Hello all — any New York actors here with or have experience working with Kreativ?? Would love to chat about your experience.
As we all know, acting is not the most financially stable career path. On top of being an actor, I'm also currently a student. I have a part time job working at a bakery, and it was great because my general manager was so understanding and gave me incredibly flexible hours. However, she recently got fired and I've lost that. It's really hard to find a part time job that allows me to go to school/do homework and audition/work on productions whenever I get cast at the same time. I tried searching for a different but so far no luck. Does anyone have any suggestions for jobs that have flexible hours or companies that tend to be flexible? TL;DR - I lost flexible hours at my current job due to my manager getting fired. I'm having trouble finding another flexible job that allows me to focus on school and acting at the same time, does anyone have any suggestions?
I've got my first college audition coming up where I need monologues. I've never auditioned like this before, and I was wondering if anyone has any advice for the best way to go about this/what I should be aware of before going. How do I make myself stand out and not look like a fool. I come from a very small school where we barely had a theatre class, and I was a good actor then, but it's been a year since I've acted and I didn't really have competition. Any advice would be helpful, thanks!
So our neighborhood had a social tonight, which was great since my partner and I just moved here 2 months and 6 days ago. For reference, we moved out of the Atlanta market for his work. Most of the conversations were great and we made some authentic connections, but one with "J" really stood out. As close to verbatim as I can remember. J: "So what do you do?" Me: "I'm an actor!" J: "So... what do you really do? You obviously don't make your living from doing that?" Me: "Oh, actually, I've been freelance/self-employed since 2018 and I consider myself a full time actor." J: "Oh. So you work at a restaurant." Me: "... I don't." J: "There's no shame in being a server or bartender." .... later in the conversation .... J: "So what brought you to \[redacted for privacy\_\_location\]?" Me: "My partner matched at the medical residency program at \[redacted\]." J: "That explains a lot." Me: "What do you mean?" J: "Well, you know most actors wait tables and couldn't afford to live in a neighborhood like this. Or at least, that's the trope. But you know what they say about cliches - they gotta come from somewhere." ..... another time jump ..... J: "So what would I recognize you in?" Me: "Well, my goal is to be recurring on television, but my bread and butter has been commercial work." J: "Like what?" Me: "I actually sing in a Lexus commercial that's on TV right now!" J: "Oh! So I gotta pause it at just the right moment to see you!" There are about 2-3 other memorable moments from the conversation that bothered me, but honestly, just typing this out has been therapeutic in a way. It at least feels like it's off my chest. It's sucks to fight for years for a modicum of success, be proud of yourself, and then have a complete stranger tear it down in a single conversation without any regard. Brutal. Edited to add: There was one other person in our conversation, so I tried soooo hard to steer to other topics. Ask about his new retirement. Ask what they both recommend doing in the city. Ask about the other person's life, interests, etc., but "J" kept finding ways to bring it back to me and poke holes. Also, not saying this out of arrogance or anything like that, but I'm the breadwinner in our relationship, especially since residency is still part of training. I've worked hard, been strategic, and yes also been lucky, but it really stung to be shut down and have the implication that I'm somehow getting a free ride in life. Ugh. What are your conversation horror stories and how have you dealt?
Hi Acting Lounge Fam!I came across a video interview this week that I've been thinking about ever since, and I couldn't wait to share it here.Inde Navarrette, the breakout star of OBSESSION, sat down with Variety's Tiana DeNicola to talk about her career journey, and honestly, it's the kind of conversation every actor needs to sit with. She talks about grinding for years before OBSESSION opened, treating her three years on SUPERMAN & LOIS "like film school" by learning cinematography and directing on set, being discerning about her next projects even in the middle of a breakout moment, and the beautiful welcome she's received from the horror community.Watch here: https://www.youtube.com/watch?v=pnvlSfoB0Fw What struck me most is her clarity about the long game. When Tiana asks how she's approaching her post-OBSESSION opportunities, Inde says she's being "really specific" because she doesn't want to lose the audience's trust in her that Nikki gave them. She talks about wanting to pair big studio work with indie films because "indie movies is not only where I got my start, but where I felt like this creative bug really started." And she names her love of cinema, her passion for character-driven filmmaking, and her ambition to eventually direct and write, all of which anchor her in something bigger than just this moment.I also loved what she said about her three years on SUPERMAN & LOIS. Rather than treating that time as "waiting for something bigger," she treated it AS the something bigger. She sat next to the DPs during setup, learning about lenses and cinematography. She watched different directors work with actors. She studied scripts and writers. And she says her brain "just felt like expanded" because of that intentional learning. That's such a beautiful reminder that every set is film school if you approach it that way.There's also a genuinely lovely moment where she talks about the horror community welcoming her in a way she'd never experienced before. She started OBSESSION being sensitive to horror as a genre, but the community itself healed that in her. And now she says she doesn't ever want to leave it.That horror community's love for OBSESSION isn't accidental, by the way. Writer/director Curry Barker spent YEARS building his audience on YouTube (a devoted horror-loving community that showed up in force when OBSESSION landed in theaters). I actually wrote a blog this week about how Curry AND BACKROOMS creator Kane Parsons built the crowds that powered two of 2026's biggest breakout hits, AND why that approach (crowdsourcing, not crowdfunding) is such a powerful strategy for anyone building a career in this industry. It's a great read for actors thinking about their long-term positioning too, especially anyone considering how community-building could shape their opportunities down the road.Read the blog here: https://www.stage32.com/blog/crowdfunding-vs-crowdsourcing-the-difference-that-built-two-of-2026s-biggest-hits-4546 So I'd love to hear from all of you:- What "in-between" jobs or projects taught you the most about your craft, even if they weren't the ones you thought would define your career?- How do you approach discernment when a moment of visibility comes your way, whether it's a great audition, a first booking, or something bigger?- Which creative communities (horror, indie, theater, etc.) have shaped you as an actor and made you feel most at home in your career?
