What do you do on your free time when you're a billionaire movie mogul? You fly giant remote controlled passenger jets on your estate. Yes, Terry Perry has his own airstrip on his property for this hobby, and he seems to fly this massive jet over his Atlanta mansion. https://www.youtube.com/watch?v=81T7uZluhWc
Happy Wednesday, Mod Squad!We’re halfway through the week, and it’s the perfect time to check in with each other and keep the community momentum going strong.How are you doing? Anything exciting happening on or off Stage 32 for you this week?This week’s Moderator Challenge:Start a meaningful conversation in any lounge by asking a question that invites collaboration or reflection.Here are a few ideas to get the wheels turning, but lets expand from here:In the Screenwriting Lounge, ask: “What’s a scene you struggled with recently, and how did you break through?”In the Acting Lounge, ask: “How do you prepare emotionally for a scene that mirrors your real-life experiences?”In the Filmmaking Lounge, ask: “What’s one lesson you learned the hard way on set?”The goal? Spark connection. Give members a reason to stop scrolling and start sharing.Let us know in the comments where you’re posting so we can support and engage with you. Thanks for all you do to keep the community conversations thriving!See you in the lounges!
I lived in New York in 1991. I worked as an extra on Malcolm "X" and then "Boomerang". This opened the door for me to join SAG. I fondly recall seeing a cattle call announcement somewhere, probably in "Back Stage" for a Woody Allen picture. What made this cattle call special is that Woody meets everyone applying to be extras in his film. We were told to simply hand him our headshots. He will look over the 8x10 resume, may or may not make eye contact with you, and then you walk away. And don't start a conversation with him. No film director does this. Unfortunately, I relocated to San Francisco the day before the cattle call.
Movie studios, networks and streaming services are struggling after the strikes and pandemic; however, as an actor I am seeing many opportunities. So far, I've auditioned for two indie feature films, countless short films and vertical series. So... to any actors out there who have dreams of working in Hollywood, consider moving here. Kern County offers affordable housing. Yes, it is 128 miles north of Los Angeles; however, with self-taped auditions you don't need to be directly in Los Angeles. The only time you need to be here is if you're cast in a production. And in that situation you could rent an RV while you're down here filming--a home away from home. Below is a link to a Kern County promotional video: https://www.youtube.com/watch?v=RQlyHNT4geo
If you have a business, you need customers coming into your shop or store buying your products and through doing a very thorough job, word of mouth gets out and your store increases in business and one starts to see that the struggles and sacrifices they made to get to make their dreams come through, have paid off. That’s just business logic.Now as a former security guard, you learn that you work with a team. If one team member is corrupt or unethical, it puts a bad light on the rest of a team. I guess it’s not so in the world of acting and if it is so, those that have reached a certain pinnacle and are past their prime, like to make sure that those younger, have no chance to make it on their own. This seems to be the trend of actors today. Sean Penn, George Clooney and Robert De Niro have all been very vocal about their political views and yet none of these actors seem to have any experience in governing anything nor do they speak with supported facts but with blanket statements that come off more like the ramblings of madmen. Of course you’re allowed to have opinions and we have Freedom of Speech in this country but is it really a strategic move to make such stupid statements that can possibly hurt the opinions of people you need to keep you relevant? It’s no secret that the age of an actor is pretty much their expiration date. You can deny it all you want, but it’s true and to ignore it just makes you look bad and desperate. It’s in all industries to a lesser extent, but it’s a fact of life and now you add political opinions that help none of your customer base. That is just insane. Aside from being political, one can just be unhinged or have an overinflated ego. Talent like Rachel Zegler and Cynthia Erivo tend to think they are more important than they really are. We all know about the Zegler meltdown and now Erivo is starting to throw around attitude. It doesn’t bother me because I don’t care what she does or who she does it with. Bottom line, she’s just a singer that acts or an actress that can sing. None of these talents build anything. They don’t build homes or building or towns. They create no solutions or ideas to better the human race. They are distractions. They are a playground for the mind before the body has to get back to the daily grind of hard work. Why do they think their opinions matter so much? They don’t. So actors, your job is to do the material to the best of your ability and to just shut up. Investors don’t care what you think. The audience seeking entertainment doesn’t care what you think. They don’t need you! No one needs you! We watch you because we like you but if wish us not to like you, we won’t watch you! There are tens of thousands of actors that could take your place and only a couple hundred of productions that need actors. The odds are not great. Don’t make them insurmountable. When silence is no better than words, one should remain silent.
