Brendan Wentworth videos

____ AUDITIONING FOR THE ROLE OF YOU WITH BRENDAN WENTWORTH | THE AVERAGE SUCKS SHOW

Actor Websites by Web For Actors - Are you ready to audition for the role of YOU? Well get ready, because it is time for this week’s episode of The Average Sucks Show with Host Michael Bernoff! Our featured guest is actor, director, and writer Brendan Wentworth, who is best known for his roles in JAG, Chicago Hope, and Cypher! Brendan shares with us his thoughts on how to stay confident even when the stakes are high, tips to push through tough periods of change, and ways to present yourself authentically in both business and everyday life. Michael and Brendan discuss how he got into acting and his experiences over the last couple decades while working in a highly competitive and evolving industry. Listen in and learn what it means to “miss on your own terms,” to dive deep into a role, and much more. The Average Sucks Show Episode 18 For additional information on The Average Sucks show and Michael Bernoff, visit: www.theaveragesucksshow.com ===== GET AVERAGE SUCKS ===== https://www.averagesucks.com ===== FOLLOW ME ONLINE: ===== https://www.youtube.com/user/bernoff/ https://www.facebook.com/MichaelBernoff https://www.instagram.com/michael_ber... ===== ABOUT MICHAEL ===== Michael is the President and Founder of the Human Communications Institute, a leader in the personal and professional development industry. His programs, audios and seminars have impacted individuals and corporations from over 35 countries. Michael has an unmatched natural-born talent to understand the psychology of individuals, which he will pass on to you. This innate and highly-tuned awareness allows him to quickly perceive what makes people make the decisions they make and what makes them do what they do. Rather than breaking down walls, Michael is skilled at getting people to rapidly lowering resistance in themselves and others, allowing room for progress. Michael is the developer of Human Interaction Technology™(HIT), a powerful technology that allows people to understand unknown psychological triggers and powerful communication strategies so they can increase their charisma, influence, persuasion and connections with others. This leads to greater financial wealth, physical health and confidence throughout their day to day life. And with this technology, results last...permanently. Find out more at https://michaelbernoff.com

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What you should know

Actor Dictionary | Special Effects vs. Visual Effects

What you should know

To put it simply, special effects are carried out on set during production, and visual effects are done in post-production. That isn't to say that the visual effects team isn't involved in production and the special effects team isn't involved in post, but the creative decisions made by each team generally pertains to their respective phases in the film-making process.

Special effects can be broken down into two categories: optical, and mechanical. Optical effects are done by manipulating the camera and lighting which in turn will make your scene look different than what it looks like to the naked eye. This could involve working with camera lenses, types of lighting, or camera movements that give a certain look to the shot. The special effects supervisor is in charge of making the creative decisions and works directly with the director on set to achieve what he/she wants.

Mechanical effects involve working during a live-action shot and usually pertains to making things look/seem like something they aren't. For example manipulating weather conditions like wind and snow is a huge part of mechanical effects. Pyrotechnics and working with scale models is another aspect of mechanical effects.

Visual effects has emerged as a paramount part of modern-day film making. You will rarely ever see a film without visual effects. This could be filling in a green screen,  creating computer generated imagery (CGI), 3D rendering or animation. The visual effects supervisor (not to be confused with the visual effects producer or coordinator) makes all the creative decisions and works directly with the director off and on set to make sure  he/she gets the visual image desired. The visual effects coordinator works for the visual effects supervisor in post-production, and the visual effects producer works like a line producer and manages the cost of the visual effects which can get outrageously high (sometimes over half of a film's budget).