A few years back, I woke up to an audition request for the lead role in a major blockbuster film. I grew up watching the franchise, so booking the part would be a dream come true. I acted my ass off, submitted my tape, and prayed for good news (along with thousands of other Asian actors). I didn’t think anything would come of it, but a few weeks later, the producers finally reached out for a callback, then a chemistry read, until one day they said the two words many actors would commit war crimes to hear: screen test. For a week straight, I went to the studio lot for rehearsals, martial arts training, and director sessions. It was exhilarating. As the day approached, I felt on top of the world. No one was going to take this from me. I had to book this. Deep down, I doubted there would be another opportunity for someone like me for a long time. Sure, Asian markets might be hot right now, but how long would that last before “the powers that be” decided to move on to the next minority group? As a filmmaker, I always championed Asian American representation, but, in that moment, I championed my own individual representation. Fuck everyone else - I was “the best Asian guy.” The role was mine. I didn’t get the part. When I got the news, I was devastated… for about a day. Then, I quickly recognized my own hypocrisy and was forced to look within. For years, I have spoken on panels, done Q&A’s at film festivals, and talked about the importance of Asian American representation in the film industry. However, when presented with a life-changing opportunity, my attitude shifted to “Fuck these guys, I’m the best Asian.” This ultimately inspired the question — what do you do when your values are at odds with your ambitions? This inevitably led me to create “Flavor of the Month,” a dark comedy that explores the absurdities of representation politics in modern-day Hollywood. Viewed through the lens of a Chinese American actor, Harrison Huang, the film dives headfirst into themes of performative activism, virtue signaling, and internalized racial inferiority. I hope you enjoy my film, and thank you for taking the time to watch. [https://www.youtube.com/watch?is=m6KQJyc3j-LY7CFV&v=7FqByyXn7j4&feature=youtu.be](https://www.youtube.com/watch?is=m6KQJyc3j-LY7CFV&v=7FqByyXn7j4&feature=youtu.be)
I’ve been doing theater for 6 years now, I’m 19 and I’ve noticed something in all the videos I see of myself. I’m definitely more of a singer and actress than a dancer and have never been athletic. When I see videos of myself I feel like my movements, my whole body but especially my hands just look floppy and awkward? Like I know what I want to do it’s just when I apply it it makes me look so akward. I also am a musician, I’ve played piano my whole life so learning to stand up and sing at age 13ish was a big challenge for me because I didn’t know what to do with my hands. I want to improve on this so badly but no one seems to have the same problem, like I said I’ve never been athletic and have been thinking maybe dance would help, Advice? :(
Sony Pictures is looking for the next hockey film star for their adaptation of the acclaimed YA novel 'Fake Skating'! They're looking for legitimate hockey players, so if you or someone you know matches the description and seems fit for the role, feel free to apply by emailing a photo of yourself and a little about your hockey experience to: [FakeSkatingCasting@NancyNayorcasting.com](mailto:FakeSkatingCasting@NancyNayorcasting.com) My DM's are also open if anyone has any questions or concerns!
Right now as an actor I’m in the phase where I’m trying to get myself rolling with my career and book student films for my reel. Do I get actors access or backstage?
I’m SAG and have been with my agency since 2021. I’ve never done an in-person audition until today. I’ve auditioned for and worked on multiple shows and films. In person auditions are SO much better. It was electric and seemed like a better way to feel out chemistry between scene partners and actors with the director. We really lose something when it’s uploaded Actor’s Access calls. It’s just flat and in a vacuum. Nothing in this industry happens like that on set. Even monologues have direction on set. Online auditions are just so far removed from the actual, physical reality of acting. So why is that so damn prevalent? I get the convenience aspect, but it’s just so dry and empty. I don’t think it’s an accurate way to get the measure of the actor. I’m also just an actor. I have a cowriting credit on a short. So I get that I’m biased. It just seems like night and day though. And it seems kind of lazy. Am I missing something?