For many actors, working as an extra is the first on-set experience you get. It’s a chance to observe the flow of a professional production, pick up unspoken industry etiquette, and sometimes make connections that lead to future opportunities.But it can also come with long hours, limited direction, and the challenge of staying motivated in the background while staying professional.So let’s open it up:Have you ever worked as an extra? What was the project, and what did you take away from the experience, good or bad?Was it a stepping stone to something bigger? Did it help you understand what kind of actor or storyteller you want to be?For anyone just getting started, what advice would you give about showing up, staying ready, and making the most of your time on set?Let’s share stories, lessons, and tips, it’s all part of the journey! Looking forward to hearing your thoughts.(And if you’re currently working background and looking to level up, Stage 32 has acting classes and resources to help you move toward your next role: https://www.stage32.com/education/collections/acting)
The #1 Acting Advice That DESTROYS Careers (Here’s Why To Avoid It)https://youtu.be/lQ1gH_RwmnwHave you received helpful or horrible advice? Share it here and on the channel so we can learn from you.
I learned a valuable lesson today. Once you identify your castable look(s) as a day player actor, the next step is to identify your character's motivation(s) when auditioning. Day players may have a single line or a few lines, so there's nothing really there for you to draw upon, and that is why "motivation" is key.. Motivation Example: You're character is happy that day, because s/he is about to go on vacation. And once you know "motivation" you have creative options when auditioning. I think moving forward, I may provide casting directors 2 or 3 different readings based on unspoken motivation choices.
As I gear up for a performance in July I start to feel anxiety about line learning. I feel it is not my strong point and imagine others, especially younger others, find it a lot easier. I've tried just learning them mechanically, walking as I say the lines and changing direction once I get to a full stop. I've also used apps like Cold Read. I feel like i haven't found the way that works best for me. So interested in what works best for you in order to learn your lines. I'm very aware I need to know them inside out and back to front in my sleep to give my best performance so it's important for me to master the line learning. I will appreciate hearing from you on this.
A little article I wrote with useful tips for actors on how to get the most optimal and presentable headshot. I am a headshot photographer from London, specialising in acting headshot photography, and I thought I might share some of my expertise with you all. We all know how important headshots are for professional actors - it might be the first point of impact and an open door for your audition. Neglecting that can set you way back in your career and completely ruin any chance of being noticed and cast. But when you finally decide on having your portfolio refreshed, how are you going to proceed? This article can shed light on some main issues and ways to optimise the results. I hope it will help some of you.https://www.framedduckstudio.com/blog/how-to-headshot*Picture of Joe Holweger, represented by Fiona Cross agency
What is your dream acting job? What Genre or Franchise would you love to be in? For me it's Star Trek. I love sci-fi. Star Trek The Next Generation was my favorite show when I was a child. The new iteration is awesome. I would full on nerd out if I got cast in Star Trek.
This is a first. I auditioned for a day player role this morning--self-tape. Later today, production announced a change in venue. The shoot will not take place in Los Angeles. It is moving to Atlanta. This means all the work I put into my audition is out the window. They will hire an Atlanta local hire. Sometimes you just have to say, "Oh well... I did my best."
Hi team! I just posted a job for actors in the ATL area for my screenplay Dumbbell. It's in the jobs tab. If you know anyone please send them my way! Mush love!
