyone! It's hilarious.Your turn : )Tis the season to be wondrous...
I Was In PHYSICAL DANGER On Set - How I Stayed Professional (and Safe)https://youtu.be/E2qs_JZRQKoHave you ever felt in danger on a set? If so, share your experience on the channel so we can learn from you.
This question gets asked a lot in this lounge, "How do I get started?" There are a dozen posts in this lounge on that topic. So I am wanting to know, especially from the acting veterans, what is one piece of advice you would give a beginner, or what advice did you receive when you were beginning? Or what is a piece of advice you would give your younger self?I will start. This may come across as harsh, but it was advice passed on to us at the American Academy of Dramatic Arts, and what I have heard from a lot of actors, "If there is anything else you think you might like to do, do that. If you have a backup plan, do the backup plan." That is because the entertainment business is tough. It is especially rough for the talent. If you can imagine yourself doing anything other than acting, then do that. You have to want it with every fiber of your being. No PLAN B. To quote Tony Robbins, "If you want to take the island, you must burn your boats." That is because if we give ourselves a way out, our brain will naturally find the way out. So that is my advice to beginners. If your mindset is not ACT OR DIE, then DON'T.
I'm new to Stage 32. I want to ask, how does everyone's day usually go? I want to talk to someone, share experiences.
Why, oh why, do we act...how many times were you (and still are) asked this question... Acting...there is a mystic nature to it. We feel it, we channel it even. But most of the time, there are little logical, or tangible, ways of explaining it, showing it, and even understanding it.I knew I was an actor when I was five, playing make believe with my mom's clothes, putting on her jewelry, putting on a femme fatale voice, and imitating Julie Andrews in "The Sound of Music". I played characters I wished I could be, characters I loved, characters that lived in a story I would loved to be in, in a world I wished would existed. Then, as I evolved, when I began questioning who I was, why I was, the acting also got questioned, and I lost it...my why.But, recently...I found it again. It's love. I love...being alive...feeling...discovering other people's truths...and sharing them with everyone in the world. And...I love me...warts, and all.I am humbled by acting, and I am honored and open to bringing the women to life, who only I can, and who casting directors, directors and writers, see me as. Because, maybe in a parallel world, or alternate dimension...I am them, and... they are me. I am a traveler, an "in betweener", not quite a full Latina-Puerto Rican (Ohio born) , not quite a full, typical American (raised on the island of PR), and not quite Spanish (almost a Spain citizen, most of family are from there)...not quite...a type. So, I act, and give my heart to the characters inviting me into their life, fitting perfectly in their story, because, since I don't fit anywhere really, I can be...them.Why do you act? What was it, growing up, or something else, that drives you? What does it do to you, and for you? How has it evolved, and shaped you? Thank you, for reading, for feeling, and...loving, every moment, of being an actor, and traveling on this post with me. May you discover your why, or realize what that is, and leap into the new year with success, joy, and most of all...Love.Besos : )
Good tidings, players!This may be a timely post, since the industry has slowed down due to holidays, uncertainty, and big changes happening across the board. When we find ourselves with no work, and no community to support us, especially in the quiet, voidness that acting often times brings to it, it could be a daunting moment. We could study, polish up new skills, or read a novel, a play, even screenplays available online. But, being a part of a community, really makes the "dark nights of the soul" bearable, and with a guiding light at the end of the tunnel.With this, I would love to share this amazing article on Stage 32...sForbes magazine has spotlighted Stage 32 Certifications!!!https://www.stage32.com/blog/forbes-spotlights-stage-32-certification-4310The full article is within this link as well, I highly recommend reading it. We are a part of a growing, international, GLOBAL community of people who love what they do, help each other, and as one advances, so do the rest. When one rises, we all rise, and I am so proud to be an actor, among other things, on Stage 32, and cannot wait to see what comes in the new year for Stage 32, and beyond.The certifications offered on Stage 32 in production, accounting, directing, and more, can only serve you, and who knows, may be just what you needed to move your career ahead.There is always a door waiting to be opened, and it really looks like Stage 32 is the place to be.Cheers everyone, enjoy a wonderful rest of your week!
Richard Goss shares a guide of tips and advice for actors in today’s blog. It’s a must-read! Share your thoughts and any tips/advice of your own in the comments or the blog comments. www.stage32.com/blog/a-practical-guide-for-actors-tips-advice-every-performer-should-know-4312
hi everyone .I’m Tina, an aspiring actress based in Iran.I’m looking to collaborate on short films, student films, or any project that needs a dedicated performer.I’m open to auditions and self-tapes, and I’d love to gain more on-set experience.If you’re working on a project and need an actor, I’d be happy to connect!
feeling a bit unmotivated & overwhelmed. I’ve tried actor’s access but no luck. then I see the new AI actress, which is also disappointing. I usually look up movie actors as I watch a movie to get more insight on them, to know most of them were handed these roles through their parents, I just feel like I’m at a dead end. Just hard to get out there.