Hi all, I'm new here. I'm just starting out with acting, its been a life long dream and although I'm now 27, British and living in the UK. I've decided to take the leap and just go for it. I have no experience, other than making YouTube and TikTok videos. And I cannot afford classes. What's my options here? Where do I even start? Thanks for any advice I really appreciate it
Hello humble people! I'm in quite a good mood today but i'll cut straight to the point for you. Me and my family are moving into an apartment soon for reasons i won't specify. I've begged and begged for them to re-consider or atleast find nice homes for rent in the area. They simply cannot. It's just way too expensive to rent a home in the area we're moving into. This is a problem for me especially since, well,I'm a voice actor! Now I'm not entirely sure if I'm loud enough for my future neighbors to hear me.. But even if my neighbors cant hear me, my mom might unfortunately. I've kind of kept everything i do and love a secret from my family so i do NOT want my mom to hear me voice acing. Now i say my *MOM* specifically because everyone else is off to their jobs. So that reduces the load a little bit. We're not entirely sure how big the apartment will be, so don't ask me, but i hope it's a certainly big apartment. TLDR; How do I voice act in an apartment while making sure NOBODY can hear me, not my mom, not the neighbors, NOBODY. Any and all advice is well appreciated!
Hi all, I thought maybe getting some input from actors or those who know how to act might be a bit helpful. I just want to preface by saying I don't actually have an active dream to act or go into the field, but I thought I might get good insight from you guys. I have a problem with not being able to express myself facially or through tone like at all, it comes off sort of pretentious if that makes sense? I don't know if this is a thing that can be learnt or trained but does anyone have any tips anyways? ?
Hello everyone! My name is Edward and I am a Sydney based writer-director currently seeking talented extras for a short film being shot in Newtown, NSW on the 30th of August 2026! Titled 'Meeting your friends in Sydney', the project will follow a high-strung Claire on the weekend of her 25th birthday in a French New Wave / Cassavetes inspired dramedy. The filming on the 30th will take place out the back of a shared house, dressed up to look like a cafe. The shoot will last from approx. 2 to 4 pm, and while it is an unpaid gig, food will be provided to those in attendance. I am primarily seeking ACTRESSES of ANY BACKGROUND in their mid to late TWENTIES to be extras for this brunch scene. If this sounds interesting to you or someone you know feel free to submit a headshot/selfie to [gaybrofilms@yahoo.com](mailto:gaybrofilms@yahoo.com) !!
Hi all, Currently in a dilemma here and looking for advice. As you all know, the industry is quite dead at the moment. Especially across the pond in the UK. I’ve had like 6 auditions in total this year, two of which I got down to the finals but unfortunately didn’t book. My agent said things are looking up towards next year. I have a ‘creative’ corporate day job and I’m grateful for it but I’m really unhappy. I’m in my early 20s and I can’t help but think I don’t belong in this life I’ve created. It’s extremely demanding, including expected networking and this industry is a career type job. I work overtime everyday and find that I’ve had to put acting on the back burner for the past few months. I thought having more income would mean I could afford to take classes etc, but I’m finding I’m dedicating my life to this job and it’s pulling me away from acting even more. I don’t think I can carry on like this but I’m not sure if I’m making a good decision in leaving as on paper it’s a great job. I’m in the final pool of people for a job in a film production company which would also be a corporate job but more industry adjacent so maybe I’d feel happier there? I worry I’ll feel the same after a while but also worry if that’s a conflict of interest? Can actors work in production companies? Equally I’m thinking I should commit to the artist bit and go back into a flexible non corporate job (theatre staff/hospitality/something else). I’m telling myself if it doesn’t work out, I can always go back to a 9-5, but truthfully I really don’t like the lifestyle. I have my weekends back but I feel like it doesn’t suit my soul. If any other actors (London based or not), can tell me what job you do that allows you to still commit to acting that would be greatly appreciated.
Hi everyone, I am a 17-year-old aspiring actor based in Basra, Iraq, and I am writing this to seek guidance from those who have walked this path or are currently navigating the industry. A bit about me: Age: 17 Height: 186 cm Strengths: Proficient in English (currently refining it), strong command of body language/gestures, and the ability to access deep emotions on cue (specifically, I can cry on command). Work Ethic: I am committed to daily training and honing my craft. I have big dreams. I am not looking for local projects; my goal is to reach the international stage, get an IMDb credit, and eventually work with major productions like Netflix and international film houses, much like actors from Europe or Australia have successfully done. My questions to the community are: The Roadmap: How does someone in my position, located in Iraq, realistically start building a path to the international market? Digital vs. Physical: Should I focus on virtual/remote auditions and self-taping first, or is there a tangible "first step" I should take locally to build a reel that would be considered credible by international casting directors? The Strategy: What are the actual requirements to get noticed from here? How do I transition from training to booking real, professional roles? The "How-To": What is the step-by-step evolution I need to follow to eventually move from acting in Iraq to auditioning for international projects? I am incredibly hungry to learn, disciplined, and ready to put in the work. Any advice, resources, or personal experiences you could share—no matter how small—would mean the world to me. Thank you for your time and for sharing your knowledge.