"If I had fifty-three minutes to spend as I liked, I should walk at my leisure toward a spring of fresh water." A quote from a beautiful book that you will find in this video (please check the link in the comments) about the modern relationship between art and AI. Is this tech going to spell the end of creativity and in turn, the human soul?On YouTube: https://www.youtube.com/watch?v=3Ez8POATA5g On Instagram: https://www.instagram.com/reel/DKRtiXroTVX/?utm_source=ig_web_copy_link Thanks! Max Sappa #AI #creativity #writing #art Clips used in the montage (by YouTube creators via VEO3): Jerrod Lew - Google Veo 3 Demo - Accents and Voices - • Google Veo 3 Demo - Accents and Voices Jerrod Lew - Google Veo 3 Demo - Movie Scenes and Character Voices - • Google Veo 3 Demo - Movie Scenes and Chara... Jerrod Lew - Google Veo 3 Demo - Emotions - • Google Veo 3 Demo - Emotions Jerrod Lew - Google Veo 3 Demo - Simulation - • Google Veo 3 Demo - Simulation Google Deep Mind - Veo 3 demo | Sailor and the sea - • Veo 3 demo | Sailor and the sea László Gaál - Veo3 test // non-existent car show - • Veo3 test // non-existent car show
I fell into a common trap back when I was a kid studying acting at the Maryland Academy of Dramatic Arts in Bethesda. I convinced myself that I was destined to be a star. But in late March, I made a significant course correction. I made the intentional decision to focus solely on day player roles.That shift changed everything—especially my marketing strategy. Believe it or not, day players are marketed similarly to background actors. Casting directors want performers who physically resemble the characters they’ve envisioned. If you match that vision, you’re invited to audition.Since adopting this new approach, I’ve had 10 auditions—two for feature films and the rest for short films and vertical series. Not bad for a couple of months.The biggest challenge with day player roles is making the character believable, especially since these roles often come with little to no backstory. Day players are functional—they serve the narrative. However, the scripted dialogue often contains subtle clues about the character's motivation. Once you understand that motivation, you can build a backstory that adds depth to your performance—through stage business, vocal inflection, and other nuances.I’m excited about what’s ahead. Letting go of the “Hollywood star” trap has helped me reconnect with the craft, and I’m really enjoying the process again. In fact, I’ve got a self-tape audition scheduled for tomorrow!
Are you new to Stage 32 or looking to get more out of your time here?Learn how to build meaningful industry connections, explore resources, and get live tips for making Stage 32 work for you. Plus, join in on a live challenge for your chance to win a FREE Stage 32 Webinar or Executive Pitch Session!Register for free: https://www.stage32.com/education/products/stage-32-community-open-house-webcast-1
Hello everyone.My name is Berthe Tanwo Njole and I'm a Belgium based actor. Our film, Mind of Thoughts, has reached the quarter-finals of the Stage 32 Short Film Contest ! We're very happy and grateful. We can't express what this means to us. Thanks to Stage 32 Team
so I’ve been moving forward very slowly in my career for years, playing it very safe. And I now feel like it’s time to take some risks and just plunge into the unknown.as it stands right now I work a full time job and the schedule completely prevents me from attending classes and going to booking without fear of losing the job. my question is what do you guys think about taking that risk? if you think it would be a good idea to do what are some other ways to supplement that lost income without the full time job that provides flexibility for advancing my career?
2 Proven Tips That Get Actors Commercial Modeling Jobs https://youtu.be/WU4NfwfQsUs Do you have any tips for getting commercial modeling jobs? If so, share it so we can learn from you.
Is there a particular TV character that you could totally see yourself playing? Age and type appropriate. For me, it would be Agent Isobel Castille on FBI. I'm not hispanic but ethnicity doesn't matter for the purposes of my question.
I just read this interview with Jenny Slate and it pulled me in. She talks about those moments of kismet—when life hands you an opportunity that might be disguised as loss, pain, or fear. In Dying for Sex, her character’s transformation comes through a terrifying diagnosis, yet it’s that exact “dark parcel” that opens the door to deep change. Slate says, “You have to be at a growth point—or a breaking point—to say yes.https://www.indiewire.com/awards/consider-this/jenny-slate-dying-for-sex-interview-emmys-1235123619/I'm intrigued to know if you've ever had a kismet moment in your acting life—one that felt like fate, but came in an unexpected or even painful form?What was the “package” it came in—was it loss, rejection, burnout, illness, or a surprising twist?Were you at a breaking point or a point of hunger when you said yes to something new?Or are you waiting for that moment—preparing yourself for when it comes?How do you tell the difference between a detour and a doorway?
