The intent of this monologue was to bring emotional depth and realism to a moment many people have experienced—the uncertainty of turning a friendship into something more. While the name Colonel Steve Wilkinson is fictitious, the story is based on real events. A close friend of mine, a retired Air Force officer, lived this moment, and I had the privilege of meeting him while deployed in Afghanistan. His journey from hesitation to commitment was something that stuck with me—a reminder that even the strongest men can find themselves vulnerable when it comes to love.Steve’s story is one of hesitation, self-doubt, and the fear of stepping beyond the comfort of friendship but he also demonstrates some confidence too. After months of small talk and social media interactions with a charismatic waitress twenty years younger, he faced the question so many struggle with: How do you tell someone you have feelings for them?This wasn’t easy for me to perform because, by nature, I’m a very confident person. I had to deliberately act as if I was stumbling—not just in words but in body language. That meant throwing in “um’s” and “you knows”—the kind of hesitation that naturally happens when someone is nervous. That’s not something I’m used to at all, but it was essential to capture the realism of a romantic confession. Because in real life, when you’re standing in front of someone, putting your heart on the line, the words don’t always come out perfectly.This monologue captures that raw uncertainty—the nerves, the weight of the moment, and the hope that maybe, just maybe, she felt the same way. And in real life? That moment of courage led to a beautiful marriage that still stands strong today.Feedback and criticisms are welcomed! I’d love to hear your thoughts on the performance, the realism, and what you think makes a romantic confession feel truly authentic.https://youtu.be/gukQp3aNsyc?si=s3MTH72w6ZQHdLnV
Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog. In the first video, The Take explores how seemingly small roles in The Substance, Mean Girls, The Avengers, Twin Peaks, Stranger Things, and more have played pivotal roles in shaping narratives, shifting perspectives, and even influencing the larger arcs of major characters. In the second video, RB breaks down the mindset shift you need to push past distractions, excuses, and roadblocks so you can start executing your creative goals. Grab your coffee, tea, etc. and jump in! www.stage32.com/blog/coffee-content-are-you-ready-to-get-sht-done-this-week-4007
To make yourself more cast-worthy, consider your voice. Speak with different accents. In Hollywood, everyone is always striving to look the best they can.For some roles, the decision makers will have so many good-looking actors that they might start making choices based on people's voices. Speaking in multiple accents makes you so much more valuable as an actor.If you cannot speak English without an accent, you might want to use voice lessons to reduce it.The common joke is that actors who speak English with an accent get the roles of bad guys but it's not really a joke, it's often a reality.Dive into accents and being able to speak without one. The more tools you have to separate yourself from other actors the better.#actors #voice #voiceover #accent
In today’s blog, Ava Paloma shares four practical habits to help creatives stay grounded and achieve consistent results in their careers. www.stage32.com/blog/less-woo-more-do-the-four-ps-to-achieve-results-in-your-entertainment-career-4004
Here’s a little insight into the various processes and approaches of casting directors.What do you see as some of the challenges of casting right now, especially in the digital era?“Martin Ware: In a world where self-tapes are quite a large part of the industry, it’s difficult for actors to develop relationships with casting people in the kinds of ways we used to. It’s not good for actors and it’s not good for casting directors either; we can lose that personal relationship. We’re trying to find ways to being in the same room again, and seeing the whites of their eyes more often. It’s not only about how good an actor they are — you’re sending a person on a job and you need to understand who they are and if they’ve changed since you were in a room together 10 years ago.”How do you approach self-taping? How is it for you to work with no interaction or direction from a Director? https://www.stage32.com/blog/the-writer-as-an-entrepreneur-part-two-4003
Join us this Friday at 10:00 am PT / 1:00 pm ET for another exciting Stage 32 Community Wrap-Up with Head of Community, Ashley Smith, and Community Manager / Writer’s Room Producer, Kay Ross!We’ll be covering all the latest happenings on Stage 32, including:Upcoming events & educationValuable resources & industry insightsMust-read blog highlightsLive Q&A—get insider tips to maximize your Stage 32 experience!Make sure you're following @Stage32 and @Stage32Scripts on Instagram so you don’t miss out! Set your reminder here: https://www.instagram.com/p/DFv4Do-yCSH/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== What questions do you have for us this week? Drop them in the comments and we’ll answer them live!