Hey actors looking for some advice here, my professor who motivated me to pursue my acting MFA told me I’d land a better agent if I get into a top school. I went on a internet investigation to figure out the rep I’m aiming for and what schools have ties to said agency, and it has me wondering if it’s even guaranteed better representation can be found through school? I’ve been acting professionally straight out of high school for about 4 years now. I’m M22 and I’m in university for a BA in Cinema (debating of minoring in theatre). I catapulted myself in my schools theatre program and ended up falling in love with the only two acting classes I took. After preforming my final piece for my class, my professor came up to me and said I should pursue a MFA. I never really thought about it until someone told me I could do it. Ever since I’ve been researching what it takes to get into a MFA program and I’m interested in learning more. I have the privilege to be signed by a local agency as well, their focus is mostly commercial modeling and runway work but they do have an acting division. The acting division in a way feels not as strong as the modeling side for this agency. I’ve modeled for a few big brands and on the acting side I haven’t booked anything. The acting auditions I get through them are rare, and out of the handful of roles I’ve received aren’t even speaking characters. The catch is I’ve managed to self book several films and commercials, two of the commercials are tied with Disney. I found these jobs through networking, social media, casting networks, etc. Luckily these have helped me build a foundation and a solid reel but I keep asking myself how do I get to the next level? How to get in the rooms that gives you a shot to audition for characters.
tldr: my sister and i r actors (i haven’t really done anything in years, but my sister has been booking roles and background stuff). we both signed up for a role and they were asking us to do this for a self tape?!! i also recently broke our canon camera (i’m just a girl :( ). so i’ve been using this thing i signed up for via [waitlist](https://lociapp.vercel.app) to do self tapes from my phone and also memorize our lines and rehearse as if it was a table read, if anyone’s interested dm me. but back to the original question is this a lot??
From my perspective, I see tides turning a bit in a positive direction. Not being inundated with auditions...but they've definitely been more consistent. Feels like 2024 and 2025 we were lucky to get 1-2 a month, if that. But now auditioning about once a week which feels like a lot comparatively. Anybody else agree or disagree? I'm SAG, repped in LA, and mostly auditioning for film/tv
Hello everyone! My name is Justin Pierce, and I'm a Chicago-based playwright looking for two more of eight actors to participate in a developmental reading of my new wacky end-of-the-world play, Tia and Inez in Cometville. This first reading will be held online via Discord. Actors from anywhere are welcome to reach out, but preference will be given to Chicago-area performers, as I'm planning to organize in-person readings and further development of the play in Chicago in the future. As stated before, this is an unpaid developmental reading. READING INFO Monday, August 17th 6:00 PM Central Discord video call No memorization is required. This is a developmental table read intended to help me hear the current draft aloud and gather feedback. ABOUT THE PLAY Five days before a massive comet destroys Earth, Tia embarks on a road trip with her friends to stop her ex-girlfriend, Inez, from doing something drastic. Along the way, she encounters cannibal cultists, revolutionaries, the Four Horsemen of the Apocalypse, and a galaxy-spanning conspiracy. It's a science-fiction road-trip play with elements of dark comedy, horror, and absurdity, centered around love, identity, and what people choose to do when they believe the world is ending. CHARACTER / CASTING LIST ROBERT DAFFER / BUD / KING ROTHDOK – Male, 40+ The self-righteous and cunning CEO of Newton Company / A loyal cannibal son who loves his Ma / The leader of a desperate and capable alien race. TIA – Female, 20s–30s A Newton Company fan going through a breakup right before the end of the world. INEZ / VAL / CONQUEST – Female, 20s–30s A woman with a major secret making hard decisions in a time of uncertainty / A high-tech artificial intelligence seeking an identity of its own / The cruel and conniving leader of the Four Horsemen of the Apocalypse. BARISTA / WARFARE / BRYSTOL – Female, Open Age A barista / The fiercely loyal muscle of the Four Horsemen / A revolutionary. JACKSON – Male, 20s–30s A man with no plans for the end of the world. A loyal friend, selfless even if he doesn't realize it. GAME ANNOUNCER / MA / REVOLUTIONARY – Female, 40+ A game announcer / The mother of a fanatically religious cannibal family / A revolutionary. DAKOTA / FAMINE / REVOLUTIONARY – Female, 20s A troubled and capable young woman raised by a cannibal cult, unsure where she truly belongs / The chemist of the Four Horsemen, capable of true cruelty and she knows it / A revolutionary. SQUEEZE / DEATH – Male, 20s–30s A misunderstood drug dealer with an optimistic outlook / The deputy of the Four Horsemen and a true believer in the cult's ideals. If you're interested in participating, please email justinpierceplaywright@gmail.com with your name and the role or roles you're interested in. Again, you do not need to be Chicago-based to reach out, but Chicago-area actors will receive preference because of planned future in-person development. Thanks so much!
My dreams are slowly coming true and I just wanna share it in a space. As a kid I grew up with video games and always wanted to act in them, so I decided when I was young I would be a voice actor. You should have seen my suprise when I was 11 and discovered motion capture is an actual thing. But my country isn't the biggest so from my 12th I focused on theater as a hobby and then as I turned 18 I went to an actual theater school. From there on I moved to London and went to film school and mostly have worked in the film sector with some theater and voice on the side but my big dream was still always motion capture for video games and I always kept training for it with all sorts of weapons training and martial arts. Now after doing workshops in mocap and reaching out to studios I finally got in contact with an agency that soly focuses on motion capture and I GOT ACCEPTED! I even had my first big mocap auditon today and omg I live and breath for mocap. ITS SO FUN! Usually during self tapes and auditions I just feel annoyed as I wanna do the real big thing but with motion capture I even love the self tapes and auditions. Hoping I land the role and to many more!