"*It’s the biggest note I hear directors, casting directors, and coaches give when actors are too tense, rigid, stuck in their heads, or overacting… ‘Just be yourself’, ‘Relax’ or ‘Know that you are enough’...*" — Rebecca ReaneyIn today's blog, Rebecca shares three behaviors that prevent actors from ever feeling that they're enough, and she shares three factors that really help actors trust that they're enough.www.stage32.com/blog/dear-actors-you-are-enough-4101
Posted something for the Acting Lounge, but I don’t think it went through. Will try again.As a storyboard artist, I work/collaborate with actors and filmmakers, discuss the script, find the tone of the film. Once I get the script, I start visualizing and drawing the scenes to capture the overall mood of the script. Such was the case of working on the film BLOOD TAX, written, directed and acted by Rory Clarke. Had many Zoom meetings with him to discuss the scenes, to make sure that the boards/transition of shots was on point and to discuss angle shots that would reflect the dynamics/nuts and bolts of the script. A great experience and looking forward to working with more actors on their film projects.
I'm seeking a literary agent located in either the Los Angeles area or Texas. This would be for a thriller topic book. Does anyone have a referral? Thanks!
Talk about adding pressure to an acting gig! ““On my second day on House of the Dragon, one of the — I’m not gonna say who, but someone very high up — pulled me aside and was like, ‘Um, we’re gonna get you an acting coach,’” Alcock said on the late-night show.”Has anything like this happened to you? How would you address facing negativity on the film set? https://deadline.com/2025/05/house-of-the-dragon-milly-alcock-acting-coach-1236406948/
Matthew Cornwell (full-time actor, SAG-AFTRA member, and co-founder of Get Taped) wrote a must-read blog about self tapes. If you have any questions about self tapes or experiences making self tapes, drop them in the blog comments. www.stage32.com/blog/mastering-the-art-of-the-self-tape-4100
BEWARE: My Image Was Stolen- Here's How I Got Paidhttps://youtu.be/qP38LHkKw2ALearn how I discovered my image was stolen and used illegallyin an ad campaign. And, how I got paid for this theft.Have you ever had your image stolen? If so, share it so we can learn from you.
RB shares, that industry conversations often end with, “What else do you have?” and that means staying in motion creatively and having more than one script as a writer. Curious what projects members in here are currently juggling whether it be writing projects, acting projects or other creative projects? I"m juggling preparing two scenes for an acting showcase plus setting up and facilitating an online acting workshop. https://www.stage32.com/blog/coffee-content-the-fatal-screenwriting-mistake-only-having-one-script-4108
Normally I post educational videos from my YouTube channel.Today, I'm posting silliness. My wife and I are launching a sketch comedy show in July, and as we try to build awareness and momentum, we're releasing some shorter sketches on our new channel, The Brooke & Matt Show. This one imagines the ridiculous scenario where an actor is interviewed after his audition just like an athlete doing a post-game interview in the locker room.https://youtu.be/20RxBFqcnbw
I wanted to reach out to any actors on the East Coast, especially in the New York and Connecticut area. I often direct my plays and scripts for festivals and would like to expand my network of actors. Unfortunately, in most cases these festivals do not pay, so there is no budget to compensate the actors. I would like to offer an Actors Reel for anyone who is willing to be part of my projects.
Welcome dramas from all over the world to come to China for a tour and exchange ideas.