I’ve seen some movies where actors overacted. The overacting took me out of the movies. What are some tips actors can use to keep from overacting?
Is that the real Trace Adkins that keeps asking to join my S32 network?
If you have a VR headset ie: Meta Quest 2 or 3 there is a FREE seminar Q&A with the author of FILMMAKING FOR DUMMIES. If interested, please sign up as there are only 30 spaces in the VR theatre.
In today's blog, Alan Powell talks about why emotion regulation is essential in acting, how trauma-informed approaches can enhance performances, and the importance of Actor Care in developing characters safely. www.stage32.com/blog/why-emotion-regulation-in-acting-is-important-3999
“*There is no shortage of acting techniques for the actor in training… There is a shortage however on methods for safely accessing and regulating emotion in the process of using these acting techniques when developing a Character.*” — Alan Powellwww.stage32.com/blog/why-emotion-regulation-in-acting-is-important-3999
The Brazilian actor has received an Oscar nod for her performance as Eunice Paiva(https://www.cbc.ca/arts/q/fernanda-torres-explains-why-i-m-still-here-is-resonating-with-audiences-outside-of-brazil-1.7444728)
You'll Be Shocked About My Acting Journey: Surprisehttps://youtu.be/vLPTnRJJL1ELet your fellow actors know how and why you began your acting journey. Any surprising acting stories? Share your information here and on the Acting and Modeling Quick Tips Channel so we can all benefit from your experiences. Subscribe and have access to 500+ videos.
Kris Keppeler walks you through how to learn audio engineering the hard way in today’s blog. But don’t despair! Your engineering and voiceover skills will benefit you in the end. www.stage32.com/blog/how-to-learn-audio-engineering-voiceover-the-hard-way-3997
I loved this clip of Isabella Rossellini and her work with David Lynch on ‘Blue Velvet’ and her problem of working with agents! What do you think about her role in Blue Velvet and the problems of finding a good agent?https://youtu.be/HSfbgQs0xhU
Some thoughts on boundaries when working long term with characters. Have you ever experienced this?
Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events and education to valuable resources, blog highlights, and more. Plus, it’s your chance to ask questions live and get insider tips to make the most of your Stage 32 experience. If you'd like us to discuss anything in particular, drop it in the comments below!Make sure you're following @Stage32 and @Stage32Scripts on Instagram so you don’t miss out! Set your reminder here:https://www.instagram.com/p/DFa985VSmWp/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
- Professional name visible at the top of the page- Current headshots prominently featured- Union affiliations clearly stated- Media, including audio and video reels- A properly formatted and updated résumé- Links to all of your online casting profiles- Links to all of your professional social media profiles- Latest career news- A fantastic “About Me” page- Mobile-friendly design- Contact Info / You and Your Representation#actor #tv #film #video #website #script #writer #drama #manager #agent #casting
The February Education schedule is up! Check out today’s blog to see the incredible webinar, classes, and labs available to the community. Don’t wait for all the spots to fill up! www.stage32.com/blog/stage-32s-february-2025-education-schedule-3994
I brought this up in another post of mine. Not sure why anybody wishes to address this but I could use some guidance since SAG is a necessary evil in the world of independent film.So SAG has a scale base pay for films of $2M and above. Why is the low $2M when we're seeing budgets in over $100M and beyond? Don't know. But SAG has a different pay scale for Premium Talent. How is that defined? Don't know. Can't seem to find a definite definition to the term. It's just something they say is God's word and you must submit to it. Now we have Schedule F. The most common definition of Schedule F is "A Schedule F SAG contract, also known as “deal performer” contract, is used to employ an actor on a film or television show for a specific period of time." A specific period of time? Yeah, it's called the shooting schedule! Once shooting and ADR are finished, who needs them any more. Now if you have to do re-shoots because someone "F'ed up" is that covered? You still have to pay them. Somehow, I don't think it is.They go to say: "As opposed to a daily or weekly contract, SAG Schedule F deals are usually reserved for lead or supporting actors who are needed for the entire run of a given project." What does "entire run" encompass? From the first day of rehearsals