Hello! I’m looking to switch reps and have a few questions. I haven’t applied anywhere in a long time , so please bear with me. It seems like everyone recommends using Actors Access or Casting Workbook profiles to submit with, however mine obviously still lists my current rep. Is this harmful? Do you recommend submitting materials another way? When writing your pitch, do you mention you’re switching reps, looking for new rep, etc- ? Any answers or further tips are much appreciated!
Hi everyone! I wanted to share some of my recent acting work. Over the past year, I've been creating dramatic scenes to continue developing my craft and exploring different characters. I'd love to hear your thoughts or feedback on the performances. I'm always looking to grow and connect with fellow actors, filmmakers, writers, and directors who are passionate about character-driven storytelling. If you'd like to see more of my work, you can find additional acting scenes and short performances through my Stage 32 profile. Thanks for watching, and I look forward to connecting with more of you!
I am happy to share with you a part of my work in photography, I do not yet have a team but this also allows me to show a little of my world in relation to all my projects, a kind of look book.https://www.stage32.com/lounge/anything_goes/I-lost-my-wood-in-the-cityI would be delighted to receive your feedback. I also explained the reasons behind this album, what I felt, my choices regarding point of view, etc.
I am new to this platform, but working in performance art over 20 years. Just here to network and experience your wonderful art and performances as well. smile
Hi everyone I'm an aspiring actor based in London, right at the at the start of my acting journey. I'm practicing by reading scripts and exploring characters, especially emotionally layered, morally ambiguous roles. If you're a writer who'd like to hear your scenes read aloud. I'd genuinely be excited to help. I'm here to learn, collaborate, and hopefully build some great connections. Thanks for reading.
There's this narrative that Asians can't be actors because it's a high risk field. Well in general, I think it is because from what I've heard, only a few are selected to be the chosen ones ascending to A-list level. But what I find extremely unhelpful is that everyone around me is against the idea. Unfortunately, I grew up with the typical Asian parents who dictate what your future should look like. That is, doctor, lawyer, accountant, engineer and other traditional fields. Literally everyone, including extended relatives, their sons and daughters are going to these exact same fields. Not only that but also on the internet, I get mean snarky comments that are super unhelpful and very ambition-destroying, creating feelings of hopelessness. They turn personal and start insulting me and calling me delusional and grandiose. Simu Liu dreamt of being an actor and similar to me, he had to fight off asian parents and the status quo to make that happen. Then eventually, an opportunity came up and it made him famous compared to before. Now I understand not every actor will get this, but I also understand that if you don't try, it's guaranteed to never happen. I find it very difficult to find support, especially when it comes to finding out what I want for my destiny. Family is against me, internet strangers are against me and both of them are fueling my internal self-doubts which also work against me. In addition, there are less characters available to play in Hollywood because there aren't that many people writing up stories of asian-based characters in the first place. I'm just feeling a little regret because I'm 24 now and it's still going to take 2 more years before I finally finish my degree. On the other hand, there's already a lot of Gen Z actors that've been playing the game since 10 years ago. They had supportive parents that are willing to risk it and sadly, that's not really the case in most Asian households. I'm feeling like all I have is myself if I want to do whatever I want to do in life.
Hello, I am a 14 year old male who always wanted to start acting, I was wondering if anybody could give me advice.. I am pretty anxious and insecure since I was bullied back then so I never really wanted my face to be seen so I never asked my parents to let me join an acting class, but honestly I'm starting to care less about how I look on camera and I've got alot of hobbies but I always wanted to become an actor, idk if this is important but i speak like 6 languages and have the highest level u can get in the education system here in Curaçao. I always wanted to get out of this place, be well known and get young fans to relate to me or help people out, I always wanted to live in a country with skyscrapers or have my name be known. Any tips?? And is acting way too difficult for a 14 year old to handle and still be sane?
hi, i’m a female teen actor! i’m signed with a local sag agency and i’ve done a commercial & student film before, but i’m still struggling to find my footing & would love some advice. i know the whole deal with self-tapes, but im not sure how to make an effective demo reel (or really what the difference is?). i was signed with basically no experience (dont worry, not a scam - just an impressive audition tape!) and my agent has pointed me in the direction of some places that will create a demo reel for you at a steep price, but obviously i’d rather not pay. is a demo reel just a self tape with a monologue? or is it an actual scene out of a film? how do i create one that stands out…. and how do i choose the right monologue, just something off of stage milk? should i use clips from the commercial & student film (where i don’t speak)? i’m really excited to get into acting, but it’s pretty hard to get even an audition or call back if i don’t know how to make an effective demo reel, lol. i’ve watched some videos on youtube and looked through faq, but all it’s really done is confuse me more. looking for some guidance! thanks :)
I am a local sag actor based in Boston. It feels like audition opportunities through Boston Casting are few and far between. Are they just super selective with who they call in / stick to a tight pool of favorites? In a smaller market like Boston, it can be discouraging when local actors don’t get the opportunity to audition for the major projects coming through. Would love to hear other local actors’ experience.