Hey I just got feedback from "Andy Richley" on a reality show pitch I sent to him for a project I created entitled "Trailer Park Girls". Hi feedback was excellent. I am not saying that he loved eveything about my project, LOL, but what he did say was really invaluable to me and the project. He gave me some really actionable advice on the project, and it is clear to me he really knows what he is talking about and has a lot of experience in the industry. So, if you are planning to use the "Script Services" "Pitch" function through the Stage32 dashboard, I would highly recommend sending your pitch to Andy Richley he is really good, and you will not be disappointed.Dan Armstrong
You submitted for a role and got asked to send in a self-tape. The due date is a week from now. Now what?!As an independent filmmaker/producer who casts his own projects — here’s what I look for:Be prompt. Don’t wait until the last day. And please don’t email the casting director to say you’re busy and might be late. If you booked another project after submitting, just don’t submit. Get a solid reader. Don’t have your friend or partner who’s not an actor feed you lines. It’s often so distracting it takes away from your performance. If you’re stuck, pre-record the lines yourself and play them back — or leave space and react naturally.Keep it simple. Don’t add music, effects, or flashy editing. It’s usually just distracting. We’re here to watch you, not your editing reel.No need for pro gear. You don’t need a blue backdrop, studio lighting, or professional audio. A phone works just fine. What matters most is your performance.Skip the agency tag. Unless your agent or manager is submitting for you, don’t mention them in your slate. If you’re submitting directly, we assume you’re independent.Keep it private. Don’t post your self-tape or use it in your demo reel. These are copyrighted scripts, and using them without permission is unprofessional.Be professional. Casting is complicated. Sometimes things fall through or shift. As an actor friend once told me, until there’s a signed contract, anything can change.If you want to stand out — just be prepared, be respectful, and deliver a great performance. That’s it.
Hi. I have recently returned to my acting training and have been reflecting on my journey. In particular how acting has transformed me off-stage. I feel more connected to my body and my instincts. I'm more trusting of them and bolder about going for what I want in terms of professional goals (to act, to coach actors and eventually to produce). I'm curious about what you feel are the benefits of acting to how you show up in your life off-stage?
As an actor, or a singer what are your thoughts on this? How would you handle it if it happened to you? Is it a violation of SAG AFTRA agreement? https://variety.com/2025/tv/news/the-rehearsal-nathan-fielder-fake-singing-show-contestant-1236393533/
FIND FREE Self-Tape Readers For Actors: The Method Nobody Discusseshttps://www.youtube.com/watch?v=f3ed3pJXirEAre you struggling to find quality readers for your self-tapes?I'll show you my simple approach that's helped hundreds of actors create professional-quality self-tapes from anywhere, anytime and costs NOTHING.Do you have any suggestions for finding self-tape readers? If so, share them on my channel so we can learn from you.
Hi! I worked as a screenwriter in Russia for many years and now live in Israel where I became a director. (https://filmfreeway.com/AlexanderDetkov) My short film "BEFORE THE BARMITSVA" has won several international awards. I am currently developing new projects for cinema and streaming platforms and am looking for a co-author who also has experience in cinema.
https://drive.google.com/file/d/1SfdU5R4WaOunSxyzPCUQZJGgGk4_Aos0/view?usp=drivesdk. true crime story of my father murder
Hi everyone,My name is Kaoutar, I’m a 19-year-old aspiring actress from France.I’m currently learning English intensively and training daily to improve my acting skills, as I plan to start my international acting career next year, especially in North America.Even though I’m just starting out, I’m passionate, determined, and open to connecting with professionals from all areas of the industry ,directors, casting agents, actors, and more.If you have any advice, projects, or would like to connect, I’d be happy to chat!Thank you and I look forward to learning and growing here with you all.