to the induction into the Film Industry Hall of Fame? SAG loves to create sub categories that seem to extort producers, investors and creators to create bigger hardships than needed and don't seem to put any onus on distribution where some of the best book cooking would win you the grand prize on an old episode of Chopped.So if there is anyone that can explain this to me and why SAG has no guarantees that their union member won't turn their audience against the film project that their member is starring in.They are like, "You HAVE to use our members governed by our rules and pay them what we say you have to pay them and pay our insurance and union fees but if said members says something stupid that makes an entire nation want to boycott the movie you and your investors risked everything on, well....that's not our responsibility."I would really love to hear your views on this considering there are more out of work actors out there than roles that need to be cast. Please, enlighten me.
What goes into crafting a truly memorable performance? Adrien Brody takes a walk down memory lane, revisiting scenes from some of his most iconic projects, including The Darjeeling Limited, King Kong, The Village, The Pianist, Succession, and The Brutalist.In this fascinating breakdown, he shares insights into his approach to character, the challenges of each role, and how his experiences on set shaped his performances. Whether it’s the intensity of The Pianist, the physicality of King Kong, or the layered storytelling of Succession, Brody’s reflections offer an inside look at the craft of acting from someone who fully immerses himself in every role.Watch the full video here: https://www.youtube.com/watch?v=iq98krk-7Oo Which of Adrien Brody’s performances has stuck with you the most? Or what’s a role that has challenged you as an actor in a similar way? Let’s chat below!
In today’s blog, Alexandra Stevens talks about how specific techniques from Gestalt Therapy and EMDR can be applied in acting classes or one-on-one coaching to help actors deliver more embodied, emotionally authentic, and vulnerable performances.www.stage32.com/blog/how-therapy-can-make-you-a-better-actor-without-going-anywhere-near-the-couch-3995
Hey creatives! THE best way to get better as a creative is to read great scripts, and see how the pros do it. So, for your perusal, Stage 32 is giving away scripts to all of this year's Awards nominated moviesVisit the blog and download away!https://www.stage32.com/blog/announcing-the-stage-32-awards-season-script-giveaway-3988
3 Unbelievably Powerful TV Commercial Audition Tips Actors Needhttps://youtu.be/yRHSvH40p18Do you have any TV commercial audition tips? If so, share your experience here and on the Acting and Modeling Quick Tips Channel so we can learn from you. Subscribe and have access to 500 + videos.
What exactly does it mean to be a local hire?A local hire means that you are able to work in the shooting location without the need for travel expenses. If you consider yourself to be a local hire, it means you are willing to: fly yourself to the shooting location, put yourself up at a hotel or other residence, and get yourself to/from set without any reimbursement. Is it worth it?That’s a question you’ll want to ask yourself and your agent. If you have an offer for a weekly scale but you have to be a local hire in another state, the cost of airfare, accommodations & rental car/Uber will have you barely come out even (taxes & agency fees are other contributing factors).At the end of the day, it’s important to prioritize what it is that you consider valuable to your career. Will this job be your first credit? Will it give you career-changing footage for your reel? If so, it might be worth it. It’s important to know the facts & rules when it comes to being a local hire.Just saying you can be a local hire and having some friends/family in that region may not be enough to fully qualify as a “local hire.” Productions are going out of state due to the many tax incentives offered there and lower cost of shooting.However, in order to qualify for these incentives, they must hire a certain percentage of local cast & crew. Many times, for cast, the percentage that can be out-of-state is reserved for the larger, leading roles.This means that some states will require either a state ID, or a document proving you are resident within a certain number of miles from the shooting location. (these requirements differ by state)#actor #actorslife
Taxi Driver’ screenwriter calls AI ‘smarter' and 'better' than Oscar-nominated writers.Paul Schrader says he was 'stunned' by the capabilities of the technology! Better screenplays than top- tier human screenwriters."