Hi! I'm Joseph, Content Manager at a Texas-based marketing agency. We're casting **4 actors** for an upcoming paid social media campaign in **Chicago**. **Details** • **Shoot:** August 19-21 (one day only, up to 3 hours) • **Pay:** $185 flat • **Location:** Chicago, IL • **Union:** Non-Union • **Usage:** Paid Ads & Organic Social Media **Looking For** * Men & women, ages **40+** * Speaking role (scripted + light improvisation) * Authentic, emotional performances **Role** React naturally to a personalized surprise song. We're looking for genuine emotions, not polished or salesy performances. **To Submit** Email your **headshot/portfolio** to [**joseph.eligio@creatunity.com**](mailto:joseph.eligio@creatunity.com) **Subject:** **SONG APP CASTING – Your Name** *Optional:* Include a 30-second self-tape reacting to happy, surprising news. Thanks, and looking forward to your submissions!
is it just me or is it really hard to get signed as a non union actor? I am self submitting auditioning , have headshots, reel etc… doing a workshop next month with a well known manager and of course I hope I do well. But it’s hard out here for sure. And I do believe exposure doing workshops and showcases do help when it’s the right one.
Does she know Stella Adler (a woman) was one of the best teachers for method acting? Method is now seen as a joke thanks to people who are NOT method acting but just being pricks (like Leto). These (very few) actors like Daniel Day Lewis or Heath Ledger were using ideas based on method acting but they were also making their own stuff, staying on character after the cut was never a thing in any of the schools for method. Now the whole idea is demonized or wrongly attached to these male actors which is ridiculous and ignorant imo.
so one of my favorite actors that I want to work with follows me on IG, which is so cool a lot of people think I should play a family relative of hers on the show I do see the vision and it’s literally my dream even if it’s a little hard to dream of it since I am currently unrepresented but it’s a nice dream to have?? here is a cute collage of us side by side, she means the world to me and hopefully one day I get a chance to act alongside her.
I want to be clear that this sub has been very helpful for a bunch of different reasons and I think overall it is a net positive to have a community like this. But lately, I've been seeing a lot of posts with a tone similar to that of "the industry has changed so much that no more regular working actors can live anymore and only the top one percent are ever going to succeed, and it's never been this bad, and this is just going to be how it is from now on." While I never want to disregard someone's lived experiences/feelings, I've realized that for me, reading those posts and comments makes me feel so down about myself and where I'm looking to go in my acting career, rather than pushing me to be the best actor I can be. I'm not delusional; the industry is very slow right now, but I also know that there is still opportunity out there and that I just need to give it time. Just wanted to offer this perspective in case anyone needed to hear it. Yeah, it may suck a bit right now, but keep looking for the light that keeps you going.
Hello people, first question here. I am just an amateur who definitely does not want to get ahead of himself since I haven’t even taking any sort of acting classes whatsoever lol. I was entertaining the possibility of acting because I like art and partaking of large pieces of art is obviously an appealing idea, but I was having some small doubts about the whole process. But before you answer, I would like to propose a hypothetical scenario. Let’s say that you are an actor or actress at a show in a streaming platform, to give an easy example. You give your all to this project and try to do your best to exceed at the paper that you have been cast to do, but for some reason such as a shaky plot or general animosity from the public over political/social commentary, the show ends up being absolutely terrible according to total earnings and the critics. Would that impact how much you are paid even if you had nothing to do with it? And as a follow up question, can this seriously impact your possibilities of being called for any role again or would that be based more of what casting directors think of your performance as opposed to how much you made the project earn? That’s pretty much all. Short post. Looking forward to any response.
I have never used it but am helping a friend of mine who is a fresh actor, to submit their video. I was trying to find “How To” videos on the Tube. Didn’t find and somewhere along the way, whether google search or whatever, a Reddit post from this community showed up mentioning the site. Then I opened the thread and read comments with people talking about paywalls, file size, essentially Frontier/Spirit of casting sites? Searched and saw some other threads mentioning similar things. So my question is, is it a scam? Is it worth it? Has anyone gotten jobs through it? Do you spend more using this site than Actors access—which does have a paid membership but also I’m not paying for every submission or file size or changing my photos around. Are the quality of jobs found on CN different than what you’d find on Actors Access. I know there are a lot of questions, just trying to give responders multiple entry points to provide an a sweep. My worry is my friend getting scammed for their naïvete and dreams.