Hello, fellow players!Actors, a new year is almost upon us, and our years, well, they don't seem to feel or move like other people's.Audition...maybe a callback?...the void...then, out of nowhere, the Big Gig.I've learned so much this year, having worked, "not a lot", in maybe the quantifying mind most people have. But I acted in an indie film shot in New Mexico, "Babybacks", and I walked the red carpet premiere of two films I acted in, shot in 2022 and 2023, "Delta County", and "Do No Harm", respectfully.And...is that it?Lol, that's what I was thinking before I learned, and am living life, like I am now. Following the clues the acting path is leaving me. Every audition, is a clue. What was it for, what type of character, did you like it, what did it feel like? Then...the amazing high, you got a callback! Woohoo!!!! Did you do the same thing, were you nervous, did you feel like you had to impress someone, did you make it "perfect"?And...if you don't hear back, which is most of the time what happens...the void...did you beat yourself up? Did you call yourself nasty names in your head? Did you compare yourself to other people out there, "making it"?You're not alone. Been there, done that. Rinse, wash, repeat.But, this year I allowed myself to...just flow, for a teeny tiny bit. I let go of the things I cannot control, and, I listened to my heart speaking to me, in between the auditions I didn't enjoy, and the callbacks I thought I should be getting. "This role isn't the role you dream of...wait for it...it's coming..." I allowed myself to dream again. I imagine the roles I do want to play, the females I want to bring to the world, the humans I want to being voice to, the women I want the world to see, and feel. Moms, immigrants, leaders, revolutionaries, femme fatales, spies, the women I feel I already am, somehow.Suddenly, as I allow myself to be in joy, and happiness, and relax, there it comes...the Big Gig...and all we had to do, was just...believe, feel, and be.So, as we close out 2026, what did your auditions feel like? How did the void affect you? How would it be, if instead of the fear of not being enough, you wrote down all the amazing things that make you perfect, for the roles you truly want to play? Have you ever written a list of the stories and roles you would love to be a part of? Happy Holidays to All, and remember...Players...Play: )
Hello world! Is it even possible to become an actor at 17 if I'm not from America? And I'm not popular at all?
Hello fellow actors! Have you heard of Weaudition? It is a site where you can find a reader at anytime for your audition. You can also be a reader and make some money as well. Check out the link here to sing up get a discount. Have a great day!:https://weaudition.com/invite/JayRay25
It’s that time of year again, when we have to mention Frank Capra’s film. Will you be watching it again, this Christmas?I love what he says about filmmaking being about ‘creating moments’, not performances, and that this moment captured his heart when he read the script. What are your favourite moments, in the film?https://youtube.com/shorts/FqVceLgyxOM
1 Show, 14 Auditions, NO Bookings. #15 Booked Recurring—Here's Whyhttps://youtu.be/AljtnChIcqQHave you ever auditioned for one casting director or project multiple times? If so, share your experience here and on the channel so we can learn from you.
Tilly is an AI-generated actress - expressive and cinematic - but still shaped by human creativity: a writer, a director, an AI artist behind the scenes. One key technique is "acting for driving videos" - where you record your own facial performance to guide the AI. Your expressions, tone, and movement bring realism to the final footage. This is how generative AI becomes a creative partner. You stay in control, driving the vision - with tools that once took entire studios now at your fingertips. Is this also the future of acting?Video by CBS News. https://youtu.be/4KXTqSxUFO0?si=hfyPhlLBI6H8er7x
In today's Coffee&Content @RB shares a video of James Cameron talking about his films and how he went from being fired from a film to where he is today. I love the humility with which he speaks about himself and his path. Here is the blog https://www.stage32.com/blog/coffee-content-why-your-pitch-needs-to-be-human-4306RB says about Cameron, "James Cameron built a career by taking risks long before he had resources" I It resonated with my recent thoughts about taking risks and how not having trust makes that more difficult. So my question to you actors is, how do you develop a solid trust in order to keep pushing forward with your creative goals? I
My first and only head shot from way back in the day. before I gave up on my dreams. Now I found an Opportunity and my second chance as a possible screen writer so many years later. So while i am struggling to work on my next 10 pages of my first ever script and this shows up out.of the blue. funny how life find s a way to support you and challenges you. also added a more recent photo so you.can see the difference between 22 and 49
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