As an actor, the arrival of artificial intelligence in the film industry stirs a mix of emotions in me, but more than fear, it serves as a reminder of how the industry has always evolved with technology. Every major breakthrough in cinema has initially been met with fear, but over time, we've adapted, gotten used to it, and in many cases, we've embraced these innovations to tell stories in new ways.When sound cinema arrived, many thought it would mark the end of silent films, that human voices wouldn’t be powerful or expressive enough. But today, sound is the backbone of cinematic storytelling, from dialogue to music that makes us feel.The same happened with digital cinema. For years, actors and filmmakers resisted the change, fearing that the magic of celluloid would be lost. The texture, the color, the authenticity... But digital cinema not only democratized production but also allowed for stories to be told with stunning visual quality. Today, few question whether it’s better or worse than film.CGI (computer-generated imagery) was another breakthrough that shook the industry. Purists said CGI would ruin the acting, that the visual effects would take over. However, actors soon learned to coexist with it, interacting with virtual environments and computer-generated creatures, and CGI became a powerful tool to expand our imagination and create worlds otherwise impossible.Now, artificial intelligence presents itself as the next big challenge. And yes, it provokes a legitimate concern: to what extent will algorithms be able to replicate the human emotion in acting? Will it be possible for AI to replace the vulnerability, depth, or authentic connection an actor has with their character and the audience? Initially, the idea that AI could generate faces, voices, or even facial and body movements creates an understandable fear: the fear of being replaced, of losing our essence as artists.However, I believe that the history of cinema shows us that technological advances never replace art, they transform it. The tools change, but the human being remains the creator, the one who interprets, the one who connects. Actors have learned to embrace new technologies to enrich their performances and make them more complex. Why couldn’t the same happen with AI?Instead of fearing it, we should ask ourselves how AI can expand our artistic capacity. Could it help us create more complex characters, explore unknown facets of acting? Or perhaps, over time, we’ll learn to collaborate with these technologies, rather than be replaced by them? At the end of the day, the true magic of cinema remains the ability to tell human stories, a power that, no matter how advanced technology becomes, will always be in our hands.The initial fear of AI is understandable, but as has happened many times before, I believe that adaptation will be inevitable. If there’s one thing we actors know, it’s that the fear of the unknown is just another step on the path to discovery. And as it has always been, art and technology will continue to walk together, changing cinema forever.
Last month, I took the leap and committed to my acting career full-time. I quickly discovered that marketing yourself for day player roles is a different process compared to submitting for supporting or lead roles. In fact, day player casting is quite similar to extras casting when it comes to how actors present their headshots. After making a few subtle adjustments to my photos, I started receiving more CMail audition invitations.One of the biggest challenges I’m currently navigating is self-taping auditions. It’s been tough. Instead of focusing solely on my performance, I often find myself distracted by technical concerns: Is the lighting good? Am I framed properly? And because I use a prerecorded audio track as my scene partner, I have to time my line delivery carefully. To make things even more complicated, I’m using an old cassette recorder as my reader.That said, I’m starting to get the hang of it. I now begin every audition with a test shot to ensure the lighting is right, I’m fully in frame, and the audio playback is low enough that the tape hiss doesn’t detract from the performance.Despite all the challenges, I’m happy. My career goals are realistic, and I’m beginning to build momentum.
BURIED IN SILENCEA True Story of Murder, Deceit, and a Fight for JusticeI stayed in my father's house… while his killers slept just rooms away.They told me he was missing.But he wasn’t.He was buried — in a shallow grave under a shed they just bought — just feet from where I stood.I slept in that house while they lied to my face.I cried in that house while they pretended to care.At night, my wife stayed on speakerphone to protect me. One night, she heard footsteps near me. She screamed into the phone, waking me just in time to see my father's wife walking silently back to her room… Was she going to put me with my father ? She knew.They all knew.They let me mourn in the home where they hid his body.And no one stopped them.That’s why I’m telling this story — because Jerry Rasmussen deserves justice.Watch the trailer:https://youtu.be/b59WqUllyck?si=h-eMdcMTBz3DpSOySee the case file and documents:https://drive.google.com/file/d/15JDfd1-1l0eVCtbzyrvhn91SJBSH_mCU/view?usp=drivesdkhttps://drive.google.com/file/d/1lPhNOjR2m16mBtWancg2zY51JYPYOBiE/view?usp=drivesdk
What role has been your most challenging to take on? One that you thought you had in the bag, but really struggled to connect with? For me, Laura in THE GLASS MENAGARIE was more difficult than I thought. I had no trouble with the lines, but my acting teacher kept telling me I was missing the essence of Laura. It wasn't until I put on a dress that I was really able to capture her disability and fully understand the insensitivity of the people around her. What about you? Is there an AHA MOMENT connecting with a character you would like to share?