Hey everyone! I’m currently building a new original YouTube animation studio and I’m looking for talented voice actors who are interested in helping bring a brand-new universe of characters to life. The creative direction is **inspired by** the energy, comedic timing, and memorable performances found in projects like **Bridge Kids**, **MovieUnleashers**, **The Boondocks**, and **Niggalodeon**. That said, this is **not** a fan project or imitation we’re creating an entirely original world with its own characters, personalities, and stories. **What I’m looking for:** Strong acting ability and believable performances Distinctive character voices Great comedic timing (dramatic range is a plus) Clean recording quality Reliable communication Interest in an ongoing collaboration **Project Details:** Original recurring characters YouTube Shorts (30–60 seconds) and 2–5 minute episodes at first and longer as we scale(more pay) Multiple series planned within the same universe Long-term goal of building a recognizable animation brand **Budget:** My current budget is approximately **$25–150+ USD per character/session**, depending on the role, script length, and experience. If your rates are different, I’m happy to discuss them. **If you’re interested, please send:** Your voice demo reel or portfolio Examples of character voices you’ve performed Your recording setup (microphone/interface) Your rates Whether you’re interested in one-time work or a long-term role I’m looking to build a small team of talented voice actors who enjoy creating memorable characters from the ground up. If that sounds like something you’d be interested in, I’d love to hear your work. Feel free to comment below or send me a DM. Thanks!
Hi everyone, we finally finished our fantasy audio drama pilot, *Tales of Skyland: Legend of the Soulwards*. We worked with 8 really talented voice actors, and it was honestly amazing hearing the characters come to life. It was a looooot harder than I expected... especially finding the right sound effects, creating some of the music, then putting everything together X\_\_\_X but we are really happy with how it turned out and would love some honest feedback. :))
Hi everyone! I'm currently looking for a **female, English-speaking voice actor**, preferably with a youthful, friendly voice, who may be interested in a **long-term collaboration** for a content creator project. I'm looking for someone with a **natural, conversational speaking style**. The recordings are intended to sound candid and authentic, so no acting or exaggerated delivery is needed—just your normal speaking voice. # Project Details * **Estimated workload:** Approximately **2–3 short recordings per week** (this may vary depending on demand). * **Length:** Usually around **5–20 words per recording**. * **Delivery:** Natural, conversational voice recordings. This is a **paid opportunity**. I'm happy to pay either **per recording** or discuss a **monthly arrangement**, depending on what works best for both of us. My current budget is **around USD $100/month**, depending on the recording volume and scope. I'm looking for someone reliable who'd be interested in growing with the project over time. If this sounds like something you'd be interested in, or if you'd like to know more about the project, please feel free to reach out. Thank you!
I know that Los Angeles is flooded with Acting Studios, but I’m looking for the ones where a lot of working actors tend to frequent. People who do costars or guest stars, ultimately for Actors, who would be considered intermediate to advanced. I’ve heard of Margie Heber and I’ve heard of BGB… But what are the top schools now for Acting in LA? Feel free to list a few.
Are they selective about who gets self tape requests through the actors access open call? Anyone get a self tape request yet?
Casting for Short Film Casting Non-Union actors only Non-Union shoot Location: LA/Orange County Dates: September 2026, exact dates tba Character Breakdowns: 1.) Caucasian Male, 20's, Lead: Open minded, fun, bored/restless 2.) Latina, 50's, Supporting: Open minded, knows what she wants, confident 3.) African American female, 20's, supporting: Fun, curious 4.) Caucasian Male, 50's, supporting: Insecure, possessive Plot: A young man has a chance encounter with someone who opens his mind to a new way of looking at interpersonal relationships, and what that entails exactly. copy/imdb credit, food/drink offered no pay email me at [filmmakersun78@yahoo.com](mailto:filmmakersun78@yahoo.com)
I usually just lurk here, but wanted to let everyone know about a scam that I almost got roped into that I haven’t seen previously mentioned. Maybe someone else has encountered this, but just in case… Yesterday, I received a text from someone claiming to be an old classmate of mine. They mentioned a project we were in together so the only odd part so far was that she had seemed to change numbers, which even then I could see as plausible in the past 4 years since I talked to her. She mentioned she knew someone in Hollywood who was looking for someone for a project and she thought of me, asked if I would be interested and she would see if he was available since he was supposed to talk to another actress on teams, then let me know that he would be available in 20 minutes if I could make it work. I received a message from his “assistant” confirming (they just pulled the name of a random French influencer, producer pretended to be someone named Alex Friedman based in New York). I assumed the other actress dropped and I was fit into an opening in the schedule. Did a video call on teams and sent an email for a follow up call the next week as requested. Not gonna lie, things started to feel a little off because this was not how casting goes in my experience and from the research I’ve done, but every explanation was just plausible enough to sound convincing to someone still relatively new to the professional side of this. The more I started to try looking into the scenario and research after, the more things just weren’t adding up. I texted the number I had saved for my old classmate and lo and behold, she hadn’t changed her number. This was a freaky experience for sure and I wish I had just pulled out sooner when I wasn’t sure. It was just a video call but he claimed he worked in modeling as well and was evaluating for that so maybe my image will be used for AI now which I’m a bit worried about so hence the feeling stupid for not just ending the call earlier. They spent a lot of time having me do turns in like yoga outfits and bathing suites and such (nothing that people wouldn’t be able to see in real life at the beach or a gym cause I wouldn’t have done that), so that’s why I’m thinking AI. That didn’t feel normal and nothing I’ve read about casting ever mentioned that being normal, but I also didn’t want to miss out on something good if it happened to be real. I feel like I’ve heard crazier stories about actors getting real opportunities in this industry. That being said, I do know better than to fully trust honeyed words without significant verification, but I still let them get as far as they did. I got so caught up in the conversation and didn’t have time to research before and that’s how they get ya. It was so specific and so unnerving for someone to go as far as to go to my IMDd, pick an another actress from I project I did, confirm we went to the same school via her social media, and then pretend to be her. I consider myself cautious and I’m doing my best to be as smart as I can navigating this industry, but I still fell for part of it and I hate that I did. They didn’t get any money from me and I won’t be engaging further, but yikes. I’ve rambled a fair amount here so TLDR: got a super specific text from someone pretending to be another actress and classmate that I worked with before offering a meeting with a producer she knew for a potential acting opportunity but it didn’t turn out to actually be her.