Is anyone here planning to apply to SoloCom this year, or has anyone performed there in previous years?
“My approach is to look at the character’s world. Often, we get so locked into memorizing lines and practicing how we’re going to say those lines, when in reality the lines are just a symbol or representation of the person. I spend a lot of time getting into the character’s life. Every character has a point of view, so what informs this character’s point of view?” — Malcolm-Jamal Warner
The casting process in the film industry is an essential yet time-consuming task. The casting director acts as an intermediary between the director, producer, and actors. The process of selecting actors for a particular project can take a significant amount of time and effort, as it involves sifting through numerous profiles, showreels, and other materials to find the perfect fit for each role. The process can be slow and prone to human error, as subjective judgment plays a major role in the selection.With the rapid development of artificial intelligence, however, the casting process could become faster and more efficient. AI can assist casting directors by analyzing vast amounts of data, including actor profiles, portfolios, skills, and physical characteristics. It can quickly identify actors who match the director's specific needs, speeding up the selection process considerably. For example, AI could analyze keywords in a director’s request and match them with relevant data from actors, automatically sorting and filtering candidates based on the most relevant criteria.In this way, artificial intelligence could significantly ease the burden on casting directors, reducing the workload, speeding up the process, and improving the accuracy of actor selection. This could become a standard practice in the industry, enhancing both the quality and efficiency of casting calls in the future.How do you think?
Hi All, My friend and I are hosting three table reads. One script written by me and other two by him. We are still looking for more actors to join. If you are available and interested, please feel free to fill out the link below: Which date works best for you to attend? A) Feb 4th, 7:30pm Oops on a/ Christmas Night written by Gary McMillan Jr Genre: Christmas Romantic Comedy Longline: When a media mogul is forced to find a bride by Christmas to inherit his grandfather's fortune, his wedding plans turn out to be anything but festive. B) Feb 8th, 7:00pm City Crooks: Written by Shemar James Genre: superhero action with a focus on social justice. LoglineA group of outcast, second-generation immigrant friends become superheroes to protect their corrupt, crime-ridden city while battling bullying, racism, and family struggles. C) Feb 15th Abandonment: Written by: Gary McMillan Jr Genre: Psychological Thriller/Horror Logline: A young man, ostracized by his family and friends, descends into a spiral of paranoia and violence, seeking revenge on those he believes have abandoned him. https://docs.google.com/forms/d/e/1FAIpQLSe4HPd7DyklaJe3rrAk6cqOXYEAxBLj_emNI7zwtGjeMJI3Bw/viewform Thank you! Shemar
I just finish this project, although it was a very low project, but we have to do something
Get ready for another exciting Stage 32 Community Wrap-Up this Friday at 10:00 am PT / 1:00 pm ET with Stage 32's Head of Community, Ashley Smith, and Community Manager / Writer's Room Producer, Kay Ross!We'll be covering all the amazing things happening right here on Stage 32 – from upcoming events and education to valuable resources, blog highlights, and more. Plus, it’s your chance to ask questions live and get insider tips to make the most of your Stage 32 experience.Make sure you're following @Stage32 and @Stage32Scripts on Instagram so you don’t miss out! Set your reminder here: https://www.instagram.com/p/DFJLTOuzNYd/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==See you Friday!
