Jane Doe

Hello, I am Jane Doe
Actress from California

Jane Doe is an award winning SAG-AFTRA Model and Actress from Nevada with 15 years of professional experience. Jane is not a real person, just an example for Web For Actors.

Personal Info

  • nameJane Doe
  • unionsSAG-AFTRA
  • e-mailjdoe@iadb.com
  • based inBeverly Hills, Las Vegas & New York City
  • phone(909) 788-8889

Portfolio

Resume

Credits

  • Salt and Ash
    2026

    Rue, Web for Actors

  • Green Light
    2026

    Isabell, Web for Actors

  • Cold Harbor
    2026

    Girlfriend

  • Afterglass
    2024

    Droid #4

  • Split The Rent
    2022 - 2024

    Sarah

  • The Ashcombe
    2023

    Elizabeth

  • The Long Ascent
    2021

    Sherri, Web for Actors

  • Skin Deep
    2020

    Rosemary, Web for Actors

Education

  • New York University
    2012 - 2014

    Master of Arts, Acting

  • University of California
    2008 - 2012

    Master of Arts, Theater

Training

  • Acting On Camera Technique
    2018

    Phoenix Film Institute

  • Acting Classes
    2016 - 2017

    The Heller Approach

  • Intro to Improv
    2013 - 2014

    AdlerImprov

Resumes

My Acting Resume Acting Resume Jane Doe 2018

Skills

  • Ballet
  • Boating
  • Cello
  • Gymnastics
  • Horseback Riding
  • Improv
  • Karate
  • Kick Boxing
  • Motorcycle

News

IndieWire Festival Pick

IndieWire Festival Pick

Staff Writer, IndieWire

A festival standout: Jane Doe gives the quietest and strongest performance of the lineup.

Deadline Casting News

Deadline Casting News

Staff Writer, Deadline

Jane Doe joins the ensemble cast of an upcoming limited series.

Variety Review

Variety Review

Staff Writer, Variety

Jane Doe turns a small supporting part into the scene everyone talks about on the way out.

Medium Article

Medium Article

Authors, Medium

Jane Doe's performance in XYZ catches the eye of A-list directors...AGAIN!

A performance of real control. The quiet moments carry as much weight as the loud ones, and the restraint never reads as distance. By the second act you have stopped watching an actor work and started watching a person decide.
Marion Reyes, The Bay Review
She holds a scene without pushing at it. The camera stays on her longer than the edit needs, and every time it does the moment gets better rather than thinner. That is a rare thing to be able to count on.
Dana Whitfield, Northlight Theatre
Cast her and then get out of her way. She does more with a pause than most do with a monologue.
Marguerite Bell, Stage and Screen Weekly
The kind of performance you only notice is a performance on the second watch.
Andrew Sokolov, The Reel Review

Awards

Golden Screen Award — Some Organization 2015

Contact

Contact info

  • Beverly Hills, Las Vegas & New York City
  • jdoe@iadb.com
  • (909) 788-8889

Send a message