Hello just need some insights and thoughts from working actors if you guys see these clips as usable and effective to use as my demo reels and clips on actors access to send to Castings! any feedback is much appreciated
I'm transitioning from voiceover classes to actually owning and operating a microphone and I've found myself flustered by how much there is to learn. There's a lot of the audio engineering world that is foreign to me. Like, I still don't really even understand what an EQ is, or how busses work. And when I begin to learn, it feels like I go down rabbit holes that are very specific to live instruments or singing as opposed to pure voiceover. So, voice actors: What is your workflow? What is your personal "preferred" vocal chain? How does it fit into your workflow? Do you find yourself editing out all of your breaths, or is there a plugin that is doing that work for you? I'm going to be watching a hell of a lot of general audio knowledge tutorials, but I figured while I'm at it, I should hit up the VA community here and ask: If you could go back in time, what is something you would teach yourself right off the bat? I have a RODE NT1 5th Gen & UA Volt 176 interface. I work in Logic Pro at the moment, as I've been making simple MIDI tracks in it for a while and it is similar to Garage Band. I know that many use Audacity, which I plan to download and get used to as well. I'm still working on getting a treated space together, I know that this is paramount. Current plan is to spend a good chunk of this next paycheck at Home Depot to get one of those pipe + blanket systems going for the time being.
Ask Joshua Young anything! He's an incredible talent and very knowledgeable about acting, ethical AI use, show business, etc. https://www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-8-5-to-8-6-Ask-Me-Anything-About-the-Craft-Business-and-Longevity-of-Acting
I’m a union actor currently exclusively represented by one agent. I’ve decided to leave and have an offer from another agency that I’m planning to accept. My current agent is reluctant to let me go, so I’m trying to understand the practical mechanics of the transition. To be honest they are giving me a hella of a hard time, and I am extremely shook up and need guidance on what is considered a normal transition and what I can do on my end to keep things smooth. I’m going to contact the union and major casting platforms for official guidance, but I’d really appreciate firsthand experience from anyone who has done this. 1) what happens to callbacks, holds and bookings that come from submissions made by the first agent after you’ve moved to the new agency? If the old agent is no longer representing you or attached to you in the casting systems, who handles those opportunities and how does casting know who to contact? 2) Is there normally a notice/transition period between exclusive agencies, or can you move directly from one to another? 3) How quickly can the casting platforms be updated, and does the new agent typically handle that process? How long does and should it take to set up between reps? 4) Finally, are there any other practical issues I should be thinking about with existing submissions, auditions, callbacks, holds or bookings during the transition? I just want to make sure I understand the normal process and don’t mishandle any existing opportunities. Also if anyone has any stories you feel like sharing about difficult transitions and how you got through them, I'm game. I could really use the support.
16-year-old aspiring actor from Seattle trying to build a realistic path — looking for advice I’m 16 years old and I’m trying to figure out the best path toward becoming a professional actor. I live near Seattle, Washington, and acting is something I genuinely care about. I’m not expecting overnight success, but I want to take the craft seriously and build toward a career in film and television. Some things I’ve done so far: \- Written a screenplay (horror). \- Directed a short film with my siblings. \- Practiced monologues and worked on improving my acting. \- Taken acting-related classes. \- Done a stage combat/sword fighting workshop. My goal is to eventually build a reel, work on student films, improve my skills, and create a professional path. Right now, my plan is to do Running Start during my last two years of high school, improve my grades, and apply to acting programs. I’m interested in BFA/conservatory-style programs because I want serious training. Some schools I’m considering: \- Cornish College of the Arts \- USC School of Dramatic Arts \- NYU Tisch \- Juilliard \- UCLA \- Carnegie Mellon \- University of Washington My situation is complicated because I come from a strict Muslim family. My mom does not support acting as a career, and I’m worried about how my family will react if I seriously pursue it. I also have personal boundaries about certain roles and scenes I would accept. Financially, I’m also trying to be smart. I live near Seattle, so staying local could be easier, but I worry about missing opportunities by not being in a bigger market. My questions: \- Is Seattle a good place to start building an acting career? \- How important is going to a prestigious acting school compared to experience and networking? \- Would you recommend training locally first or trying to move toward LA/NY sooner? \- Is it realistic for someone with no connections to eventually break into film/TV? \-Is it even worth it? I would appreciate honest advice from actors or people who have experience with the industry.
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