What goes into crafting a compelling performance, and how do directorial choices influence an actor's approach to a scene? In this insightful breakdown, Anora director Sean Baker and lead actress Mikey Madison analyze a key scene from the film. Sean shares fascinating details about location scouting, keeping the story open to interpretation, and his collaborative approach to working with actors. Mikey provides valuable insights into her performance choices and how she brought depth and nuance to her character, Ani.This video offers a unique look into the creative process from both sides of the camera, making it an essential watch for actors and filmmakers alike.Watch the full video here: https://www.youtube.com/watch?v=ZgotC8YiNyM What aspects of an actor-director collaboration do you find most crucial in bringing authenticity to a performance? Share your thoughts in the comments below.
Just wanted to send out Love and Prayers to all who may be affected by the wildfires in California ♥️ ~Crystal
Hey Acting Lounge! THIS IS IT, THE TIME TO SIGN UP FOR THE WRITERS ROOM HAS COME! Please join us for a very special edition of The Writers Room TOMORROW 1/22 at 4pm PT! We will be talking to LONGLEGS writer/director Osgood Perkins and taking questions from our members. The film features standout performances across the board, including an absolutely bonkers turn from the one and only Nicolas Cage in the title role, all coming at their parts with that touch of Oz's style and influence.DO NOT MISS THIS! Should be an amazing conversation, cannot wait! FREE MONTH of the WR at the link below!Link to the Show:https://us02web.zoom.us/j/85858669122?pwd=rn2cIvWchFSe3XnA2iVXVCD84Td9M4.1FREE MONTH of the WR:https://www.stage32.com/writers-room/plans-vip
Character actress Suzana Norberg shares her snail’s pace journey in today’s blog, hoping it’ll encourage you to keep going. www.stage32.com/blog/a-case-study-in-slow-and-steady-3985
New SAG-AFTRA Self-Taping Rules Explained: What Actors Need to Know https://youtu.be/P32TQUevJL8 Do you have any self-taping tips? If so, share your experience here and on the acting and modeling quick tips channel, and let us know how self-taping has been for you.
Today, Stage 32's Head of Community, Ashley Smith, and Community Manager/Writer's Room Producer, Kay Ross, went LIVE on Instagram @Stage32 and @Stage32Scripts for our weekly Community Wrap-Up! We covered:-Tips for Introduce Yourself Weekend-Updates on Stage 32's Double Recommendation Program-How to network in a way that’s comfortable for YOU-The importance of updating your Stage 32 profile for 2025-Must-read free Stage 32 blogs- Exciting upcoming Writer’s Room events, AMAs, and education… AND SO MUCH MORE!Check it out HERE: https://www.instagram.com/reel/DE8BJTbxxIs/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Hey, everyone. How do you get ready? Do you go over your lines, reread the script, get into character, mingle with other actors, relax, etc.? Are there any things you avoid doing when getting ready?
As the wildfires continue to incinerate homes, Annette Bening wants those who work across the entertainment community to know that the Entertainment Community Fund is here to offer immediate short term help.Article: https://deadline.com/2025/01/annette-bening-financial-help-available-for-struggling-industry-workers-from-entertainment-community-fund-1236256828/Entertainment Community Fund website: https://entertainmentcommunity.org/
Hi to our community based in Canada. What are your thoughts about this new agreement? How does it compare to the SAG-AFTRA agreement?‘Canada’s actors’ union has reached a tentative deal with indie film and TV producers…“This agreement reflects the collective strength and determination of our membership which we could not have achieved without your continued support and unity,” ACTRA National president Eleanor Noble and Marie Kelly, ACTRA national executive director and chief negotiator, said in a statement.’https://www.hollywoodreporter.com/business/business-news/canadian-actors...
Is Acting Work Dead? Here Are 3 Proven Tips That Really Workhttps://youtu.be/1o-Z6IzvU84?feature=sharedEver Experience A Time When Acting Work Was Slow?Have you ever experienced a time when acting work was slow? What did you do to help get more activity? Share your experience here and on the acting and modeling quick tips channel, and let us know what you did so we can learn from you.
