About
SAG-AFTRA
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Your bio should say enough about you to tell the reader about your experience, your accomplishments, and a bit about who you are professionally. Try not to make it too long, but a few paragraphs is standard. For instance, this paragraph can list a handful of your credits, though your most impressive credit or two should be in the first paragraph. You can discuss noteworthy collaborators here as well.
You can end your bio with where you are now, what organizations you belong to, and how you contribute to your professional community at large.
Based in Beverly Hills, Las Vegas & New York City
Skills
- Ballet
- Boating
- Cello
- Gymnastics
- Horseback Riding
- Improv
- Karate
- Kick Boxing
- Motorcycle
Languages
- English
- French
Reviews
A performance of real control. The quiet moments carry as much weight as the loud ones, and the restraint never reads as distance. By the second act you have stopped watching an actor work and started watching a person decide.
Marion Reyes, The Bay Review
She holds a scene without pushing at it. The camera stays on her longer than the edit needs, and every time it does the moment gets better rather than thinner. That is a rare thing to be able to count on.
Dana Whitfield, Northlight Theatre
Cast her and then get out of her way. She does more with a pause than most do with a monologue.
Marguerite Bell, Stage and Screen Weekly
The kind of performance you only notice is a performance on the second watch.
Andrew Sokolov, The Reel Review