For decades, cinema has been portrayed as a world of dreams, fame, and artistic expression. But behind the cameras lies a much darker reality: the systematic abuse of power by producers, directors, and influential figures—especially toward young actors and actresses.The combination of wealth, prestige, and control over budding careers creates a perfect environment for manipulation. Many young people, full of hope for a chance in the industry, have been emotionally, psychologically, and even sexually exploited by those who used their positions as shields of impunity.The Harvey Weinstein case was only the tip of the iceberg. What’s truly alarming is how this behavior was—and in some cases still is—built into the system. The promise of fame or the fear of being blacklisted has kept many victims silent, while their abusers thrived.When it comes to underage actors and actresses, the issue becomes even more serious. The industry has failed to protect them. Many started working without real support networks, exposed to environments where boundaries were blurred and consent was irrelevant.The stories of figures like Corey Feldman and Jennette McCurdy reveal a repeated pattern: exploitation disguised as mentorship, complicit silences, and a machine willing to sacrifice the most vulnerable to preserve its image and profits.Talking about this is not an attack on cinema, but a call for transformation. Art can no longer be used as an excuse for abuse. Visibility, accountability, and education within the industry are essential steps toward changing this culture.Young talent deserves to grow in a safe, ethical, and human environment. We shouldn't wait for someone else to speak up before we take action.
Not long ago, I had the opportunity to share the stage with an actor who lives with an intellectual disability. It wasn’t a “different” experience in the condescending sense of the word. It was demanding, eye-opening, and deeply human.Many in the industry still wonder —often silently— whether it’s “worth it” to include people with intellectual or psychosocial disabilities in professional productions. Concerns about workflow, direction, or “production risks” often come up. But these questions reveal more about our limitations than theirs.
"Season 6 kicks off with DaJuan Johnson breaking down the current State of the Industry—what’s shifting, what’s working, and what actors need to know now."https://thinkbiggerpodcast.libsyn.com/ep-601-state-of-the-industry
I’m not an actor—I'm an independent director/producer who regularly casts for projects.Here are some tips I think can really help actors, whether you're new or experienced:1. Use a current headshot.Avoid sending photos from 10 years ago or ones that are overly retouched. We need to see what you actually look like—wrinkles, blemishes, and all. Authenticity matters.2. Avoid generic cover letters.It's obvious when you've copied and pasted a canned response. Take the time to personalize your submission—it shows you're genuinely interested in the role.3. Read the casting call carefully.If the listing says "must work as a local," don’t ask for travel or lodging. If it's a non-union project, don’t try to get it flipped to SAG. Just don’t apply if it doesn’t fit.4. Don’t pass off the job to your manager or agent.If you're not a name actor and the rate/location are clearly listed, there's nothing to negotiate. Third-party involvement just complicates things.5. Be on time and bring a good attitude.No drama. No ego. Be someone people want to work with again.6. Don’t hound producers for demo clips.Most films go through a festival run or seek distribution first. Instead, ask before booking when you might receive a clip—then wait patiently.7. Show gratitude.A simple thank you to those who gave you a shot goes a long way.Hope this helps. I’d love to hear from actors—what draws you to a project, and what turns you off?
In this week’s Coffee & Content, we’re celebrating 20 years of Lucasfilm Animation and breaking down how you can position your project to stand out in today’s market. What’s your next “And What?” Read it here >> https://www.stage32.com/blog/coffee-and-content-from-the-clone-wars-to-your-script-the-force-of-preparation-4090
Actors in the Phoenix Metro area. In Person Meetup May 15th !RSVP here:https://www.stage32.com/meetups/2030
Stage 32 is hosting a FREE educational webinar on Netflix’s smash hit ADOLESCENCE, and it’s packed with invaluable insight for filmmakers, cinematographers, producers, actors, ADs, production managers—anyone working on set or looking to level up their on-set knowledge.Join First Assistant Director Sarah Lucas as she shares how the AD team pulled off the show’s signature one-shot episodes and managed hundreds of cast and crew across a massive, complex production.Register for free now: https://www.stage32.com/education/products/filming-adolescence-how-the-ad-team-made-magic
Weeee, you found me!
I'm your buddy Bottie, I was hiding behind the scenes, but now that you've found me I'd be happy to tell you what I'm doing.
I just wrote a few fun facts about Web For Actors
Would you like to take a look?
Click here to check them out. I hope it will cause involuntary audible response.