Don’t miss TODAY'S Stage 32 Community Wrap-Up LIVE on Instagram with Head of Stage 32's Community, Ashley Smith, & Stage 32'sCommunity Manager/ Writer's Room Producer Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us! Or click here to set a reminder for yourself: https://www.instagram.com/p/DEoOXE0PVWG/?utm_source=ig_web_copy_link&igs...
https://variety.com/2025/film/columns/academy-awards-worthy-performances-2025-for-consideration-1236271152/
Hi All, I am having a virtual table read for my first feature film script, Modern Monarchy: The Caveman King Part One, based on my own comic book series. I am looking for more actors to join. If you are available and interested, please feel free to message me directly and share your email with me and I can add you to the list of participants. Date/Time: January 11th, 8pm-10:30pm CT You can find more info about the story here: https://www.stage32.com/profile/800940/Screenplay/Modern-Monarchy-The-Caveman-King-2 Thank you! Shemar
The Table-read for The Tattered Book is officially set for Jan 27th, 5:00 PST. I need more actors! Please join the growing group of actors and producers who will be attending. I can’t wait to see and hear this charming and unique screenplay read by you. I adapted this from a novel I wrote in response to a demand for a book in which “the main character falls in love with the reader.” Type it into the web and you’ll see it’s almost a cult following.Remember, this is just for fun and to practice your art. This is not an audition. That being said, it never hurts to get your face out there. ;) PM me if you're interested.Here’s the logline & synopsis of the storyline: Logline: A shy introverted woman buys a book about a handsome detective in Italy who seems to see her. As he begins to fall in love with her, she must choose between being pulled into a fictitious world or throwing the book away... and her chance at love. (The Lakehouse meets Just Like Heaven) Synopsis: Going for a morning run, Cassi stops at a garage sale and buys a tattered detective novel. Her family accuses her of living in a fictional world. Cassi disagrees, but as soon as she starts reading it, her carefully ordered life begins to unravel. Every time she reads the book, she dreams about it… about what hasn’t happened yet. And the main character seems to see her, even in the written pages of the book she’s reading. Shy by nature, Cassi attempts to talk to him in her dreams, but every time she does, she wakes up. Not knowing who she can trust with her bizarre secret, she confides in one of her elderly physical therapy patients who believes her. His advice is comical. Detective Marco Marino is working an intricate and dangerous case in Florence, Italy. The Scutari mob has threatened another business in Florence. Trained in the United States, he uses his extensive knowledge of mob families to corner this ancient family. As he works the case a mysterious woman keeps appearing and disappearing like a phantom. At first, he’s unnerved by this constant distraction from his work, until he realizes she is trying to help him solve the case. If only she could speak! When he takes her into his arms for a fleeting kiss, he knows she’s real. This is a mystery he must solve.
This month, you have the chance to learn from knowledgeable industry executives, award-winning writers, producers, directors, cinematographers, coaches, consultants, authors, actors, and representatives who worked on or represented such projects as JOY RIDE, NOW YOU SEE ME 2, OH, CANADA, CARD COUNTER, A SONG FOR IMOGENE, SMALLVILLE, and many more! Check out today’s blog to read their bios and see what services they’re providing as well as the full education schedule. www.stage32.com/blog/red-carpet-roll-out-january-2025s-new-executives-education-at-stage-32-3973
Which actors do you think will win SAG Awards this year? https://variety.com/lists/2025-sag-awards-predictions/
This Famous Actor Actually Deceived Me – Really Shockinghttps://youtu.be/S1-Rq-yM0a0Watch what happened to me behind the scenes in the acting world. In this video, I share a jaw-dropping experience where a famous actor deceived and lied to me—and the valuable lessons I learned from it.If someone lied to you, share it with us and explain how you handled the situation.
An original monologue, me trying some romantic comedy, let me know what you thing! :)
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
